steelpotato

The Clock

The tension levels were high at the start of this one, as you had me horrified that you had spelt the character's name Vic Mayer, but of course I was relieved that nobody would be that stupid. A nice synthy soundtrack highlighted some focused training in preparation for something that wasn't entirely clear until it happened. Good macguffins with the bomb and the girl. Led itself to a pretty simple payoff that worked because of the physical humour. Just needed a bit more polish.

It's About Time

Bit torn here, because we had one absolutely amazing song and the rest whilst composed well enough were not used to drive the story to any great degree. Nice costuming for a period piece and I get this was an ode to the broadway classics, but I would have loved to see a clearer narrative.

Cinematography at times beautiful though several edits personally a tad jarring. Audio quality also markedly jumped from ok to really good throughout. Just my 2c.

Glitch

Technically amazing as always, this went quite deep on concepts of immortality and human nature vs technology with an open-ended approach that had the audience captivated. Serious nods to THE MATRIX but without any homage and a genuine attempt to do something different, with a dreamy yet sinister vibe to the whole proceedings. Those tunnel shots were truly something. Visual effects were also subtle but terrific and the script whilst minimalist kept an air of intrigue as to who the Morpheus-like overlord was and what he meant to our protagonist. I'm expecting this in the Wellington final because the film as described above is very strong, but as an 'Ultra' film I'm seriously disappointed. Yes there's children and yes the events of the film kind of skirt/subvert that regarding the adult protagonist. I'll wait until others have seen the film to say any more. EDIT = Film would have been a 6/7 if not for the Ultra shortcomings.

THE NEXT BIG THING

Staff at an Inventor Company were pressured to come up with 'The Next Big Thing' by their pushy boss, however the only real success they have is wire bracelets which cause people to bleed and are a hit with emos. This was candy-coloured silliness in an office, but I honestly didn't get the ending.

General Incivility

Strong electrotherapy to cure insomnia. Sound a bit dangerous, doesn't it? And it proves that way when we are advised that if Vic Meyer doesn't wake up in 14 hours, she will sleep/walk forever. There were a few good lines, and ideas regarding conscious/subconscious behaviour, but I felt that some more character motivation was needed for the actions that we saw on screen.

Mary's Descent

Placeholder review.

The Gloved Hand of Silent Justice

Have you ever had enough of people who slightly irritate you? Those who talk too loud, play obnoxious instruments, park badly or just get under your skin? Well the woman in this short film certainly did, locking up all the annoying varmints in a mimed central park jail in Palmerston North.

Subversive? To an extent, however this is a difficult film for me to review, because clearly a lot of people liked it based on the first place in audience voting so well done on that because the light hearted humanistic tone of the everyday woman taking action was relatable. But it went with a couple of ideas that are so tricky to pull off in short films that you need to do them perfectly to get them right, mime and narration.

Firstly, the miming. What worked for me was the costuming and physical performance of your actress. This is not a criticism of her, or a criticism of your choices to go with a mime. It can work, but I personally feel that to work on film it needs to be intimate. If you're watching a mime street perfomer there is a degree of closeness with the very deliberate moments.
So on film for that to translate to the screen we either need to see that closeness, or that exaggeration, as well as potentially sound (which admittedly was done well here) to sell the effect if you're crossing into the metpahysical realm, where mime jails for example hold prisoners. If the mime activity is sold with long shots then there is a distance that just makes it come across as flat in my opinion.

Secondly the narration. This is such a common trope in 48 Hours now, and honestly I think I have come across more of it in 2021 than any single year by a mile, that I need something clear as to why it is being used. Not just to explain a character's motivations, but to stand out from the pack.

I've got no qualms about the genre element. In fact it being open whether this was an origin story or someone putting the costume back on worked in its favour. The idea was good that they were seeking justice, and the everyday crimes they were taking action against was very relatable.

My last nitpick was a couple of audio pops early, but technically pretty good as always from Outcasts otherwise.

Obviously I may be coming across as a bugbear over a couple of issues that may have only been issues for me. I apologise for the negativity I am just being honest.

Story: 1.5/5
Technical: 3/5
Elements: 2/5
Overall: 2/5

Big Horn

Short sharp little 2d animation as a young monster makes their way past a procession of elder beasts to the top of a mountain and receive their adult horns. Included all the required elements and looked nice. I enjoyed it even though it was exceptionally short, but then I absolutely love animation.

Clocked Out

A very thirsty man asks his friend to cover for his cheating, after he gets fed up that his partner/wife is always working too much and moves onto the next name in his little black book when his needs don't get met on the spot. Black and white, blurry for the most part and shot from a distance where we couldn't see the character on the phone, and with a plot that was very far from real time thriller it was a film that needed a lot more time spent on the script. Sorry to see you were DQ.

Story: 1/5
Technical: 1/5
Elements: 1/5
Overall: 1/5

Pixel Dream Girl

Sick burn here on app-based dating, and the many challenges that it generates by deciding a romantic fate through swiping left or right. I was thoroughly impressed by how well Squint Eastwood rapid-fired the douche canoes that plague the likes of tinder, with nobody safe whether it be the boring 'interests = movies' guy, through toxic ab showing MGTOWS and running the gauntlet through to the desperate bit too old creep. Really well done integration of split screen too, utilising the phone for the Ultra requirement whilst our pierced and tattooed dream girl for many lamented not finding the one for her. So like story wise this had a great setup, and the pastel bright colours are always a massive breath of fresh air, the inimitable animation of Sam Harris something to behold and honestly the music was catchy as hell (A++ for the blazing autotone finish)...I was just personally struggling to resonate with this as a cohesive story. Great opening act, strong finish, but the glue of the middle piece when the rejected creep went too far just took me out of it a bit. I understand it was probably supposed to make people feel uneasy and you nailed that aspect, and that's not why I'm critical here, I just think it created a variation in the mis en scene of the whole film that felt a bit confusing by the end, when it started so amazingly well with the subversive topical approach to love.

Your Lie in June

Three years into a relationship and it's the perfect time for a proposal in a carpark, but a shootout and sudden gun showing reveals cracks in the relationship of our 2 leads that are more like chasms. I liked the idea of love conquers all being presented here, and playing it deadpan in terms of dialogue was probably a smart option. Reveled in ridiculousness, and whilst the team kinda said screw you to the request to be respectful with guns, it all worked within the story for me. Nollywood quality squib effects brought the house down, while whoever played the character with the blonde wig could be up for a Wellington best actor nomination in my book.

Impasta

Sock puppets have a spaghetti-eating competition, only one of the contestants may not be quite who they seem to be. Is the fact that one of them is the size of a human the giveaway when all the others fit on hands and feet? Only time will tell. Absolutely farcical and surreal I was completely sold on this sock world as it felt hypnotic to me. It honestly felt fully formed from the jibberish language, to little and not so little details such as not having teeth being key to being allowed to enter the competition. Whilst the location could have had a bit more detail to it to be more engaging, the team overcame the plain background with lots of close ups and a large variety of colours on screen giving this energy and vigour.

Bump In the Night

I assume sound design is an award again this year? Definite nominee right here in my book. We followed our protagonist through a pretty drab rundown looking Kilbirnie, which seemed to have splintered off into its own little society with the Kilbirnie Post newspaper, and a whole lot of chaos such as the main sportsfield now being "KILLbirnie park". Several people were missing on flyers in this chaotic vision of the future, but our lead had strong screen presence as he made his way home after having had to crash at a friend's for a while. Nice payoff that was reliant on sound, that earned its dues because the team had good sound like I said earlier! I loved the world building, I just wish there was a bit more in terms of plot to this one.

Cop Out

I wouldn't steal a car? Is that a challenge? Nah fair play team this was off the walls beautiful, a veritable barrage of humour that made me yearn for my years of working in a video store when I was much younger.

Move over ram raids and animals stomps, well know the worst crime you can commit is something along the lines of not paying for streaming.

Yo ho ho it takes a lot to genuinely avalanche the laughter in a short. Started funny, got chortle inducing and then genuinely jaw droppingly good. Black comedy hasn't had it this good in this comp for ages.

Fuck the lack of performances, fuck the conventional narrative because we had a lightning in a bottle vomit spewing PSA here of epic proportions. Magic.

Story: 4.5/5
Technical: 3.5/5
Elements: 4/5
Overall: 4.5/5

Ta Da

Fantastic 3D animation in a style reminiscent of Shanks and Bigfoot, here we got a very Scottish take on a drive-thru where the personal ghosts of the past get in the way of a tasty trout and gravy meal at MacDougalls.

World building so good I've literally jumped on a search engine just now to check out 'Bonnie Boxes' probably much to Andrew's delight, I particularly liked the nonchalant attitude of the hungry driver even when faced with the possessed menus coming alive.

The rage and groundstanding of the fierce Scot who doesn't take any shit even from a ghost was also a highlight, though I think the comedic aspects of the script were probably its greatest strength, with the server having me laugh out loud at one of her responses.

Excellent voice acting, colour play that popped like gum against the night setting and seriously strong sound design. Technically very on point.

For mine the main nitpicks was that maybe the fightback/standing up for himself came a bit too quickly and rushed through? I only say that because the back and forth engagement over The Bonnie Box was so good, though this was mitigated by an enjoyable real sendoff for the film after that that great the film an excellent full circle arc.

Story: 4/5
Technical: 4.5/5
Elements: 4/5
Overall: 4/5

DREAM CATCHER

Now this, THIS is the sort of film I hold out hope for in 48 Hours. A masterful ode to analogue that crosses boundaries by mixing old, hand dialed technology with the unexplainable science of dreams. We're down SKINAMARINK/ERASERHEAD territory folks and I'm all for it, DREAM WARRIORS by way of OPPENHEIMER driven by static and a pulsating thumping soundtrack that would do both Moroder and Morricone proud.

The edit is beautiful, the intrigue is high and the payoff was rewarding for me. Despite all my name drops towards the start of this review you played it serious and made your own beautiful oneiric masterpiece.

Yeah you absolutely pushed my buttons in all the right places and I thank you from the bottom of my heart for making a film that I truly and utterly loved. Well done DRAKE & CO.!

ACAB: All Cops Are Builders

Really clever topical film set in an absolutely magnificent location of an industrial warehouse that was used to clever effect, as a cop recalled to his boss how an investigation into valuable material went horribly awry.

This film took me right back to an early Cinema in Decline film from 2011 with the way we cut between a police interview and the retelling of events, with the cuts between the two timelines told with absolute precision.

Really strong script as well, with humorous character names such as Bunnings and gib board dad jokes that will have even those who just celebrated father's day groaning hard, but all done in a charming way. Apart from the trademarked Typhoid bloodshed of course.

Story: 3.5/5
Technical: 4/5
Elements: 3.5/5
Overall: 3.5/5

PepTok

So....the elephant in the room of this film's director having for the 2nd time in 4 years written a suicide-centered film that placed at the national finals? Yeah I'm assuming most are going to not care given it just took out the Apee (congrats by the way). For me personally this has got to be the most divisive winner the comp has ever seen. Yes challenging and technically brilliant plus perfectly performed it just didn't tick the boxes for me personally in terms of engagement and it's really hard to put my finger on it. Will come back to edit this review once I've pondered a bit more and re-watched.

Heartless

I really like seeing teams shoot in scope in this competition. It is often a more naturally cinematic approach to film-making, and with a nice opening tracking shot across a desk full of crumpled paper about ancient relics this team set the scene well. Having recently lost her brother and not accepting his fate, her attempt to resurrect him then provided the plot device for the film.

Her quest to find the heart made this more of a RAIDERS OF THE LOST HEART in my book, with the mysterious heart box drawing clear inspiration from the ark in the Spielberg film.

There were a couple of nice moments of costume design, but I was overall left scratching my head at the muddied plot on display here. Overall it made sense; issue, goal, conclusion. But the steps along the way were very confusing for me. A car boot. The death of the relic expert. The funeral card. The gas mask. I just struggled to understand what was happening throughout. I'm not going to go into great detail about technical things I noticed but whilst some framing was nice, lighting had issues as did sound.

Story: 1/5
Technical: 2/5
Elements: 2/5
Overall: 1.5/5

Henry's 21st

Most artistic film ever made in Wellington? Yes I'm going to call it. Most artistic film ever made in the comp? Possibly, it's right up there with Brothers by ADHDMI that's for sure. The family who put on the vhs that they thought was a family birthday sure get the shock of their lives when it turns out to be a 4 part stimulating sensory overload video by the Institute of Applied Psychoanalytics. Audio, visual, reflex and dissociation were the stages to experience, and boy oh boy were they experiences all right. From waves crashing to the serene forest, fingers scraped and squeezed along metal and through bananas, this was an absolute delight. I haven't even talked about the colour palette that simply blew me away as bright yellows, purples and blue hues filled the screen cleanly yet effectively. Our instructor also put in one hell of a performance. We have a contender. Anyone for cake?

BLANKING: THE UNSEEN ART

A.F.M! (If you know me from this competition you'll know what that stands for). But yep...a mockumentary, which if you don't get as your genre I absolutely can't stand in this competition. It was well done and all I guess; covering an advanced form of hide and seek where the objective is to actually disappear as quickly as possible, or sometimes for as long as possible when considering 'endurance' blanking. But mockumentaries are a cop out. It also wasn't 16:9 [windowboxed] and end credit was '48 Hours 2011' (not the actually required wording) which just added to my annoyance.

Sims 3 Generation Expansion Pack

Verite home movie film-making on a $2 budget yes this was absolutely cringe and had an impressive amount of detail to the story as our lead showed how she grew up alone with a heavy drinking father and neglectful mother before finding the love of her life, and a blind dog randomly thrown in for good measure. Gonzo would probably be the best word to describe this, with crazy makeup for almost all cast members involved. It reminded me a bit of a warped version of TARNATION but from a plot point of view this was all over the place. I also get it, but am of 2 minds as to whether deliberately shooting this to look like a used vhs should be applauded when you've got other teams shooting on high-end cameras creating exceptional scope films, for example. But variety is the spice of life, hey, and this team did get a huge amount of laughs at the heat.

Phantasmal Illusions and Other Apparitions

Who doesn't want to know what is in store for their future? Our lead goes to a tarot reading for this exact reason and draws many unusual cards or toys only for a presence to appear and events to spiral out of control.

For mine, seeing what won let alone was nominated for cinematography in Hamilton I'm pretty surprised you weren't up for that award. The film was visually slick, with really good camerawork, lighting and cinematic touches throughout. I can see how the inserted footage of buildings and candles might have rubbed some the wrong way though as it was a little bit extrenuous.

Performances were also good in terms of line deliveries and screen presence and the original soundtrack which was really strong was the highlight of the whole thing.

But I need to talk about the elephant in the room. That ending, was, in my opinion, absolutely dire. An eye for an eye cold blooded revenge. I get it, I think, that brothers would do anything for each other but to just go for the cold kill left me feeling absolutely freezing and nonchalant about the whole thing that had come before in the previous 3 minutes. An absolute shame.
My personal opinion is that you had 2 more minutes you could have used to give depth to characters and make the ending actually resonate. Why was the revenge so important? What satisfaction did the audience gain? Why did the first murder happen? Being open ended is all well and good but when even a shred of detail about who the characters are is stripped away like this it just creates a mean spirited film.

Story: 1/5
Technical: 3.5/5
Elements: 2.5/5
Overall: 1.5/5

Good Company

This was a really nice looking film with excellent depth of focus throughout so well done whoever was your DP! This also had really strong contrast with smart costuming decisions to clearly identify each character against the warm backdrop of the timber cabin.

In terms of the film itself, I actually really liked that you used the idea of someone inviting themselves to a party and the unsettling feeling of the fish out of water hitchiker being on another planet in terms of humour compared to the existing group of friendly lads was particularly well done.

Also technically this has good clean sound, impressive performances and an entertaining script.

Unfortunately then that ending, for me, absolutely let the film down like a hot air balloon that had been punctured. I hope I'm not being too harsh because you had garnered an incredible amount of goodwill in the first 4 and a half minutes only to go down a dark predictable rabbit hole. Arguably it was a STEPFATHER-type on to the next victim statement, but it just needed a bit more to be shown if it was indeed a cycle continuing type message.

However, nail the ending next time and you'll be progressing past the heats with your clear and obvious talent.

Story: 3/5
Technical: 4/5
Elements: 2.5/5
Overall: 3/5

E.T.R.

So you know a few weeks ago how I said Couch Kumara had raised the bar for gore in this competition? Well honestly Hot Lunch quite probably have their number with an absolutely staggering tale of guts and destruction that would leave the French extreme horror movement of the early to mid 2000s proud. We're talking FRONTIER(S) style carcasses and BRAINDEAD inspired blood and guts that was jaw droppingly well done.

But you know what? They bloody well earned their explosive payoff, with a likeable ensemble riffing on topical trends such as the housing market and crypto and all centered around a good old fashioned getaway to Gizzy with the lads (a week is plenty of time to get back to the pregnant missus) where things go horribly awry.

Those weekend hall passes quickly led to an eery feeling of dread and good old fashioned ball tripping over tuatara cocktails that cigars would not be getting smoked to celebrate a newborn anytime soon.

Technically superb with pacing, edit, script performances and direction all really well handled. The sound was loud, in your face, brash and completely appropriate for the bravado exploding on screen.

What I personally loved here was the ode to THE MOST DANGEROUS GAME. That subgenre (WALK THE DARK STREET, CONFESSIONS OF A PSYCHO CAT, THE HUNT et all) might just be my favourite subgenre in all of cinema, the human hunt.

Fuckbois getting their comeuppance, what is there not to like?

But genuinely, I loved this film. Massive congrats on the Gisborne victory and fingers crossed you make the national final to blow everyone away at the Embassy.

A Problem With Tomatoes

This team apologised for their audio before the film played due to having to use a backup mic, and to be honest guys whilst the levels were a bit loud at times, it was nowhere near the worst I've come across in 48 Hours. Probably better than half the films this year anyway. A blind or internet date goes fairly horribly wrong for our Nicky Brick when he is knocked out and handcuffed to the bed with a satanic sign painted on his chest by his potential date for her coven (and garden). What follows is a good level of interplay between the two, as well as another particularly energetic supporting actor. The virgin jokes were clever (not sure why they didn't get more laughs) and the both leads were really good. The woman who played 'Storm' was quite a stunner.

This Way Home

Whilst their pointed features normally point them in the right direction, leading the pack leads to loss of direction and appetite for a would be Elven adventurer. Once again a phenomenal animated musical from Hannah Taylor that burst with colour, vibrancy and catchy tunes.

First timers take note this is how you make the most of your 5 minutes and go big or go home, because with 2D Animation in particular you've got to have something pretty bulletproof before you get going and with a deft and talented hand behind proceedings, this LEGEND OF ZELDA IN THE LAND OF OZ crammed some absolutely doozy songs and well-executed story beats into proceedings.

I liked the touch of commentary about how people can become reliant on their devices because even whilst this film was set in the supernatural wilderness, the loss of a map and a backpack shows how raw and instinctive nature quickly makes people.

Having said that, this is a film that shifts gears like not many others in the competition this year, and it's so pleasurable sitting and watching a film thinking that it is getting good, then it gets really good...and then WOW. There is more than one moment like that but a particular highlight for me was the first song "My Instincts Suck" where a catchy tune then kicks in with rhythm guitars, THEN harmonies, AND THEN the psychedelic spit screen. That's absolute gold.

Some truly inventive storytelling and lore as well, with the modernisation and subversion of lycanthrope tropes where the jazzy dance moves called to mind the big brass band numbers of Busby Berkley classics like CABIN IN THE SKY but on a smaller but nevertheless just as charming scale.

Now for mine I do just wonder if the emotional beats of the story could have been ever so slightly stronger. We get this initially with the character expressing the angst that their famililal pressure generates, with fantastic voice work and animation to show this with pitch point accuracy. But with being lost and looking to get back on track so critical to the story, whilst I found the journey incredibly charming with great comedic beats, the ending felt literally a bit empty. Like we got the sign and the resolution, and life goes on, and I just personally wanted more. But maybe that's just because I wanted to see more of this high quality film. Hard to say!

Story: 4/5
Technical: 4/5
Elements: 4/5
Overall: 4/5

The Janitor

After a powerful avatar lead hero slips and is replaced by a janitor, the fate of the world is left in the hands of someone with surprisingly just as much skill with a gun as a mop.

Really just an excuse for a gunslinging romp shootout with fun alien masks, great voice work and sound and tidy vfx. You know what you're going to get with Mad Scientists, tone-wise, and they delivered the goods you've come to expect yet again. One of their most OTT entries I enjoyed it!

Story: 2.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Climatic

Took a leaf out of Grand Cheval's book (nowhere near as good as Child Jumpers, though) by doing a mockumentary that wasn't quite in that genre; plenty of talking heads but more where the team trying to save climate change were simply followed around as they tried to save the earth with the impending change supposedly happening in a matter of days. Some nice comic touches such as the email from Al Gore drew a decent audience response, but it was a one joke film and I hate talking heads in 48 Hours. EDIT 12 JUNE 2013 AFTER WELLINGTON 48 HOURS FINAL. Boy watching this a 2nd time just made me absolutely cringe; your lead actor carries the film with an unrelenting loud in your face to the camera approach which obviously judges liked (but trust me, they all didn't love it by a long shot). The reason that downlowconcept and Grand Cheval mockos have worked in the past is by actually having character development with an emotional story arc. You had some really nice comic touches but this could have been pigeonholed to fit into any other genres.

Thirst Contact

Placeholder review.

TWO MICE

Starting as a charming buddy film where two old mates catch up we got some more extraordinary animation by Awkward Animations that included bombs and body parts with a script that got darker as the film developed.

First up, visually this was exceptional, realistically as good as it will get with stop motion on a 48 Hours weekend with perfect lighting and use of attention to detail such as shades and holding items allowing the very white mice to absolutely pop on the screen.

What I particularly liked about this effort was the matter of fact way that proceedings progressed. Protestations from the "not really dead" participant aside (great use of sign, by the way), I was chortling at the discussions about feeding a dead body to pigs...and then that payoff that made everything come together, just sensationally explosive.

I think that you did brilliantly to convey a sense of character in your mice in such a short space of time, and making this a slice of life (or death) with a conclusion that left me wondering about the repercussions was a perfect example of how to pace a short film.

Tight, to the point and hilarious. Hard to fault.

Story: 4.5/5
Technical: 5/5
Elements: 4.5/5
Overall: 4.5/5

A Couple' a Wetties

Working as a kind of piece the puzzle together MEMENTO to discern the events of a party last night via way of LOVE ISLAND, this film was absolutely riveting for the most part with some of the best camerawork in the whole competition so far this year, although straight up in my honest opinion the ending let it down like a lead balloon.

I thought the way that the lead actor conveyed a sense of surprise and bewilderment at the strange people in his abode following a rager was really well done, and the urgency to escape was expertly edited and paced, with the shots on the beach absolutely glorious...and when things got weird man I was ALL IN on this short with the Icarus-inspired stranger flying in to elevate proceedings.

Edge of the seat stuff, the camera crash zooming into the building from afar had me gasping as I watched. But I just can't stress enough that then moving to talking heads giving their thoughts completely took me out of the moment.

You brought it back with some grassroots humour and the cat swap to get back on the incredibly strange roundabout, but I just wasn't sold on the narrative overall. That camera work though, really sensational!

Story: 2/5
Technical: 4/5
Elements: 4/5
Overall: 3/5

No Indemnity

Yo! This was manic! Really enjoyed the kitchen sink high energy approach here with the film really moving like a bullet train to cram as many ideas as possible into its run time. The setup was good to allow this as well, as a vengeful ghost tries their hand at revenge on the femme fatale who sent them to the afterlife.

I tend not to reference teams' previous 48 Hours films but we've got a bit of auteurship going on here as this team last year got crime and this year upped the ante by going all in on hard boiled noir. Some gorgeous trope shots set the scene such as shadows across faces, blinds representing the internal jail/struggle of the protaganoist etc. But this was a setup rather than reliance on noir for form, with SIMPSONS-infused heaven and hell humour by way of BEETLEJUICE house haunting propelling the on screen action.

Big props for just rocketing along, no better example than piquing my interest as a viewer by immediately having our lead detective absolutely getting their hat soaked in the shower. Loved that the soundtrack sounded straight out of BASIC INSTINCT as well.

Did the sum of this films parts completely add up? Not totally for mine, but highly enjoyable with never a dull moment.

Doggo Count = 1

Story: 3/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Board to Death

So I re-watched CLUE for the first time in a while the other day, and that film still stacks up superbly. This pun-filled quest to be the first Cluedo character in the house to kill someone else, however, did have a number of flaws... although your enjoyment of the film would likely depend a great deal on how much you like puns, board games and board game puns. An underutilised Nicky Brick does luckily break up this barrage of jokes and one on one fighting with candlesticks/revolvers/spanners by Colonel Mustard, Rev. Green and the like, but it one essentially a one joke film that could have done a lot more plot-wise than just ham it up.

The Running Conspiracy

I'll copy Dan Slevin and mention the Tarantino-esque plot structure. Very young team but showed up a few of their adult peers with unmatched energy on screen. After refusing to throw a race, Nicky is up against it from a mob boss who has a sniper in his arsenal to look to ensure he collects the betting money. Guns, ninjas and ridiculous fighting throughout. Was that a flashback within a flashback that I saw? Because that is my favourite nonsensical plot device of all time. The times that the characters did open their mouths for dialogue just about always hit eye opening levels of ineptness with regards to the human language but the film was alll the more better for it. The over the top violent results of injuries and gunshots were memorable as heck. I commend you for getting the audience to applaud you a couple of times before the credits rolled.

SHE'S OUT OF THIS WORLD

Warriors fight for the right to marry the Princess Junkadia (sp?) on Planet Falcor, but she wants to marry for love and not just who is the strongest and therefore flies off to Planet Earth to get away from the barbaric tradition of her people. Running into an Earthling who can show her our ways of life is of course a refreshing change, but the warriors also possess the ability to fly between planets so could catch up with her at any time. Effects were great as always but I also thought this was verging on being more of a Fantasy Adventure than Rom Com with the whole 5th Element meets Superman 2 vibe that I was getting (and a lot of the ideas being the same as those films). The laughs are more based on character expression and some 'oh shit didn't see that coming!' [usually from the outstanding fx] than script based dialogue that I've come to expect to entertain me from this team. Having said that the chemistry between the two leads is decent, and her stalking him is a nice change-up to the standard romcom formula. But yes the ending dare I say it did feel quite formulaic and forced, even. Hard to rate this one on its own terms knowing the team's fantastic body of work but not quite as good as previous years apart from the fx improving even more.

KILL THE CHILD

This played in Heat 19. So this just happened. A demonic scatterbrained bloodfilled homage to Trash Humpers, or at least it wanted to be. The ritualistic cultists appear to bathe in blood with an intention to lure in their childhood neighbours on the promise of giving them lolly money. Trust me that's just my own interpretation of the images and sounds I just watched. I think the team might be quietly laughing that someone actually tried to make any sense of it. Some of the action had a Texas Chain Saw Masacre feel to it, but by and large it was an experience rather than a film. Shame I can't give a no rating option as I'm torn between giving it the lowest and highest possible rating. I'll give it high because its a DQ film and don't see that harming anyone.

Plastic Splatstick

Used the 48Hours platform to present a darkly comic call to get rid of plastic bags, through bumbling kidnappers and a startling can-do alternate universe female Prime Minister. Held mostly high production values and the jokes were well timed. Fairly decent sound with clear dialogue for the strong script. Probably a bit of a smokey stabbey dark horse for the shortlist.

Genie in a Goon

Drinking goon must mean you're wishing for something better in life, right? Clever concept and very kiwi in its audience side splitting humour, the genie in particular had very strong screen presence in this one. Solid subversion of the whole concept of genies and wishes with the idea of what if the genie didn't always get the wish right? Vegas joke was hilarious and the film had an electric pace to it. Churr bro in tone but with a sinister underlying, a significant improvement for Skooterman Pictures. Well done.

Loyal

Technically superb with a tremendous sense of dramatic development this nailed the buddy film genre but also subverted it In such a way that I could see it being a serious contender. Two best friends are shown to go through their daily routine in a way that unmistakably only buddies do; all the tropes of young men you could relate to are there such as bacon, sports and driving fast all moved along with just the right sense of urgency to let the film breathe within its time frame but not overstay its welcome. The comedic timing was good, the performances very strong, script even better and score which appeared to be original also perfect for the mood.

Office Fantasy Challenge

Mockumentary on an Office fantasy challenge involving an elf, barbarian and wizard/magician. A couple of nice jokes but sound was raw and loud, too many talking head shots for my liking and the film was fairly tedious. Probably would have been better if given a proper narrative, and not pigeon-holed into an office setting for the sake of it, at least that it how I felt.

Final Bell

DQ? Seriously unlucky team, no joke this could easily have had a best soundtrack nomination; absolutely SENSATIONAL work by your composer!

I like to go deep with my nods but I get vibes of a couple of underground 80s horrors GRADUATION DAY and MOTHER'S DAY in this one, as a substitute teacher from hell goes on a murderous rampage at a school, with a German exchange student not able to find the words (literally, in English) to warn her classmates of the impending doom.

Really original gore especially with the staple gun. This was a lot of fun.

Creature Comforts

Examining and championing the New Zealand wilderness, here we have Reagan Morris firing on all cylinders as a hiking guide who just wants to share his passions with a set of ears that isn't quite ready to listen. The tone is quickly set and the characters well defined in a meaty take on the genre that ticks all the boxes for mine.

Honestly really relatable stuff as everyone has their passions and interests and I think that we all get a little bit tone deaf in our lives sometimes. Initially it did seem like the point was emphasized just a smidgeon too long, but then the match cut to sharing food showed the signs of this odd couple really starting to understand each other.

Personally I love forest creature features; THE FINAL TERROR (go watch this one team if you're not aware of it) and DON'T GO IN THE WOODS are right up my alley so I was really pleased to see a very dramatic PREY-like turn escalate proceedings. The makeup and mask looked fantastic and really sold the horror of the tent attack really nicely.

I think the audio design was a particular highlight as well, and the edit and direction was really tight. From a cinematography POV I think that most of the film looked great with the lush greens never seeming too busy, but did notice a couple of camera shots seeming a little blurry possibly due to the reliance on natural lighting.

Also liked the role reversal ending but do wonder if the balance to earn that would have been ever so slightly more effective if we had seen our 2 leads just relating to each other ever so slightly more. Really enjoyed this one though.

Raw Chains

The standard definition camera that this team clearly shot their film on actually helped itself immensely to the genre that they were provided. The fact that the whole thing was found footage also gets a big thumbs up from me. Holed up in a barn that the group of friends jokingly pronounce as haunted, things quickly go fairly horribly wrong. This felt quite claustrophobic but had just the right level of pacing to avoid any shaky camera issues. The darkness often seen on screen kept you guessing at all times as well.

Witcher Grove

Bit of a shame this was DQ as I'd have it up near the top of my cinematography finalists shortlisted to this point. Not only that but the use of the line was a moment which was coming for a while, but still delivered with aplomb. A creepy rhyming tale of three lovely young ladies and a nasty murderous man with cannibalistic intentions. The more I think about it the more I liked it. Far more old school fantasy adventure style that reminded me of the works of the Brothers Grimm. Artsy and bold our narrator gave a really fantastic performance. Get ya bloody film in on time next year Tim! :p

State Highway Death - Turn Right For Murder

After being bullied at school, Bobby Young goes on a road trip to New Zealand to kill all of her previous tormenters. Well, at least on the map she does, as 'Auckland' being followed by turning off the motorway onto Thorndon was greeted with some pretty massive audience laughs. Pretty unoriginal, but some good one-liners. "You do have the time, hammer time!"

The Prepper

A rugby league mad survivalist comes to terms with his insular nature through therapy, because his paranoia leads him to believe the zombie apocalypse is coming. This was an in your face psyched up aggressive performance by our hard man lead who came onto the screen psyched up and steaming and did not let up until the end. I liked how the "just calm down, go and meet some people" approach from the shrink was measured and realistic, and setup an entertaining finale at the bus stop. Rugged film with good laughs.

Great Mysteries of Natural History

Previous best worst "winners" Confusers are at it again with a mockumentary (no talking heads - hurray!) about the newly discovered Placeholdersaurus, delightfully narrated by someone giving their best Richard Attenborough impersonation. Now this might have been an entertaining short in another team without an incredibly strange bent, but in the hands of bizarro masters Confusers we got paper mache Dinosaur head weird all for the glorious better. Who is really at the top of the food chain - humans, dinosaurs or felines? I guess it doesn't matter when you have a green screen and not just one but two paper mache Dinosaur heads. Got some seriously huge laughs at the heat but could have cut down by perhaps 1 or 2 jokes for pacing.

NUMBER 15

Detective Mallory and big mouthed Detective Inspector Munro head out to the farm to investigate a sinister crime after a kid gets knobbled, with the burnt banana and coffee smell of the 'tropics' immediately setting the scene as they drive in. Cue hysterical grieving mother and red herrings before we get to the scene of the crime.

I'm a bit torn on this one because I'm genuinely not sure if the team was trying to play things seriously, or as a deliberate Z-grade black comedy. I have to assume the latter given the constant whistling motif every time the very obvious killer said something. But here's the thing...if you're going for something to be a deliberate black comedy it only really works if there are humorous elements that come to light when the material is delivered directy.

...So maybe the team was playing it seriously? In which case in my personal opinion the film had significant shortcomings because there was practically no tonal differentiation in any of the line deliveries. Everything being talked about so flatly made it hard to resonate with any of the characters. When we finally get some emotion it's just before that mean spirited ending of "yes I'm the killer you will be my 15th victim!" which was just absolutely woeful in my book. The comedic relief of a gunshot that goes nowhere near the attacker also missed the mark, no pun intended.

On the positive side there were some really nicely framed shots, but unfortunately this got nullified by the handful of fuzzy out of focus shots that were peppered throughout.

Story: 1/5
Technical: 2/5
Elements: 2/5
Overall: 1/5

Fruit Punch

Always wanting to do a good deed, our lead David (NOT Dave) helps someone get into their house that they have been locked out of, although when the person they helped get in starts smashing things up they give it a second thought. This team made a pretty huge goddam mess of whichever house they filmed at, but it was pretty deliriously good fun. Good chemistry between the two leads, as they captured the awkwardness of meeting someone you like for the first time very well.

The Remarkable Day of Doom

[DQ] Not sure of the name of the film here but the adventures of the murderous Hattie Hatpin from Toyhead Collective continued again this year. Animation was a lot better than previously and I adored the fact that you basically went big or went home (very sorry to hear you were late), with world domination on the agenda starting with a DESPCIBLE ME style fraternity of evil. Given it's the last day on earth it would be time for a Monty Pythong inspired shark submarine, wouldn't it? I would have given this one higher marks if the last day on earth aspect had been more to the forefront of the film, but really do admire the improvements made by the team, and while murderous the satyrical destruction of the oppressive male patriarchy made me grin.

Compress

Genuine contender for the overall top Wellington prize, as our lead came to grips with being dumped in an absolutely bravado dazzling display of emotional intensity, conveyed almost exclusively through movement and dance juxtaposed with a damaged soul, with music video quality shots cut in rendering feelings raw where required. The eyeball shots of crying in the rain for example. Just wow. Also a shining example of making sure every single shot was tightly set up and played with just such absolute passion that I was in awe. Sound was perfect, with minimal dialogue other than the dumping and some very wise words of wisdom by people that matter the most in a young person's life. Even included actual high school footage where whoever was on art department duty had actually made an effort. I truly believed these adult actors were in their teens simply on the performances. Camera work on show was absolutely top notch there's very little negative I can think of to say about this film at all. Coming of age nailed? You betcha.

Spearhead

My apologies for the late review but the calling out of judges not appreciating subversion by a bunch of 7 star reviews for this film did not go unnoticed. Over half the film was spent on speed dating where attempts at insightful comical humour were made however to me the self depreciation of the average kiwi male did feel rather cliched. I'm a huge fan of Takashi Miike's fan AUDITION (in other words I'm a huge fan of slow burning horror) and so whilst dating has been massively overdone in 48 I still did like the ability to hold the frame during the dates. Building to a cold drab murderous mean spirited factory/warehouse conclusion was not unexpected unfortunately. There was a fine musical score in the 2nd half of the film however the plot development in terms of any story was for me a massive problem. Acting fine, technically fine in particular camerawork. Shit even editing was fine but at the end of the day there was a story that to me personally was simply not engaging.

The Dying Art of Cat Burglary

What I love about THE DYING ART OF CAT BURGLARLY, is not so much the fact that it was shot in Australia and looks great, as overseas entries are such a thrill, but that it told such a clever, unique and universal tale of said robbers doing anything to get ahead in life. It's like a keeping up with the joneses times eleven, and absolutely nails the antihero character requirement the competition asked of the team.

To immediately give more praise to the team, the editing was simply out of this world. Yes stock music was used throughout, but I was so amazed on my third watch just now to learn that several tracks were used because the tonal consistency was so strong across the entire film. It was a very smooth ride that allowed the complete focus to be on the catburglars, with a feeling of danger and excitement due to sound beats that went from pulsating to drone-like in nature as the plot beats of the film unfolded.

I also appreciate that this team not only went Ultra, but actually used the darkness of night to elevate their film through not just a central plot device of the crooks looking for cash, but the elevating relevation of the home owner being at home and having their own dramatic tension to worry about, through something unpredictable that does indeed regularly happen in the middle of the night.

The comedy was also gold, with a script that threw out such gems as thinking a pumpkin would be a good take, only to be reprimanded by the old timer, who rolled off the list of what brings in the real money with aplomb.

Ending was an all-timer, for me. Sinister, yet hilarious and very satisfying, with the aformentioned characters and how well they sold the importance of the heist making it feel earned rather than shocking. Just really solid performances all round, with the would be mum being a particular highlight due to how well she played her role physically.

The very minor quibble for me was that it reminded me a lot of LOCK, STOCK AND TWO SMOKING BARRELS, but that was just in feeling rather than in terms of the actual storytelling.

Congrats on the baby by the way team!

Story: 4/5
Technical: 4/5
Elements: 4.5/5
Overall: 4/5

Shit Chat

Honestly, Free Cinematic Luts, I LOVED your film and I'm genuinely flabbergasted that this did not make the Auckland final. I've watched everything in New Zealand this year and this was literally tracking in my top 5 nationwide, with the most startling ending to a 48 Hours film that I have ever seen.

But let's work backwards, because I'm literally trying to make head and tails over what the judges didn't like here. Yes it's absolutely crude as fuck, but it's also technically on point with fantastic performances and script and nailing the genre.

"Story is king" is my first point I want to address, because that has always been the mantra of the competition. What are we all looking to actually see made on the weekend? To me I want to see original stories with well structured beats driven by an engaging dramatic question. To me SHIT CHAT ticks all of these boxes. There is no lack of clarity about the dramatic arc, in fact I found it incredibly satisfying; we see character development through back and forth dialogue where we only see one party (I mean, c'mon - Missing Pixels got 2nd in 2017 with that sort of approach so I don't see how that's an issue all of a sudden), heck even sound is really good.

In terms of coming back to the film itself, one of the things I liked the most about this film, where a festival goer opens up to try and open up their constipated bowels, is the colour play. The lime green portaloo walls made for eye catching cinematic scenery with our lead's light red Hawaiian shirt, with flourishes introduced to add breathing room such as orange juice in the background or other patrons taking a break from their festival experience.

The one negative might be the film being too static, but the team seemed incredibly aware of the need to break up the pacing so that's very much an absolutely minor nitpick. I guess the comedy is also not everyone's cup of tea, but honestly this is the most egregious miss by judges I've seen since Floater Films not making the Wellington final in 2007 when I had them pegged to win the whole comp.

Maybe it's me though. Love your work team.

Story: 4.5/5
Technical: 4/5
Elements: 5/5
Overall: 5/5

Cutting Shapes

A girl lacks both friends and food in her fridge although I guess salsa, v and microwave food would have been the stable diet for a lot of teams on the 48 Hours weekend. They do not however lack for imagination with photoshopped images of them at landmarks dominating their facebook photos, and also acting as a plot device to get into the fantasy aspect of the genre. Had a bit of a low budget cardboard cutout Heavenly Creatures vibe. Didn't overstay its welcome as was very short. Could have used a bit more of a narrative, however.

Connections

In a world where everyone has been completely consumed by their cellphones, those who have not yet been consumed by virtual reality are few and far between. Very 1984-ish in concept but put the onus on the user rather than any overbearing overwatching government. The dinner with mum and the lead's sisters was audaciously robotic and sinister, feeling as though it was saying cellphones literally take our souls and wills. To eat or to live, it's the same idea. A cinema full of lit up screens was a very meta moment, as we in the cinema audience saw a film watching a cinema audience. I respected the big ideas, I just would have liked to have seen more of a storyline rather than concept developed.

Beyond This Line

Really great cinematography in this film as an investigation into a mysterious forest shatters expectations for a detective thinking they are checking out a routine crime.

I thought this film was a little bit light on story, but flowed really nicely with little touches of world building that strengthened the film in their open-endedness. Sound design was really solid and a gripping performance by the lead actor, I would have just have loved to have seen a little bit more to the script to create emotional impact for viewers.

Story: 2.5/5
Technical: 4/5
Elements: 3/5
Overall: 3/5

Dial 'M' for Killing

Got given the choice of musical or splatter, and of course went for both! I dig it! Essentially a tail of bloodlust, as the requirement to be satiated by higher levels of claret spiraled out of control.

Driven by a chorus who sung and narrated from the side with many a pun and 4th wall break, our lead actress started her day badly when flies buzzed just a bit too much near her bed, but through the development of a nervous tick soon a handful of bugs don't cut it. Fish, birds, cats and old bats are all fair game when you dial M for Murder.

Honestly, utterly bizarre in tone but highly enjoyable. It had moments that reminded me of John Waters' early cruel dark humour mashed with Russ Meyer (the chorus in UP!). The songs were well sung though a teeny bit unclear in terms of lyrics. Lighting was fantastic where it was used also.

I think the story itself was just a bit singular in tone. It was highly enjoyable and whilst the lady became meaner and meaner, it was still sickly comic in how this was portrayed. By singular in tone I mean that as a story we never really had a dramatic question asked to drive the film, it just was escalated bloodlust from woah to go in my opinion. But I enjoyed it!

Story: 2/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Steve and Friends

A 'Rainbow' style puppet kids show host loses the plot when his role is taken over by a cardboard cutout of himself. Good use of the required prop and perhaps a better unintentional black comedy than several films that got that genre. My main grip with the film was the lack of a strong story arc and any sort of dynamic film making. Short films in particular can work with simple camera work, even static as the case may be and this can even translate well to feature length cinema (Ceylan, Tarr, Tarkovsky etc) but for a simplistic film such as was presented I would have preferred a dramatic arc that gave us a clearer beginning, middle and end. The way the film presented suffered from the randomness of evens presented. Your lead clearly gave it his all which I commend.

Henrik The Barbarian

Be careful what you wish for, especially when your wish granter is more inclined to like Ruggero Deodatao budget barbarians more than Conan the Barbarian.

I'm a fan of silly monster masks as much as the next guy, and the lo-fi aesthetic gave the film a silly charm that I enjoyed, with even a WIZARD OF OZ nod thrown in for good measure.

A couple of shots out of focus and the audio book whilst a good idea for a whisper being a bit off in terms of sound design were technical nitpicks. However it looked like the team had a blast on the weekened and whilst my star ratings are a bit low, I genuinely did enjoy the Z grade style here.

Story: 2/5
Technical: 1.5/5
Elements: 2/5
Overall: 2/5

Awake Like An Egyptian

Last year’s best bad film winners really did not change their style too much, complete with shooting in Black and White again, but the laughs were more chuckles this time around than belly aches. Starting in 1210BC with a curse on a newy tombed mummy, we converged into the 60s as a tenuous family link was made.

The Curse of That Damn Cat

An anthropomorphic black cat follows home Nicky Brick, leading to some pretty severe consequences. Well written dialogue and good awareness of the genre, with characters stressing just how unlucky it is for an animal such as this to cross your path and going to levels such as claiming they caused the economic crisis. A friendship develops and our Nicky seems fairly laissez-faire about the whole thing, but the negative things that happen to him do snowball and then we get a nifty little resolution; the actress who played Bloody Mary in particular impressive for the few seconds they were on screen. The whole thing was a little scatterbrain but it also made me long to ride those Croc carts/bicycles along the waterfront next time we have a sunny Sunday and I'm sober enough to get out of bed before 12.

Fist Cop

[DQ] and verrry sadly DQ at that, as this was the best out of competition short so far. I was promised an ambitious short, and it really delivered on that expectation. This had such an 80s vhs neon vibe that it was incredible. It was like the punk buddy cop version of Robocop, with our 4.2% cyborg feeling a strong sense of justice against the Mr. Big type character who made him the way he is. Not just vengeance though, but to protect the valuable quantum that scientists have been working on. Over the top and full of action and dodgy special effects [floating buddy robot, anyone?] and one liners, I loved it. Only minor gripe was the use of the same pun a few times but not an issue at all.

120 hours in OSdom

This is quickly becoming my favourite genre of 2013 as yet another team knocked it out of the park. After an initial Star Trek-ish setup of having been beamed down for shelter during an asteroid storm, our team of explorers soon realise the dangers of having things run on solar power when the area has 5x the normal levels of exposure. Eyeball violence, tinfoil costumes and drill sergeants were the order of the day here in a film that had me in stitches laughing.

Favour From The Neighbour

Placeholder review.

S I S

You know how a team often gives you a wink and a nod that their film is satire? If the 'Getit Images' didn't give the game away, then the fireworks metaphor for putting a baby inside someone surely should have. Deliciously funny sendup of meme culture told in a bizarre style reminiscent of GREENER GRASS, yet still some straight up poignant things to say about how we can feel invisible until the right person comes along to fulfil our lives.

But we always want more, and that dream nuclear family for many is not complete until a child enters the fray. The Cant Shack plays this to the extreme, with a low sperm count lead whose balls may as well be water balloons because of the despair it causes him.

But all is well that ends well, and in spite of its ridiculous concept that pokes fun at the elements of this competition, the decision over whether to reveal a truth or be the hero that they need by keeping a secret and living a happy life is done brilliantly as satire here.

Technically some of the film was rough, but that was part of the charm. The watermark gag might annoy some, but the camera was steady, edit was smooth, sound was audible, characters were clearly defined and we had a solid subversive story arc. Hard to complain!

Story: 3.5/5
Technical: 2.5/5
Elements: 4/5
Overall: 4/5

The Birthday

Those two minutes of uninterrupted dancing at the start of the film were the longest two minutes of the heats. Surely could have been trimmed, and didn't really add much to the plot at all. Once it got going the jibberish dialogue was pretty ridiculous, although the use of the line in audible English made me laugh out loud. Developed nicely into a tale of parents getting upset at their daughter choosing a much older man. Silly but completely random and couldn't stop watching.

Itch

Starting with a panicked character running to a lift to escape an unseen force, the team paid homage to films such as THE RING where a minor character gets killed to kick things off, with the excitement being the unfolding of layers as the story proper gets told.

From here further homages were baked in such as to HELLRAISER with a captivating object bringing on the horror and utilising the 'all that glitters is not gold' trop to decent effect.

The slow-burn approach was appreciated for the most part, with framing evocative of j-horror legend Kiyoshi Kurosawa (KAIRO, CURE et all) and a sense of dread. However for me it was a bit too slow because the edit needed to be streamlined. There were lots of really good creepy shots but some of them really felt like they could have hit the cutting room floor as did little to advance the plot.

Your lead actress's performance was strong, and sound was good for the most part although had some ups and downs in quality. The biggest work on from me other than the edit would be the lighting, which I felt to be a bit too dark for a decent amount of the film. Shadows are great to utilise but seeing details like facial expressions allows characters to generate depth, whereas by going too dark it felt like characters were actually obscured at times which took me out of the moment.

Story: 2/5
Technical: 2/5
Elements: 2.5/5
Overall: 2/5

Nan's Hole

When handsome Pete moves next door, our lead who lives with her grandma is gifted hope that hanging up her lingerie will perhaps not all be in vain. But with her being a clutz who trips over invisible banana skins at the best of time, nan perhaps needs to play a little bit of cupid to help romance along.

Some nice singing here, with lyrical content that actually developed the plot and provided depths to characters. The fencehole eyeball match up was a striking piece of camerawork for sure.

I do feel that the film was potentially missing a dramatic beat to the proceedings. It was clear that our lead wanted love, but everything to be honest simply fell into place a bit too easily I felt. If there has been some sort of roadblock or drama however minor, it would have made the conclusion more satisfying.

Story: 1.5/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2/5

The Crowning

An exquisitely shot period piece in a hospital where a heavily pregnant women patiently and dutifully awaits her waters to kick in, this had a sensational golden glow that takes the viewers back to the days of analog radio and rolling up the sleeves.

Not a support person in sight with Mr. Smith no doubt off at the races or bar ready to celebrate the good news with a cigar and a beer. This film tells a lot to us the viewer with what is absent as much as what is present.

So when things start developing like a neighbour not being well or a creak heard down the hall we start to feel a hint of unease as we're all onside for the mother to be to courageously deliver the child. The lead actress's performance is subtle but strong.

And then the shit hits the fan, as a reverse Frankenstein takes centre stage and delivers a jaw dropping exit for the film's conclusion.

A hard one for me to review because technically its superb; the location, the costuming, the sound, the edit, the grade, the performances, the use of elements...BUT (and I'll be pc here) I personally hated the ending. I thought that the film that had so wonderfully earned its stripes just went for a grotesque shocker to truly ram home the monster element.

And yet that's just me; it's arguably a fantastic utilisation of a required competition element and I can't shower a film with praise for its first 4 and a half minutes being so good and say that the ending spoiled it. Because writing this up makes me think of how much of an achievement it was to have such a tight proper short production humming here.

Personally I'd have had you probably winning Wellington with a different ending. It will be interesting to see how it goes with what was shot here though. Great work as usual Cinetrance.

Beat Around The Bush

I was a bit worried this might be going for a mockumentary approach but quickly realised that we were essentially just focusing on some footage to create a narrative framework of obsession, as a woman from the Leaf Related Crimes Unit sets out to incriminate Nicky Brick who she had seen sully up a nice patch of leaves. The film followed a tried and true three solid joke structure, as the woman does her utmost to make his life hell, including going to the point of trying to paint him as a pedo. There was some quality wordplay in the script and the payoff was good as there was a feeling of unease created throughout by the driven (obsessed) woman.

Crawlspace

Now this was a lot of fun. A would be DIY plumber father tries his luck fixing the drains under the house, ignoring the warnings of his daughter whilst his wife and her friends get boozed. There have been a few complaints about the projection darkness levels at Vic this year, but I just have to point out that this one looked fantastic given that the team clearly went to great efforts to shoot under a real house. It wouldn't have been a Squidwig Production without some physical special effects, and this year they looked great.

Justice

Started pretty promisingly with an amusing shower number, but due to some audio issues (which plagued all films on this first night of Wellington heats) it was quite hard to understand many of the lyrics clearly. Autotune, ninjas, rifles and it actually looked pretty good too. I found the plot needed a bit more focus though, with a music video vibe for significant sections. Having said that, I reallly dug the shot of the dude being tackled into the harbour.

The Moist

Truly one of the more disgusting 48hours entries ever for Wellington, this short rocked my world. I've promised the director I won't give too much away, but let's just say that in a crudely animated retirement home lounge, some of the residents are feeling a bit chilly. However something lurks where the heater is, and despite the aggressive warden trying to calm down the senial old farts, it all gets a bit...messy. Genitals, extreme gore and an unusual animal make an appearance here, which left more than a few jaws scrapping the floor in shock. Also bloody hilarious and a serious Spike and Mike vibe as per usual from this team.

The Score

Now that was a long 30 second intro. A regular Casanova with magic hands manages to work his way his way into the hearts and tongues of quite a few young women across the course of the film. However treating them as things to be used is obviously not an acceptable way to act, and so a plot is set in place to look to stop those hands from working their magic any further. The ease with which he hooked up with anyone he wanted got some good responsive laughs, but it also meant that the plot was a bit thin.

Neighbor Nappers

HEAD OVER WATER, EXCESS BAGGAGE, TIE ME UP! TIE ME DOWN! There's actually quite a slew of comical kidnapping films gone wrong but this was an enjoyable take driven by good performances from the give no fucks #getpaid kidnappers.

Taking control of their victim and the audience's attention, the ramblings of the 2 goons was modernistic and enjoyable, and whoever wrote this script clearly has an ear for dialogue.

Darkly comic payoff this was an enjoyable film, that would have been elevated a bit higher with a bit more of technical flourish outside of the opening scene.

The Hand You're Dealt

Reflecting on the choices we make being pretty much a gamble, this was quite heavy handed in the way it presented poker as a metaphor for life. An elderly grandfather struggling with depression, a young man not really watching out in the dark alleys of night time, and a couple coming to grips with unexpected pregnancy came together. An ambitious short, I think it would have worked better without the black and white scene.

Glance Forwards

[DQ] I came incredibly close to not putting up a review of this film. I thought I missed something the second time we watched it, but if I did then so did the 6 or 7 other people I talked to who also thought the only noticeable difference was a slight chance of pacing at the start and some added music at the end reminiscent of Vertigo. * If you weren't at the heat the wrong file played; the team were in competition but chose to DQ themselves and hand in a 'better' version for artistic integrity and thus we watched the 'correct' version at the end of the heat. ...onto the film... A young woman on the edge losing her will to live in the present day is contrasted with an old couple who have just received what likes like a standard television set in the 60s (?), but after playing around with the receiver for a bit is shown to be more than its initial appearance. The team went for a slightly meta approach in terms of the convergence of the storylines. Well acted, well shot. I personally think you should have stayed in the competition but appreciate that is entirely up to you.

Long Haul

Captain's log, star date 20...whatever is a nice way to set the scene for the shape of things to come, a touching intercom buddy film where dwindling oxygen levels were kept private at one end.

Really strong performance by your lead actor in the space ship, though the dad on the other hand did a particularly good job conveying character through just his voice also. I liked the human element at play here with the isolation of space feeling particularly relevant in 2021.

Whilst it might seem obvious to point out, the cardboard and duct tape set design took me out of my suspension of disbelief at times in the film. It was a bit of a shame, because your script was really strong and in the second half of the film you were utilising some fantastic camera angles that disguised the budget nature of the set design, allowing me as a viewer to truly become engaged with the bigger questions you were having as ponder.

Story: 3.5/5
Technical: 2.5/5
Elements: 3.5/5
Overall: 3.5/5

Missing Demetri

Ok, I get what you do here by interpreting that monologue did not qualify as dialogue. However in future years if you are given a non-standard genre I would highly recommend reading the website, which gives you examples and often explains what the organisers are looking for/do not want you to do. Narration of non dialogue was clearly stated as not being acceptable. Ignoring that fact, a non sleeping Vic Meyer told us of how her relationships have developed over the years, and why a particular boy really piqued her interest. I liked the jokes that contrasted her idealised view of him versus what we saw ie, nice small = crooked teeth and date night = Xbox. More of this would have been good, but in a way that qualified under your genre.

All Fur Nothing

Shame about the DQ as for the 2nd year in a row I really enjoyed what Look at daddy have produced for the competition, this time stepping up their game from a technical point of view in a big way, with excellent deeply saturated cinematography, a good soundscape and top lighting, as a scientist develops an electronic necklace to make his lovable pet pooch talk with him. Some crass humour but also very well done in terms of comedic timing and delivery, and the edit was spot on. When the master gets what's coming to him was a truly rewarding watch.

Ghostfish: Catfished By A Ghost

Slick as climbing glass.

That's Unfortunate

Phones at school are out, but frustration boils over leading to a sending home early and shocking revelation at home.

Nicely setup, your lead actress's performance was commanding, and you had some really nice makeup and a creepy vibe once we had exited the school.

However my own take is that putting young women in danger and then just coldly killing them in 48 Hours is a mean spirited take that I'd personally like to see avoided. If you get access to external audio gear also I'd definitely recommend trying to utilise that to heighten the cinematic feel for your film.

And Good in Everything

Been trying to put my finger on this one for a while and whilst I liked the real positive vibe that Pie Face had going here, like legitimately wholesome filmmaking (and I'm pretty reluctant to use that word unless I really mean it) I'm just not sure if either the plot or subject matter led to great cinema even when a number of the parts of it were highly enjoyable.

A cast of characters meeting in a bar that have differences in how they are portrayed can work incredibly well; Cheers (The TV Show) obviously, and a lot of the best segments of both The League and The Simpsons are centered around bar tales. But typically there is something driving the narrative that incorporates the bar as an important element. Here the same story could kind of have been told anywhere?

It's probably an illogical gripe in many respects because the film had some lovely presented themes of always looking out for your mates, never giving up on your dreams and that people can change over time. So whilst marginal I'm ok with this getting a genre pass mark because of how important the passage of time was to the narrative.

Performances really solid, technically super clean and well done making the Christchurch short list. Plus props to the actor who pulled the old shave the beard off for 48 Hours to appear younger trick, I think ultimately the film just needed some more elevated moments; it really did get there with the Shakespearean loving actor, but I would have loved for some more big moments. Like having a kid, that's huge! Whereas I felt like that sort of enormous reveal was positive but not exactly engaging.

What was the dramatic question at all, really? As a slice of life this film worked well, nothing really wrong with it persay, but I just wish it had bigger story beats (there were some mind you, such as the guy being topless when younger) and a more cohesive clearer narrative. Again, just my 2c.

And who's the gatekeeper? The people preventing him from acting?...Himself??

Story: 3/5
Technical: 4/5
Elements: 2/5
Overall: 3/5

Hattie Hatpin

Placeholder review.

Exit Room

Looked like might have been colour graded? A couple of scenes at least had some real depth to them whether touched up in post or not. A psychiatric ward presents us with the opportunity for Nicky to escape through her dreams, and this freedom acts as a catalyst to get out of the surrounding dooming isolated confinement of the ward. I believed the escape aspect in terms of how desperate the character seemed to be to not be restrained, but I felt like the film could have done with just a little more grounding in motivation for the characters.

In a Vacuum No One Can Hear You Scream

This was a great way to start the Wellington heats for 2021's competition. Opening with stylish black and white scope imagery as a vacuum made its way across the floor with excellent sound design, you had my attention, with things turning darkly comic quickly as our lead struggled with his traditional carpet cleaner.

Moving onto an infomercial, the team used overt humour regarding this year's elements to sell their pitch of a wonderful new vacuum that would wipe out all the problems that a traditional vacuum causes. The only issue is that it is in a bet of a beta phase, with an incredible amount of disclaimers run across the bottom of the screen as it kind of has a mind of its own.

Terrific performance by your lead actor. Clean focused camerawork and sound was really good. Some nice graphics and a strong parody of home shopping network television. I think it verged a little bit towards being too self-referential for its own good and just by virtue of it being a solo performer selling an ad, I did feel talked at rather than engaged with even when the humour hit its mark (driveways, really dark joke etc).

The ending saved the film to be honest. Slightly predictable but really well done. WOW!

Story: 1.5/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 2.5/5

The Ballad of Nicky Brick

A cowboy type strumming their guitar on the beach works as a nice introduction to this tale that happened once upon a time when Nicky Brick who had no friends to help him out on 48 Hours went on a bit of a quest. Very clever lyrics and well shot for the most part (although at times a bit music-videoy which is a backhanded compliment, but the fourth wall singing could have been toned down a little in my view), this was probably a better fantasy adventure film than most of the entries in that genre so far despite not having too much mystical going on. Solving riddles, questing for the leaf of luck and dealing with a curious old man with a beard warmer made this quite a fun watch.

DOUBLE TALK

Lots of shots that made you go damn from a cinematography point of view, as a holidaying couple chilled out in a Bali hotel, only tensions are a bit rife with the woman almost constantly on her phone, rather than just enjoying the beautiful pool for example. The fact that the team were able to show glimpses of relationship issues through simple gestures was impressive in my book, as the main actor conveyed trepidation and annoyance at her use of technology, whilst she displayed a sneaky behind the back cheater impressively well. At the same time it was left up to the viewer's interpretation as to how solid their relationship was when noises were heard in the night; was closing the window a comfort thing? But I liked the open-endedness of it all. As to the ending? Yeah it didn't quite stick, and a little bit cold, but to me it was pieced together well enough. Kind of surprised this isn't in the Wellington final to be honest. Especially given all the sound design and music was original and extremely on point too...

BRICK

A horse riding couple stumble upon a drug den and when things turn pear shaped it is up to Nicky Brick to get revenge. This had low production values but that probably added to its charm. The editing could have done with a bit of polish as there were times where shots did drag such as the opening shot of the horses being parked up. Having said that the action was enjoyable to watch with a couple of the grapples/flip releases particularly impressive.

Slaughter High

Basically a piss-take slasher version of THE BREAKFAST CLUB, complete with hilarious deliberately bad dubbing for the burnout, jock and nerd stuck in detention having to write an essay. Got z-grade pretty quickly although the homage to dated one-liners had its moments such as "eat my shorts". The burnout bully was believable however moving to a cold-blooded masked serial killer with a knife so quickly was a bit of a tonal jolt, and the film kind of lost the positive atmosphere it had garnered initially when it went stabby murderous with no clear explanation that I remember.

Poesy

Ok, so Wikipedia justifies that poetry is music. However the website did indicate with regards to this genre that it did want singing, but I can appreciate what you did. If I wasn't clear just now, the team went with poetry and a disclaimer at the start of the film, as well as choreographing the rhythm in the corner throughout the film for a picture in picture effect. Vic Meyer expressed her thoughts and feelings in some lovely poetry throughout the film, which was just her and nobody else. Some beautiful shots, but the same ideas that were established in the first couple of minutes (insomnia, loneliness) kept getting emphasised. The "count to 24" scene brought a lot of unintentional laughter from the audience. Props for being original, but yeah the organisers did say they wanted singing...

streets of wishes

Ok so I'm literally one of the biggest fans of 'Streets of Rage' that you'll ever meet so when that logo came up I was hooked from the get go. The beat em' up guy who wishes he no longer has to clean up the streets, well wishes are meant to be granted in this genre right but before you know it this has gone on a massive left turn, right turn and then slapped you in the face when it comes to your expectations. Retro aesthetic was clean and simple but perfect for your switch fighter. Hilarious. Voice acting soooo good!!!

Raspberry & Cola

Friends butt heads after the wrong flavoured drinks to enjoy on a beautiful warm day get ordered, with Everything Sticks attempting to show how the balancing act of intense friendship can be a struggle.

I think the performances here were strong, with the grump particularly effective at representing stubborness and the stressed peacemaker friend toeing a fine line of emotions as she internally battled towards compromise. A classic give and take situation, if you will.

Colour play was strong with well-defined characters, and the framing of the film at all times conveyed what an intense personal and private conflict this was despite being in an open public park.

However the subject matter was personally not the most engaging in my book. It felt like the issues of the drink flavour were repeated ad nauseum when points made were fairly clear and obvious from the outset. The other big issue for me is that when we received an answer to our dramatic question of how the wrong drink being ordered was going to be resolved, there was little emotional change in either woman and hence a lack of satisfaction for the ending.

On reflection, I get the feeling that a lot of the emotional turmoil was supposed to meet the invisibile element asked of the team. I worried when I saw the elements that this may come to light and unfortunately for me whilst arguably subversive, it just backfired a bit if that was the intepretation.

Story: 2/5
Technical: 4/5
Elements: 2.5/5
Overall: 2.5/5

Parallel

Choosing to do musical of your own accord when given generation gap and nailing it? Impressive! Well when I say nailing it I mean that the songs were incredibly well sung, and the look and feel of the film was terrific. I just have a couple of reservations of how well this really ticked the box for your given genre, though I expect the judges will probably have loved it given how much they like subversion typically. The reason I say that is because simply pondering how kids would date 40 years in future was only meeting one half of the criteria. I mean yes absolutely really well done with the John Hughes inspired cringe first date, and goddam if this doesn't get a nom for best song or score, but the payoff to actually show a gap in generations was kind of weak for mine.

Legend of the Eternal Leaf

I do have to say that this wasn't exactly an urban legend with the whole being set in a forest thing going on, felt more like a Hans Christian Anderson tale. I won't hold that against you entirely though, as a legend was still told well enough. The two brothers(?) collecting wood and stumbling upon a thing of great importance was well framed, and the tree climbing/leg break definitely made me wince.

Lush Leaves

Here's a tip from doing 48 Hours for quite a number of years; don't waste the first 45-60 seconds of your film showing someone waking up out of bed etc as its precious time that can be used on jumping into your story and engaging the audience. The film itself was ok, as a girl deals with the horror of no 'Mermite' in the kitchen pantry by scouring around the house with a chair held over her head Benny Hill style, and then ending up in a fantasy world reached through leaves where they are promised this condiment by a mysterious mystical girl. I noted good use of sound effects throughout such as rustling leaves and running water for the river, as well as being drawn into the world of the film. The fact it had me thinking of more questions re: the fantasy world was probably a good thing.

Making A Splash

In a social media-driven world, there is often a need to be liked more, to be better, bigger and more outrageous to differentiate yourself from the herd, and Chillybox nailed this gross out comedy with aplomb here, pondering some bigger societal questions along the way

The signs are set early when a vlogger prepared to get down and dirty with sex toys has a meer 13 followers, yet idolises a spiritual guru with a 2 million and growing base. Dare to be different, he preaches, and she takes than on board and runs with it.

Through self introspection, a whole lot of water vials and a bucket, the time has come for our heroine to make a splash on the influencer circuit. Given her idol has a natural approach to proceedings, she takes this on board to the extreme and Chillybox tick the box for their genre. Hard.

I loved a lot about this film. The protagonist was fantastic, and the brief snippets of footage from the IG star she looked up to were well done as well. The eyeball fetishim that concluded the film was genuinely striking imagery that would have made Lucio Fulci proud.

Technically rock solid as always. Clean smooth editing and clear sound/sound design being highlights. Yes it was mainly shot in an apartment but the set dressing and framing was done really well, plus that got broken up nicely by the IG superstar footage. A couple of shots very early on were not razor sharp in terms of focus but nothing was glaring.

If I was to raise a couple of personal points with the film, I think that just ever so slightly more motivation for the woman wanting followers and attention would have made her even more relatable. But I am nitpicking. Also I actually am not sure if the final eyepatch shot was needed, as I thought the ending prior to that had kicked my ass in a good way, but that's just me.

Story: 3.5/5
Technical: 4/5
Elements: 4/5
Overall: 4/5

The Sleeping Plot

Knocked it out of the park; finals for sure, maybe nationals. Parents try to comfort their young girl about an unfortunate event, whilst she at the same time develops a plan to make $37 after a visit to the local gardening store. Great production values, excellent script and a superb performance by the lead actress. I loved that you basically showed the whole thing from the child's POV with the adults lower halves being shown when we were watching through her eyes. Darkly comic, children with ice creams and swear jars will never be the same again.

Fist Full of Mince

Aaand they're back! OG Daniel Cook and crew deliver their best film in years with a best things come in threes approach for some cowboys who just want to eat some delicious hot meat pies.

This was a film with a clear sure hand behind the direction, eschewing knowledge of Leone, Ford and Corbucci with western tropes but the New Zealand paddock and Mrs. Macs references giving the events unfolding a very kiwiana (or potato top) flavour.

The fierce gatekeeper who asks questions first but shoots just as quickly for those who don't give the right answer to get to the best pies in the state was a particular standout from a performance point of view. Mean but hilarious.

The script was genuinely witty and use of expert wide shots and crash zooms on eyes meant the genre was nailed in my book. Technically really sound with a measured approach to editing, and whilst I don't think I saw the team in the heat there was an awful lot of laughter!

Story: 4/5
Technical: 4/5
Elements: 4/5
Overall: 4/5

The Immortal

A rare historically (1862) set film in 48 Hours that actually felt like you were in the time and place, and a strong example of how to do black and white the 'right' way. Whilst many teams might click apply black and white in premiere, Desert Walk used strong lighting and exceptional understanding of shadows to make a bold cinematography statement. Even the outfits perfectly suited the choice, with inky blacks and crisp whites of masks, jackets and shirts offering striking contrast and seering images for the viewer.

The camerawork was also smooth, with a superb opening shot, and the editing made the right cuts at the right times for the material that was present.

I bought into your story myself, as we were kept on the edge of our boat not knowing whether The Immortal who had abandoned his pirate ship under siege was bluffing or not to his gun holding captor, and the ending reminded me of Twin Peaks in a good way.

Having said that, I do feel that the film lost steam after the fantastic opening, with the dialogue potentially needing some trimming to leave some more intrigue for the viewer. The very final shot on the other hand probably could have actually been shown for more punch than the sound effect after the competition credit.

Story: 2.5/5
Technical: 4/5
Elements: 2.5/5
Overall: 3/5

The Sunnybrook Diaries

First animation this year? Not sure what's happened as we used to get close to 10 most years in Wellington. Found footage at that which was quite an interesting take on the genre I must say. We focused on the work of a Doctor at a mental asylum, in particular the effects of playing repetitive children's music for hours on ends to patients who were already at least a bit unstable. Short and sweet this didn't overstay its welcome by any stretch of the imagination. I liked where it cut off as open-ended is probably the perfect way to resolve a film in this genre.

The Gift

Placeholder review.

Project 7

Actually got the thriller part of the genre completely right as opposed to most who received this tricky genre. A good looking film of intrigue, as our lead delves deeper into something he discovers than he perhaps should, with men in ominous dark soots and a moody electronic soundtrack to boot. The use of google was comedy gold, and the chase sequence was very effect. As I said you nailed the thriller part, but the tech. part of your genre was a little bit lacking, as this is one of the few genres where you actually do need to show things for it to really work.

25 Minutes

Mostly based on a true story apparently, our lead has 25 minutes to get his IVF specimen to the clinic because he chooses to go with the do it at home approach to save on the $80 it costs if you wish to rub out your specimen in nicer surroundings. Of course a tale of things getting in the way, in particularly their fellow Xbox playing flatmate who has a very relaxed attitude about the whole thing. What would a good action movie be without a ninja, too? And what would a good ninja fight be without it being against a pirate? Some of the little random acts were really well done but the lighthearted tone meant that it did not have too much actual action.

Five Minutes in Heaven

Looking for the latest new high leads to a heartstopping experience for a hard partying raver, and the gate of heaven prove a little trickier to pop in and out of than he had first imagined.

This film had a really vibrant energy to proceedings, buzzing with warm synths and pulsating dance music from the get go, with a really strong performance by your lead carrying the film.

I think maybe from an engagement point of view given the race against the clock we as viewers knew he was facing that could have been played on even more whether in a comedic or serious fashion? Because whilst the payoff was good those beats in the middle to get there felt like they needed some urgency.

Edit pretty good and VFX for the most part were really well done for a 48 Hours film, particularly the out of body experience and actual trip to the cosmos. The cloudy gates of heaven were glorious, my only minor quibble about the visuals being a couple of shots at the beginning a bit out focus, but this also potentially represented being well beyond the point of being sober.
I was going to comment about a couple of minor keystone warbles but on the whole they gave the film's visuals a point of difference as the key part of the story developed. Sound was good on the whole as well; I liked the water/echoey effects layered on though maybe other foley would have elevated this even further? Just my 2C

Story:2.5/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3/5

Daemon

Apparently the Rite of Serepis (sp?) is an ancient ritual for body switching. Well, nice to know, but yeah this was one for the books. After some tribal humming drums, the first phase begins and milky liquid gets poured. That's only the beginning though, if you want a visual assault on your eyeballs then come no further than this film, which had enough body rubbing and general strangeness to get you through a week. I loved it.

Imaginary friend

air bnb host* not house*

Match

I am a SUCKER for film within a film done well in 48 hours, and whilst heavily leaning into one of the required elements for this year's competition, I think you did really well to subvert expectations, which trust me is absolutely huge with the judges.

Great performances, sensational lighting and a slick edit. Hard to complain but I feel there could have been a bit more emotional gravitas. Lead was outstanding but lack of consequence and a few too many fill in the blanks (imo) meant the weight of the situation didn't quite fully hit for me.

BRAT SWAP

Be careful what you wish for, especially when what's on offer from a dodgy TV host may not necessarily be the upgrade to the zombified juvenile delinquent teenage son you are so desperate to get rid of.

Whilst the choice of the 3 girls was comedically done, I found this very much veered into talking heads territory. Good payoff but it just felt like the reason for swapping and then meltdown leading to regret that bookended the film should have had more weighting than the choice of girls?

Camerawork was good as the film looked nice, and sounded clear also with lines delivered well. Just a script that wasn't my personal cup of tea.

Story: 2/5
Technical: 3/5
Elements: 1.5/5
Overall: 2/5

Ruby Red

Ruby curtains give the backdrop for a burlesque-ish singer who sings about love; you can't take it if the other person won't give it to you. We then go back in time to a jazzy tavern/pub where our lead actor when asked to dance by his gal advises that whilst she will always be his, he's not the sort to meet the parents. Their flirtatious behaviour is too much for the manager of the establishment though, who doesn't want any bloody babies running around. However that issue does rear its head in short time, but with a bit of wire that issue could be resolved, right? Our lead laments his options; you can't take a child on the road...but it would also mean being a dad. Quite a serious effort from Traces of Nut/EPC, the set design was phenomenal.

Mother's Day Out

Poor sound, poor video, poor acting, poor editing I can deal with. Tedious films however are a lot harder to look to get a positive perspective on. Especially if they decide to essentially shoot not in the English language but with some gobbidy gook infantile babbling sounds throughout, with said sounds emanating from the ashes urn of our mentally unstable lead. I think tripping out and imaging the other funeral goers were an angry mob was the highlight, and that happened about 10 seconds into the film. I honestly really don't mean to sound to harsh but a plot would be appreciated if I have to watch another of your films ever again - the visual gags almost had a point but no exposition as to why meant I was confused as fuck.

Lost & Found

We see a farmer smashing up some floorboards with a crowbar, before being taken back to earlier in the day/week. Bobby Young bullies his apprentice/assistant around the farm quite strongly, yelling at him about fencing, smokos and shifting stock. A really fresh vibe to this one with some good acting and jokes, and whilst it was certainly mysterious and the farmland scenery looked great, the narrative lacked focus, with the payoff creating confusion rather than resolution in my opinion.

Prank Monster

My #1 film for 48 Hours 2024, and I watched EVERYTHING. I fucking love you SPLITelevision Products. Prank Monster is life!

Jingle All The Way

Wow this was good. A very strong contender from Raumati Anti Social Club, helmed by Ro Tierney from former 48 legends Cinema In Decline. Seriously top class directing Ro! A biopic of the antihero we all need in our lives, one who prioritises saving lives no matter the cost, although his life is also driven by meeting the high standards of his former superstar salesman dad.

Honestly, a seriously impressive amount of storytelling was jammed into the 5 minutes but it never felt rushed, and thanks to the advantage of the heats being online this year it managed to achieve something rare in 48 Hours which was to have me laughing harder on the second watch.

Despite the apple falling a bit far from the tree in terms of the golden sales touch his father possessed, our lead showed a never give up attitude and love for jingles throughout their life. Wonderful script and a seering indictment of salespeople in general.

Super good sound and blinking heck the camerawork was clean. I especially liked how you peeled back the layers with each heartbeat of the story's progression. Epic finale, sinister but through provoking (260 saved vs 1 lost? Not my place to comment!) and the animated conclusion brought joy to my heart.

Now the take it or leave its for me were the interview/mockumentary framing as a plot device. Not a fan myself but it was minimally used, and given it actually drove the story it is hard to criticise. Also for someone so obsessed with jingles and theoretically with years of musical training he didn't really give that impression? But I suppose that was the point and worked as black comedy in that regard.

Just a really, really great film. Definite Wellington finals. Maybe Nationals...

Story: 5/5
Technical: 4.5/5
Elements: 5/5
Overall: 5/5

More Than This

Personally I find it hard to relate to Jeff Bezos, but hey a message that in the end we are our choices is in my opinion a fairly good universal rule to abide by in order to live your best possible life, and this was the sign referenced throughout this film that drove proceedings.

Some quite interesting uses of The Swap genre, all brought on by dreams and fantasies, going from a gunslinging cowboy (with fantastic split screen), a marriage proposal that causes introspection and...Ghostface from SCREAM? Huh?

Genuinely a confusing film in many regards. Great overall message and some excellent technical flourishes such as your great use of split-screen. But from a story point of view the message of the narrative straddled the line between basic and confusing, and editing at times hard to understand.

Story: 1.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2/5

E.O.O

A budget cereal eater struggling with his life takes a church pamphlet through no choice of his own, and then realises things are shit at the religious retreat he has been enticed to. The idea of a monster was only really suggested or hinted at with the wise old sage and the promise of a BLAIR WITCH potential creature on the horizon before a hilarious meta ether level burn for the actor who left halfway through the weekend, called out directly by this team as a meta joke ending. Taking the piss out of the elements was hilarious and I hope you enjoyed the massive laugh you got at the cinema, because you deserve it for that stunt. Sorry to hear about your actor quitting though!

Refraction

Refraction is the change in direction of a wave passing from one medium to another. Really clever title here by team Tinker Tailor as a woman contemplated how we only have 12 years to turn the planet around, but also contemplated how her own world was turned around by not loving as a teenager and then the pandemic coming.

First of all, this was the sort of film that the stock footage rule was designed for. It was kind of incredible to see you re-purpose that Climate Change March footage from 2019 to reflectively show anger and passion from a teenager who cared, and contrast it with the demure mature woman who narrated the film having lived an adult life.

Editing here was really well done, with the push and pull effect of the 2 timelines giving the film a heartbeat as our narrator contemplated the wave of cultural zeitgest towards doing something about our planet under attack through global warming, through to the refraction of attitudes once the pandemic hit.

These are big, serious, crucial topics and conversations to be had. You were at the top of your game in terms of craft putting this together, but just personally I felt it missed a key element of the plot developing through the film. Yes meditative and beautiful for the most part, but we were quite simply told what had happened to the planet, and what opportunitie she had missed.
I just needed more to have connected with the character. Just being told what happened wasn't enough for me, I needed to see that consequence they described visually and clearly. Having said that I feel that the table in the older woman's loft potentially held these missing pieces, so might need to watch again at some point in case I missed anything.

Last thing...antihero? Well the climate change marcher was a hero. Reluctant hero? Well the climate change marcher was anything but reluctant. Unlikely hero? I thought the teenage footage was of the school march? I guess that kind of fits if we say we didn't expect the schools to march. But to me that's a big stretch on the character requirement hence the low elements grade from me sorry.

Story: 3/5
Technical: 4/5
Elements: 2/5
Overall: 3/5

Maybe the Last Time

12 June 2013 REVIEW EDITED AFTER SECOND VIEWING AT WELLINGTON 48 HOURS FINAL (Fact I didn't 'get it' the first time I think points to the fact your film was unclear): A high school reunion hookup aftermath film with a Tangerine-dream like score, mainly set in a parked car by the beach. A realistic portrayal of regret and hope, as two would be-lovers try quickly to make up for a lot of lost time. Coming in on the action after the drunken party and only letting the soundtrack try and convey emotion for any real conclusion felt flawed in my book. Reflecting now the film had a welcome change of pace right into the action, but I almost feel like Act 3 was missing, but then I'm assuming that you were going for a fly on the wall theatrical-type piece and letting the audience make their own conclusions. I think I "got it" this second time, but being held together by a soundtrack is always a dangerous thread to be hanging on. 16 June edit - drunk emotional irrelevant sections of the review removed.

FashiON ReTREAT

Yeah I'm not going to be down on this one as was infectious in its positivity despite some technical holdups in terms of editing and sound where unfortunately wind was on a lot of the track. A fashion retreat in the woods allowed 3 epic micro fashionista biopics that had big ideas about country vs city and, fashion as a deep concept and finding individual identity.

Liberachi’s Lament No.9

This was a fun film, team, a really nice slice of life of wannabe but passionate opera singers going at it in the recording studio to try and find harmony in both their musical notes and their friendship. Excellent use of contrast with one singer in a fitting black and white tidy formal getup versus the loose orange polo shirt singer who lets their singing do the talking, with the lackadaisical approach proving almost hair pullingly frustrating to the chagrin of the studio engineer.

I noted a really nice use of the whispering element in this film, and visual and sound were clean. My main encouragement from a technical point of view would be utilising some more cinematic elements such as close ups because the bulk of the film was mid range static camerawork. Whilst the script carried the film well it could have been elevated in my opinion by techniques the medium offers. And whilst sound was clean it did feel like a few cuts were quite abrupt and I would have loved more dynamic use of sound given this is what drove the film.

"Mr. Orange" for lack of a better term, you were a particular highlight on screen I must say. Standing your ground as a paying customer was a particular highlight, and cringeworthily funny for anyone who has ever worked in retail. The customer is always right! Except when they're not. Nice work.

Story: 3/5
Technical: 2.5/5
Elements: 3.5/5
Overall: 3/5

Security Steve

Who you gonna call to solve a robbery? Security Steve of course! But only once he has written 'SECURITY' on his crime stopping t-shirt. Through voiceover we are told he is always watching, everyone is a suspect and he is not sure if he can do the job. The tone here was lighthearted and fun.

Some inventive cuts were the highlight that played with framing, and Steve was entertaining to watch and hear on screen, with the team focusing on the unlikely hero aspect, making our bumbling investigator a good foil for the crooks.

Just personally I would have liked to have seen a bit more meat to the story because despite using the full allocated 5 minutes to the film, several of the shots were held for a long time, which if trimmed could have freed up more time for character/story/plot development.

Story: 1.5/5
Technical: 2/5
Elements: 3/5
Overall: 2/5

Sprung

A ripoff of the film Jumper, but done with a local charm. Set in the year 2078, a couple of cyber cops are sent to investigate recent illegal jumping activity [I'm pretty sure; the wall of text at the start was TL;DR]. Kept it real with locations including the racecourse stands, and the local dairy, you got good performances out of your young actors. I liked that you mixed up the tone with the serious guys (ending was a shock!) and the happy go lucky fishing kids. Just need to do an original idea next time.

Demetri's Law

Whilst I would have loved a fourth appearance of Dazza and Bazza from Squint Eastwood in their 2024 crime entry, I'll just as happily accept a sci fi inspired pisstake on strippers, police, red dwarf, dr who, flash gordon and everything in between. Broad shouldered daddies have been put on notice!

A fantastic script combined with tremendous visual gags propels Sam Harris's film here as a uniform wearing protagonist gets abducted and taken on an otherwordly space adventure complete with poo humour and anthropomorphic felines.

First film in the Wellington heats and yet I'd be surprised if we see as many clever match cuts as the moon to moon on display here.

Really killer sound design, this was a kitchen sink romp of an adventure that hat the live heat audience reacting big time. Well, more than a kitchen sink as it turned out...am eagerly awaiting the promised epic escape scene please.

If I was to be critical, I'd wonder if it was ever so slightly too chaotic, and maybe some animation could have been a little bit smoother... but hey, it's 48 Hours.

Two Years, I Promise

Whilst the shot of Wellington Airport with a subtitle of "London, England" may have been the hardest I laughed in all the heat films, there were a number of unfunny homophobic jokes. A jock basically waited around getting frustrated that the girl he never told he loved doesn't come back from England when she said she would. Also sounded like there was piano ripped out of Ben Folds' song 'Not The Same'. The girl who went to England (supposedly) was ok, but yeah the gay jokes were not cool.

Love Machine

Stop motion musical as robot "Mr D.J" looks for a hi-fi connection who can match his capacity to breakdance in the most shocking of ways.

I think sonically you utilised some really creative music reminiscent of Afrika Baambata but narratively I had issues with the film. It was pieced together well enough, and the visual flourises of the karaoke bar and the electrical shock meant we had something to work with, I just felt that the focus on the style of the film was done at the expense of any real substance.

We almost got there with the introduction of the speakers and the rebuking of advances, it just missed a beat, excuse the pun, to leave me satisfied as a viewer.

Story: 1.5/5
Technical: 3.5/5
Elements: 2/5
Overall: 2/5

The Tender Grace

Beautifully shot with nary an issue with the deeply saturated strongly contrasted film from a technical point of view, and every last cent was rung out of the amazing old house this team had access to. Plus they had a beautiful orchestral score. The film itself investigated a murder with several suspects from a tightly knit family. But unfortunately to mine the plot was disappointingly flat and some 48Hours tropes that have been a bugbear of mine for many years reared their ugly head (in particular violence towards women in crime/horror films especially any promiscuous women).

Jebivetar

First of all, congrats to your director Kathleen for your WIFT award, the directing in this film was probably the strongest part about it (and there were many strong aspects) as you were able to drum up very convincing performances from all of your performers in this tale of freedom and following your dreams.

The film was rhythmic, with fantastic breathing to the pacing of proceedings, as a therapy session turned into a revealing self assessment for both patient, doctor and any audience watching with a sensational fourth wall break. You have to have a lot of confidence and ability to be able to build your film like this in 5 minutes, but colour me impressed at how you handled your structure.

What I particularly liked was how the film started grounded in reality and moved into a slightly surreal tone, with the collective movement of people feeling particularly hypnotic. Yes, "fucking the wind" is arguable a farcical message but if you look past that and truly listened to the script its impressive how Underwater Dreams used their film as a platform for the truly powerful message that being yourself is freeing.

Also, far out does this film play well with a crowd, absolutely slaying the audience with induced laughter at both the heat I saw it at and Wellington final.

Technically I was a little bewildered by the choice to shoot in Academy ratio, however the focus pulling was top notch with every speaking part being given fantastic depth whenever they were centred on camera. In many ways it helped a lot as well, because the tight framing felt reflective of the tightness/constriction the lead actress felt until the freedom and personal choice was embraced in the second half of the film.

Story: 4/5
Technical: 4/5
Elements: 4.5/5
Overall: 4/5

Invertemate

A worm loving scientist gets a very unexpected new friend when a cosmic chain of events in the lab leads to a DR DOOLITTLE type send up and the conversation begins.

Making the most of someone actually caring about him, unlike his boss Erica, our lead quickly developed a great ride (the slide) or die bond with his slimy friend who explained that the connection between the races was much greater than we realised.

The showdown was ok, but I think the meat of the film was in its character development in the middle of the film. Absolutely terrific final birds eye view shot, though I did feel that whist the voice acting was good, the sound scape generally made it feel like the worm's voice was coming from off camera which was slightly distracting for mine.

Story: 3.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3.5/5

We built and destroyed a full sized B17 bomber specifically and only for this competition. Also known as "Banana Boys"

Because these reviews will (hopefully) last in the years to come, I'm going to note how absolutely insane it was that Tim Hamilton's team entered not just once on the first weekend in Wellington, but again on the second weekend where all teams who entered were placed in the Tamaki Makaurau region of the competition.
So yes this says they qualified for the Grand Final from the 09 region, but they very much shot using the same skeletal set down in the 04 that they had spent weeks on prior to making "We built and destroyed a full sized cardboard u-boat specifically and only for this competition. also known as “DAS BANANA-BOOT”. Even more incredibly, that film and this film are directly connected, taking place effectively during the same war. Just a staggering achievement, production wise.

For me, I honestly felt the film played as chaotic, for lack of a better word, on first watch. But I've come to realise that was an extremely harsh way to describe the film, because it is more a case of so much going on that a lot of it went over my head and I picked up a lot of the nuances on repeat viewings.

And also, chaotic kind of fits, in a good way, because war is chaos, and this film is about dealing with a plane being under attack from enemy fire and how the team rises to the occassion. Not just being under attack, but given it is a first flight for the crew the element of uncertainty about to what to do is presented very well. Perhaps a bit casually, but what that did was create a heightened sense of comedy as planes blew up and heads were exploded.

On that note this film had some of the best sound design I've ever come across in this competition. From the incredible folley used to genuinely sell the idea that the team were up in the air in a B17 bomber, through to the guns and splats everything just sounded right. I loved the last minute of musical score used in the film, letting things wrap up with a melancholy feeling, but also thought it was the right move letting everything play out using just the sounds of the battle for the first 3 and a half minutes, as it stressed the real time real urgency of the situation.

I must say I do still have some thoughts about the buddy film genre. Yes I got a big smile from the winks and nods to 4th wall breaking - "it's a genre thing", and we had two clear leads who developed a sense of camaraderie as the film progressed. But was that enough to have really nailed it? I personally am unsure. But still a staggering achievement.

Story: 3/5
Technical: 5/5
Elements: 3.5/5
Overall: 3.5/5

Deep

Time and again Tim Hamilton raises the bar of what is seemingly possible in a 48 Hours weekend, this time creating a mesmerizing ocean floor experience of a cable diver desperate first of all to get home early from his assignment, and then the assignment becomes a bit of an afterthought given what is lurking in the depths below.

Honestly my jaw dropped at so many of these lush literally unbelievable dreamlike visuals. From the get go with the perfect orange and blue lighting hues, to us hitting underwater, where the visuals that added sea debris had me absolutely immersed, I was thinking holy moly these visuals have never been topped in 48 Hours...and then you ramped it up again with the sensational shots of the Civic, the CAR GETTING TURNED. THE CREATURE. Just breathtaking.

Where the film really hit its stride and high points I felt from a filmic and story point of view were where we saw the desperation of your protagonist to escape. Whenever they were on screen they produced just the right emotions to sell their character arc, from the one more time before diving, through to wonder at the beauty of the ocean floor, through to completely selling the tension of the race against time to get the hell out of there.

That production design just amazes me every time. Having said that I may need to do my research on how the ocean floor works but there were just a couple of times where it felt like the stillness belied the fact we were underwater, but only for a couple of seconds at a time. The fact I had to remind myself that a few replicas weren't the real deal in terms of your set shows just how damn great that set was, by the way.

Liam Reid's score yet again absolutely on point, note perfect and impactful to elevate proceedings.

Only element that wasn't strongly used to drive proceedings I think was the whisper? All others really strong particularly the imposing gatekeeper. If you're going to be figurative there, why not go big or go home!

Story-wise it worked for me, we had purpose given for the sojourn and ultimately a tale of survival wrapped up in a dreamy blanket of oneiric cinema. Really refreshing seeing a slight change of pace to the editing as well, letting the film breathe and holding exploratory shots for longer to showcase the watery surroundings. It's a genuine pleasure seeing you make films in this competition, team.

Story: 4/5
Technical: 5/5
Elements: 4.5/5
Overall: 4.5/5

The Gathering

Technically impressive for its genre given that it appeared to have steady framing, lighting and sound throughout as well as the actors giving reasonably strong performances. I do however get the feeling that most teams getting this genre (or choosing End of the World, as the case of 1 shot may be) took the example picture of Melancholia perhaps a bit too literally. Still, this had a decent idea with several different individuals gathering about a potential apocalypse; the skeptic reporter, the drunken scientist and the unemployed pregnant women amongst others. Probably good that it created more questions than answers in presenting the whole science vs other argument.

SAFE HOUSE

2 lovers hide out in a safe house with an underlying threat hinted at throughout. Nicely shot, performed and edited but I would have loved to have seen some more character and plot development, as a few too many fill in the blanks for my liking.

LUVSUX

A poo joke-loving vacuum cleaner takes care of sucking up the office debris until it finds love, but love is never quite that straightforward, and the resulting action lets a bunch of other household appliances sing ala the Brave Little Toaster. The first couple of songs were really good, the visual gags were solid and then the BLT and Toy Story nods were nice too. However the second half songs were much weaker.

Fang, Bat, Stake

A couple of ghoulish salesmen discuss just how important it is to be invited in by prospective clients. Once you have that offer, you rule the game. From here, the less succesful of the two tries many times to make his way into a woman's house with a variety of products leading to a darkly comic payoff.

I liked the attempt at world building, breaking the rules for vampires with sunlight not an issue and their own little varation on paper/scissors/rock (the titular game) giving them some character. Also despite being small scale with one house/doorway used for the vast majority of the film, this had some great cinematic moments with fantastic use of closeups and on-point editing.

I think your unsuccessful salesman did a fantastic job, and the other being more successful simply based on a big personality and a smile hit very close to home as to how things sadly often go in the real world.

Just from an actual story point of view, this did feel like quite familiar, though the subversive elements helped it immensely.

Story: 2.5/5
Technical: 3.5/5
Elements: 2.5/5
Overall: 3/5

Saviour

[DQ] Oh man I feel for you guys as this was the best high school entry I have seen in years in Wellington but understand was late due to rendering issues. Sigh... Moving on to this brilliant film; a couple of survivalists raid wherever they can in the search for supplies in particular food and medicine. The medicinal aspect of the film was a very important one as with one party in very poor health it meant reliance on the other where scavengers shoot on sight ala THE ROAD was everything. Yet genuine love and friendship was provided eg, through the literal warmth of a campfire story tale. This took a less is more approach in terms of lore but still presented danger and dystopia to nail the genre. Rock solid acting, absolutely exceptional cinematography (whoever was your DoP needs to pursue film as a career if they don't already) and a gorgeous musical score tied this together beautifully. Never saccharine either as you always believed the characters would do whatever they had to do. EDIT - I am a Judge and Judge's comment removed re: Desikiwi by me - I had nothing to do with this film. Play nice :)

The Hitchhiker

First of all, yikes at using drunk driving as comedy even if a throwaway line. Not cool.

Blink Blue Media went down the mysterious stranger as hitchhiker route, and nicely subverted audience expectations with many tonal beats that seemed like they were made to match the 1986 cult classic THE HITCHER, only to present things completely differently.

Things even got into meta-commentary at times, with the hitchhiker recording that he did not know what was real at the same sort of time that the events unfolding on screen were blurring a dreamlike line between reality for viewers as well.

I think the script was the strongest aspect of the film, which was important given it was largely driven by dialogue. Performances were decent in particular by the titular hitchhiker who carried an air of mystery to himself throughout proceedings. I genuinely liked how open ended it was as well.

What threw me a little bit was the conclusion, which seemed like it was trying to create an arc that would make us reevaluate prior events, but honestly was a little predictable.

Technically the film had some fantastic cinematography, at times, and then other moments where the lighting got away from the team. Audio was good though.

Story: 3/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2.5/5

Stella And Blarg At Large

A charming animated musical by Pastafarian Productions, exploring with great care the anxiety of getting something important off one's chest via some fairly universal themes.

Long distance relationships are tough, and tougher still when built on a foundation of exciting but dangerous activities such as bounty hunting. Quickly Hannah Taylor grabs our attention by raising a dramatic question that propels the film... we as an audience wonder why the hesitation about something so fun and exciting? It offers a really interesting dynamic of the open star-filled expanse of space and a colourful alien creature with some human drama. A smart choice.

But with a quick reveal, shock and vomit, an interdimensional portal kickstarts the film into overdrive and we get into the meat of the film exploring familial responsibilities and reminders that people don't change, they grow. Or sometimes revert back to habit by zapping Zords.

I loved the colour play in the film and thought the story was engaging and funny. Animation is tough as nails to do in 48 let alone develop well rounded characters so that was a huge plus for what I loved about the film. Songs catchy AF as well!

For me just 2 very minor nitpicks. One was the edit which was amazing in the video call, cutting and breaking up at just the right moment to make a believable, raw intimate conversation, and continued oh so well to holding the child...I just wondered if Blarg should have shown a little bit more emotion to match the songs and action on screen? Again very minor nitpick!

The other is kind of to drive home the upbeat emotional resonance of the song "Zap It out" some close ups or cinematic shots would have done wonders for mine instead of staying on the static plane. Your mastery of 2d animation if sublime, but some more movement would have elevated the film even further I think. It worked well for the match cut of course by staying on the same said plane.

Ps this might just be the best warning in the whole competition this year. Love your work Hannah!

Third Wheel

Lololol ADR throughout the film, I'm not sure if any original audio was used, but it definitely added to the film for me. Having packed up the car, a couple decide that yes in fact they do want to go with their original plan of a romantic getaway at Wiremu Bay. However after a bit of bickering they pick up a hitchhiker who actually seems very familiar to Bobby. Having said that, he proves to be good conversation and knows the way to the Bay, although he gets a bit to close to the girl for Bobby's liking. "I WANT YOUR BALLS!" lol, thanks for making me laugh guys :)

Infinite Origin

Honouring the golden age of animation, in particular the genius of Tex Avery, Truba served up a startling cartoon with Bill Plympton-like comedy but enough grotesque imagery that it would have fit perfectly into the Spike and Mike Twisted Festival of animation from yesteryear.

When a couple of super viking warriors crash land in the middle of a metropolitan park following an epic battle, their arrow-riddled corpses release their powers to the unsuspecting and reluctant denizens of the city. But in a nod to BRIGHTBURN, these powers being age old and infinite mean that the battle and drive to kill (or battle at least) continues to any inhabitant young or old.

Really strong sound design, wonderful use of colour, narration and voice work spot on, super impressively drawn and layered backgrounds, outstanding music, and particularly impressive was the camera movement given this was 2D animation. Trust me, this is no easy feat to pull off.

I liked the gags, and felt that every turn the film took was exciting. This was a great example of how to trim the fat with your edit and deliver a tight, polished 48 Hours film. I liked the ending also, but I personally would have not had the last narrative question asking whether the struggle will continue. Absolutely loved it overall, though.

Story: 4/5
Technical: 4.5/5
Elements: 4/5
Overall: 4.5/5

The Second Coming of Draven

Throughout the ages, a second coming of Draven has been foretold, and those who worship him are extremely excited when their demonic summoning appears to work given the prophecy says that all unfaithful will be killed. But like a longcon game of communication whispered down the ages, the summoned being is not all that they expected.

The comic touches here were clever such as the cultists interrupting the announcement speech of their deity, and the medium powers being revealed. The anger and rage of the lead hooded figure was powerfully presented, providing contrast with the light humour to good effect.

What I found let the film down a little was it just being a little bit light in tone, and definitely felt like a bit of a plain location despite the nice costumes and well done invisibility.

Story: 2/5
Technical: 2.5/5
Elements: 3.5/5
Overall: 2.5/5

No Refunds

A group who all badly miss their grandma think that a necromancer type with access to bringing souls back from other realms through a pentagon type seance is a good idea. Things of course don't go according to plan and so we get a hair metal bogan trying to adjust to modern life. Couple of nice touches of physical humour and a good grade to the film plus a nice comment on the frivolity of personal asset greed. However the story just never really became engaging due to unclear direction. Worked better as a back from the dead film than fish out of water (the actual genre) by a mile.

Maybe the Last Time

12 June 2013 REVIEW EDITED AFTER SECOND VIEWING AT WELLINGTON 48 HOURS FINAL (Fact I didn't 'get it' the first time I think points to the fact your film was unclear): A high school reunion hookup aftermath film with a Tangerine-dream like score, mainly set in a parked car by the beach. A realistic portrayal of regret and hope, as two would be-lovers try quickly to make up for a lot of lost time. Coming in on the action after the drunken party and only letting the soundtrack try and convey emotion for any real conclusion felt flawed in my book. Reflecting now the film had a welcome change of pace right into the action, but I almost feel like Act 3 was missing, but then I'm assuming that you were going for a fly on the wall theatrical-type piece and letting the audience make their own conclusions. I think I "got it" this second time, but being held together by a soundtrack is always a dangerous thread to be hanging on. 16 June edit - drunk emotional irrelevant sections of the review removed.

An Apple a Day

Set around the idea that an apple a day keeps the doctor away, although we soon discover that the apples may in fact not be quite so simple as the urban legend suggests. It ended abruptly so I am not sure if anything was missed. I noted good enthusiasm from this young team but I would highly recommend getting some editing and camera practice; the majority of the film was made up of static mid to long range shots which could have benefited from either camera movement or cutting.

Maurice

Sorry forgot to mention the obvious parallels to IT'S A WONDERFUL LIFE. Curse this site and not being able to edit reviews! Surely IT'S A BOGAN LIFE would have been a more apt title? :)

Dark Cellars & Big Lizards

At the train station near the railroad tracks a group of friends becomes a guild of adventurers following a NARNIA-like earthquake whisking them away to a parallel world. Only the omnipresent overlord of the realm is playing a dangerous game with them.

I liked the initial location and how you subverted my expectations for the group moving between dimensions. Obviously at a transport hub you might expect some form of physical transportation rather than mystical. It was something that did not need to be explained, the few shakes of the camera, rumbling sound, and costume changes being plenty to tell us what had happened. Excellent story beat.

Once inside the D&D inspired game however I did feel the story became quite generic, with a straightforward plot where lessons needed to be learned. Even with it being relatively straightforward I thought the resolution was a bit sudden.

What I did like about your film was you going outside and going for it. It's a massive positive to me to get some landscapes and costumes in 48, and get away from a plain old house or flat. Well done there. Also BIG ticks for getting decent sound despite shooting on a windy day!

In terms of what could have had some slight improvements, I felt the blocking and framing could have been improved. Just little things like focusing our attention as a viewer by only having characters actively talking or reacting as part of the shot, as there were a few instances of characters standing around not doing much whilst others talked, and a couple of times where you did go for the focused shot there were accidentally chopped off heads or legs.

Story: 1.5/5
Technical: 2/5
Elements: 2.5/5
Overall: 2/5

Brian

You've got to have pretty big balls to tackle the brain eating undead in 48 Hours, but you know what, I'm genuinely glad that a team with the talent of Cinetrance took on the challenge of a post apocalyptic world with shuffling hordes.

I'm genuinely excited to see this film on the big screen because the YouTube compression did you dirty! Really fantastic use of the scope screen and blocking of actors throughout, with the lighting bulletproof and then that sensational church location came to the fore so well, just great cinematography overall.

Now, what I really liked this year from Cinetrance was the script. Yes yes yes; line deliveries and performances were all absolutely stellar, covering ground such as a relationship being on rocky ground giving some weight to proceedings, and then keeping things very relatably kiwi with the revelation that someone important is (or was) actually a prick.

The self-referentialism also was damn amusing.

In terms of other key points, the lack of a soundtrack actually really worked for me! It made the film a bit raw, a bit gritty, which really made it its own unique beast and worked so well as a double edged representation of the raw, rotting undead. No dramatic cues as key moments unfolded meant that we got to see the horror with our own eyes and resonate with the characters.

The ending was also a *chef's kiss* Nice one team.

Story: 4.5/5
Technical: 4.5/5
Elements: 3.5/5
Overall: 4.5/5

Zero Mum Game

Notes whilst watching the film "It looks quite nice", "the audio is good", "very funny" but in all seriousness this is the sort of 48 Hours film that creeps up on you and has you running through the criteria of what the competition is asking because you realise it's a really rock solid short film.

Cinematic and technically sound? Sure is; grade was really nice and the quality anamorphic lenses allowed you to expand the domestic setting into something feeling wider in scope and meaning. Simple story told well with a relatable theme? Most certainly, with a picket fence suburban family unit jostling over their little angel's affections.

I particularly enjoyed the ebbs and flows of the storytelling, moving from warm and a strong parenting bond to almost going off the deep end via uncanny valley in the quest to be the favourite parent. I'm a dad myself and several notes got the nod from me.

The performances were the biggest highlight for me, as the mum peeled back layer after layer in her driven quest to not 'lose' her daughter to the dad joke natural of the house, whilst the neighbour with (literally) certified jokes to match the man of the house's ceral killer efforts played his deadpan over the fence character to perfection.

Really liked the edit as well and felt that you introduced the boys in blue questioning at just the right moment to elevate the film, in what was a really well measured development of the well rounded plot like I alluded to earlier.

I'm not going to spoil the ending as I expect to see this in at least the Christchurch finals, but similar to my own film this year I think it could be interpreted at least a couple of ways. Was the person who missed out on the joke actually there? I'm leaning towards no, which makes this incredibly darkly comic and close to a masterpiece. Still pondering....great film though.

Scooter Girl

An Ed Sheeran loving girl falls in love with the neighbours' scooter, much to her mother's annoyance (and fair enough to, having just bought her a really nice car). The flowing hair shots on the scooter were nice, but obsessing over an inanimate object meant that this lacked dramatic impact, especially as we were not given clear reason for the preference when the girl appeared to have it good otherwise.

Big Ben's Big Bean Challenge

Well well well this was a surprise. Two films that only really make full sense when played back to back (this goes with Team Cupcake Squidwig which followed immediately afterwards at the Heats). The only time I can ever remember something similar was when a team basically paid the entry fee to put on some art wank they shot over the 14 minutes that two slots would allow them. This team/s actually had the best intentions at heart and so the daring move gets a thumbs up from me. Both films have basically the same start with Kevin and the girl he's interested in + her daughter saying goodbye as the girls head off on a date whilst he heads off to the TAB. The date with Roger for the girls starts promisingly enough with talk of sports and then the decision is made to have a go at rollerskating given that he was apparently a master skater back in the day. Of course this is a bit of a flat out lie and allows our main female actor to reflect on things with the other guy. Whilst this goes on of course Kevin has a whale of a time inadvertently entering himself in Big Ben's Big Bean Challenge by breaking the record for eating a vast amount of beans in a short space of time. Having lost the girl once he holds onto the idea tight that the competition might actually show her that he can amount to something. Of course the reigning champion is not going to give up their title without a fight, especially when they could have passed for the spitting image of Helen Mirren, only with tattoos. The inspirational side of things comes to the fore when we're shown that playing a good clean game will always grant you respect whether you win or lose. Also the same ending. The films themselves were decently acted but the production values were mid-range; having their moments in terms of good crowd scenes and a well framed camera most of the time. I guess that's understandable given the rush to effectively make two films.

In Deep

Slick slick slick pool party driven by a tremendous original synth score, with the thumping electronic reverb creating a feeling of mystery and dare only to find out the film actually had a heart. Honestly team I loved this film and am so pleased it made its way to the national final as I feel that films with such a positive idea often get overlooked in this comp.

In terms of what I liked about this film, colour me extremely impressed at how great this was all pieced together. Beautiful people, beautiful locations and a back and forth approach between our protagonist being drilled in an interview versus the heist being put into action. For me I particularly liked that you didn't just go for the setup and then play it out, but cut to and fro creating a labyrinth of intrigue for me as a viewer. The question of not knowing what the ultimate heist was going to be until the finale left me on the edge of my seat throughout.

I've had more than one person talk to me about whether the film would be as good without the sensational location and beautiful people and yeah, maybe the overall plot is a bit generic, and I would have liked to have seen a little bit more depth to the characters, which I think could have pushed this to top 3 overall.
But here's the thing, the team did have access and equipment and made the most of it, they played to their strengths and there is no way I can judge them on a 'what if they didn't have models and shot the same film on their cellphone'. I can only judge them on making a stellar, beautiful, positive message heist film that played with the genre and audience expectations whilst ticking the element boxes really well. Editing and sound was also sublime. Loved it.

Story: 3.5/5
Technical: 5/5
Elements: 4/5
Overall: 4.5/5

Legion

Oh. This was splatter...genuinely expected possession when I came to write my review here as I don't write genre down when watching the films in the heats. Don't take that necessarily as a bad thing, mind, because mixing genres up is totally cool! This was absolutely one of the standouts from the Christchurch school entries at least from a technical point of view.

I liked the use of black and white because your framing and lighting was absolutely on point, with inky blacks and a keen eye for detail taking the viewer on an intriguing visual path across your 5 films.

The Home Improvement style over the fence neighbour provided great comic relief compared to the spooky abandoned house and oneiric mis en scene as this low budget take on NIGHT OF THE DEMONS unfolded.

Minor gripe is I thought the splatter element could have been leaned on harder for impact but that's just me.

The Path

My first key point of advice to this team is to be really careful about avoiding getting wind distortion on your audio soundtrack. It is very distracting, and whilst field sound is great if you can get it clean, I would recommend doing ADR for anything where gusts were captured on your takes.

Now onto the film itself, where the locations and outfits were fantastic. A reluctant guest really threw a knife wielding cat amongst the pigeons in the woods here as a boy needing help got the 'help' he needed.

I felt the team tried to present an eery approach to proceedings, with a deliberate approach to proceedings in the deep dark woods and making the invite itself ambiguous but clearly important.

Now murderous black comedy can be grand. VERY BAD THINGS is for example one of my favourite films. But you need to earn the right to put the audience on side for dark acts. With some of the actions taken here jarring through by character actions and edits, it meant it was hard to feel any connection to proceedings because unclear motivation meant mean spirited resolutions and therefore the film played as bleak at its key moments. Promising in tone though.

Story: 2/5
Technical: 1.5/5
Elements: 2.5/5
Overall: 2/5

Transformation

Placeholder review.

Scooping Up the Truth - What Happened To Brain Boy

Everyone has a person or thing that they look up to in life, and it can be a lifelong dream to be granted an audience. For me that was George Romero, who I met in 2008 and he was basically just a cranky old man. Here Bush Gang show through their CHRONICLE inspired mockumentary how our heroes are often just as fallible as we are.

Brain Boy is our interviewer's golden goose, a child prodogy with telekenesis and molecule manipulation powers with a particular affinity for spoons, and we see how 10 years of searching has allowed a comic book hero become just a regular person, or so it seems.

Technically this was pretty good, in particulary I really liked your flying spoon VFX and superhero eyes, though bit weirded out by the change from flat to scope aspect ratio just over halfway through, the story was a bit of letdown for me.

Not just because of the mockumentary style, although that did in my opinion produce some meandering interview moments, but I felt like the narrative arc put so much weight on finding Brain Boy, that for them to just...be there... meant we had to reset our story expectations, and instead got Brain Boy rambling about their life and then getting upset at the crew for laughing at their pet rock confidant.
Honestly the film just fell apart for me in the last 90 seconds during the rage and inner monologue. If there was a metaphor or analogy you were trying to cover here it missed me sorry.

Story: 1/5
Technical: 3.5/5
Elements: 1/5 (the pet rock as the confidant was a huge miss)
Overall: 1/5

Breadcrumbs

I know it was only acapella and for less than 5 seconds, but you still can't use BLACK EYED PEAS - I GOTTA FEELING in this competition, guys! sheesh! But with regards to the film itself, it was a serious effort that I guess made the point to live each day to the max. Our hospitalised lead really has this hit home to him when he flashbacks to previous memories before his accident, but this time does it through the bodies of his friends. Serious overuse of focus on the bedridden's eyes to try and manipulate the audience I thought, but hey that's just me. Technically decent otherwise.

KILL THE CHILD

This played in Heat 19. So this just happened. A demonic scatterbrained bloodfilled homage to Trash Humpers, or at least it wanted to be. The ritualistic cultists appear to bathe in blood with an intention to lure in their childhood neighbours on the promise of giving them lolly money. Trust me that's just my own interpretation of the images and sounds I just watched. I think the team might be quietly laughing that someone actually tried to make any sense of it. Some of the action had a Texas Chain Saw Masacre feel to it, but by and large it was an experience rather than a film. Shame I can't give a no rating option as I'm torn between giving it the lowest and highest possible rating. I'll give it high because its a DQ film and don't see that harming anyone.

Dirty Laundry

I am so pleased I got to see this film in person at the Wellington Heats, because you got things off to a sensational crowdpleasing start in the capital this year as anything that possibly can go wrong with the laundry does, to great comedic effect.

From the non avoidance of a nasty spill for a freshly done basket through ripped clothes and tomato sauce spills, the gags kept coming in the most cartoonish way possible with the cowering in a fetal position drawing a huge roar from the crowd.

Your lead actor gave a fantastic performance as showing the emotional rage building in stages, your editing was really strong all around and yeah, lots of laffs.

For mine, there were a couple of minor white balance issues early on but the quality of shots did improve as the film went on. Audio was also fairly raw for lack of a better term with some peaks, which if they had been loud but clean may have elevated the film further.

A one note film yes, but a damn funny one at that.

Story: 3/5
Technical: 2.5/5
Elements: 2/5
Overall: 3/5

PowerDown

Through lockdown and frustration we get to see the unleashing of our protagonists powers in this energetic origin story.

I feel the team took an interesting approach of sitting down and thinking, talking about what great power meant in terms of responsibility after some initial jokes such as making an invisible chair. No flying/bullet absorbing SHAZAM type montage in site here, the team stuck to what they could do.

And by going small, they were able to come up with a topical dramatic question that drove the film. What if the powers could end lockdown for just 1 day in Christchurch? This youthful aspiration to be free was relevant and played to a pizza-fuelled punchline.

Excellent buddy chemistry between the 2 leads, again it's a shame I haven't but a performance rating on my score system this year as that was the most charming thing about the film.

Camera framing was ok and I like that you took the time to make your own announcement video to play on the TV in the background. There have been a few other teams who didn't pay as much attention to detail regarding the legalities of pre-recorded footage this year I can assure you, so thank you for playing by the rules!

Sound was a bit raw and out of sync slightly a couple of times, but no biggie because I could hear what your characters were saying.

I think that also while I have labeled this energetic at the beginning of my review that was more because of the friend without powers and his manic charisma. It (energy and movement) was definitely something that could have been expanded in scope, because sitting down in a house when you got superhero was a little bit of a missed opportunity.

Story: 2/5
Technical: 1.5/5
Elements: 2/5
Overall: 2/5

Lorcation Lorcation Lorcation

Well wasn't this topical with the Housing measures announced this week! Not quite sure where the team was implying this film was set with the opening landscape shot of Auckland harbour, but ok! Anyway, when a real estate agent with classic corny fake teeth offers a house for a price that seems too good to be true, thirsty would be home owners jump at the chance only to quickly realise the house it not all that it seems to be.

I have to admit that SHREK but the curse is tied to clearing a mortgage was pretty genius. Though I was a bit confused as to why a bargain priced house would take 300 years to pay off? Nevertheless the team upped the ante by going with Orcs rather than trolls (this is Middle Earth, after all) who have a hunger for more than just pizza.

Payoff was simply brilliant. An absolute zinger that brought my subdivided attention to laughter.

Honestly this reminded me so much of classic z-grade 48 Hours from yesteryear. If you've done your homework on Taika's early fake teeth efforts then I applaud you. Your real estate agent was the star here, though some of the quips in the script such as not really being monsters due to how things played out was comedy gold.

My main areas I noted that dragged the film down a bit was the lighting, and the big one for me was the camerawork. For such a fantastical film it was very static and tripod-set, whilst some of the framing was crammed for example having multiple characters on screen where some were just standing around. A focused shot would have allowed more attention to be drawn to your zany costumes and well done orc makeup, in my opinion. Lots of promise here, though.

Story: 3/5
Technical: 1.5/5
Elements: 2/5
Overall: 2.5/5

The Drop

A secret agent is given his orders to make the destruction of a base look like an accident, but as he takes his titular drop out of the aeroplane, his cellphone rings with a completely naive bitchy wife on the other line. Whilst he gets ready to pull the cord, she pulls his strings about housework and social engagement in typical laidback kiwi fashion. The usage of Ultra split screen here was absolutely fantastic, utilising a comic book panel style approach but knowing exactly how to keep things engaging, with decisive editing decisions to keep one panel at the centre of the viewer's attention, yet utilising the others to give the film more of a scope coverage. The result is it actually elevates the film in that respect compared to most other Ultras I've seen this year. Frigging fantastic sound design and impressive scope of animation pulled off. Probably just judge's personal preferences keeping this out of the Auckland final. Good voice work too. I did notice the characters dead seem a little deadpan due to no emotion in their faces like other reviewers which would probably also be my only minor qualm. Thanks for uploading, though!

Breadcrumbs

I know it was only acapella and for less than 5 seconds, but you still can't use BLACK EYED PEAS - I GOTTA FEELING in this competition, guys! sheesh! But with regards to the film itself, it was a serious effort that I guess made the point to live each day to the max. Our hospitalised lead really has this hit home to him when he flashbacks to previous memories before his accident, but this time does it through the bodies of his friends. Serious overuse of focus on the bedridden's eyes to try and manipulate the audience I thought, but hey that's just me. Technically decent otherwise.

Hypnagogia

Loud, but not in a bad way, there was some really visually striking imagery here. Nice editing touches that kind of seared into my brain as well. Basically this played with the insomnia dream/reality/psycho idea and really ran with it regarding a young lady who stumbles upon a murder late at night. There was a sense of dread and unease but not many frights at all.

The Moist

Truly one of the more disgusting 48hours entries ever for Wellington, this short rocked my world. I've promised the director I won't give too much away, but let's just say that in a crudely animated retirement home lounge, some of the residents are feeling a bit chilly. However something lurks where the heater is, and despite the aggressive warden trying to calm down the senial old farts, it all gets a bit...messy. Genitals, extreme gore and an unusual animal make an appearance here, which left more than a few jaws scrapping the floor in shock. Also bloody hilarious and a serious Spike and Mike vibe as per usual from this team.

Super Foul

Well done on also ticking the box for gross-out comedy!

Despite strict instructions to stay grounded in reality when entertaining themselves, a couple of young wizards bend the rules and smash an invisibile tennis ball through a nearby window, leading to a heist attempt to retrieve it whilst showing their first year spellcasting inexperience to hilarious effect.

A really vibrant entertaining energy to this film, that played like a very clear Harry Potter parody, but at the same time captured the youthful vigour of young students, their shit chat and risk taking nature that is all too common.

The two leads had a great buddy relationship, playing off each other through a well written script that was highlighted by their attempts to get into the apartment with the offending object inside. The misfiring spells also got some belly laughs from me, and the D-kiss (no spoilers) almost made me lose my dinner. Foul, super foul, indeed.

Story: 3/5
Technical: 3/5
Elements: 4/5
Overall: 3.5/5

Wool You Love Me?

Even the most outwardly confident use online dating as explored by this film, which depicted a swag skux in the high school hallway struggling for friends and turning to Mashley Addison to find the woman of this dreams. Put through the ringer to see if he matches the criteria of one of his likes, Baaadgirl69 presents a series of challenges that have the audience wondering catfish. I felt this was a solid simple story with a couple of pieces of comedy gold however production values could have used some improvements. I appreciate the time constraints but stronger contrast, use of lighting and potentially even a grade are elements that will make your film pop in future and I would recommend this as the look of the film was flat. The camera work was also fun at times but slightly jarring at others.

Life is Better With You

Not sure why I noted the team name as 'Exit Sign'? but that's by the by. This was an engaging and very enjoyable film to watch close out the Wellington heats for 2018 as a guy obsessed with asking a girl out simply will not take the hint that she is not interested, no matter how many times she rejects him. Yes this ranges from mid-exam through lady's bathroom and on to her house. So creepy and stalkerish but done in a really lighthearted way showing that you can make good comedy out of any situation. The back yard barrel rolls deservedly got some loud laughs and your lead actor really had something highly watchable about him, nailing every line that came out of his mouth. The payoff was fantastic it was just a bit rough around the edges from a technical pov.

Above The Law

Boy oh boy do I love me some age inappropriate casting in 48 Hours, which Cinnamon Cinemas delivered here with an upbeat investigation into a serial killer.

Perhaps more than age inappropriate casting in things I love in this comp though, is silly disguises to hide the fact! So a suit and moutstache was absolutely my cup of tea for selling the idea of a teenager as a homicide detective. Lol. I'm not throwing you shade by the way, your lead actress gave a really strong performance.

As to the film itself, it was short and sickly sweet in a loop around fashion as a couple of grizzly inventive murders got looked at. The number 8 wire effects for example with the hair dryer death were what this comp is all about, in my book.

If I was to be critical, the film felt very light in terms of actual story and the twist was highly predicatable and could have been sold a lot better to give either dramatic or comedic impact, but it was zany, fast paced and entertaining.

Story: 2/5
Technical: 2.5/5
Elements: 3/5
Overall: 2.5/5

Product Z

Thank you very much for giving sound reasoning as to why the footage was shot in 1080p. I'm guessing the team had recently watched 21 Jump Street? As took the element of making an extreme new drug as their plot point. Sadly for them the territory they are looking to move on already has established dealers. Guns aren't hard to come by in this country, at least... I was really hooked in by the energetic start, and then the drug testing I was still engaged with. The film kind of lost its way though when it became a formulaic turf war, although the very ending of the film was really well done and the bullet holes in the windscreen a very impressive effect. Also not sure why sound quality was perfect fine at the start but progressively got worse?

Queen of Hearts

Fate or obsession? Sometimes a difficult question to answer, as a seemingly innocuous relationship gathers steam pretty damn quick at least on one end. Kept ramping up the obsession at a suitable pace until (in my mind) a homage to 'Heathers' brought things to a fitting conclusion. Both leads were excellent.

Here Comes Charlie

The midnight loser of ‘Sketchosaurus’ will have to leave the flat to make way for the beloved Charlie. This framework sets the way for a number of great verbal and visual jokes between the obnoxious flatmate, the generally ignored flatmate, the art painting flatmate and the flatmate whose mother recently passed away. I thought it could have had some more variety as flats are a pretty boring backdrop all up, but it was very entertaining.

The Hitler Effect

Alternate universe farce where facial hair is championed and smooth faces for men are mocked and ridiculed, with the titular nazi leader having an enormous effect on the proceedings. Spanning across 85 years for all intensive purposes through low budget time travel, well covered up by black and white footage to hide any budget constraints, this highlighted modern high school life well where the pressure to show your true feelings is indeed immense, and rejection is soul crushing. I liked the message here to never give up even in the face of denial, and the beard jokes came thick and fast. "Dad" was a particular highlight, as was the dramatic mo trimming and good use of sound effects in the film. Some of the camerawork was noticeably shaky and motivations for characters were a bit questionable at times but I do enjoy a good farce and this got great laughs from the audience including myself.

Wings of Fate

Placeholder review.

Cataphora

In a job where coworkers casually tell each other that their job is one where bros need stamina, the seeds of self doubt to reveal their authentic self for a transitioning hard worker were presented really well by this team. That things went absolutely wild at the end with David Bowi- inspired astral planes and a shitting cat most definitely elevated the short.

The film was well paced and whilst the first 3/4 of the film were a little bit flat cinematically, lighting and framing was good and the script was allowed to breathe. Good humour and a pleasantly surprising ending.

Story: 3/5
Technical: 2.5/5
Elements: 3.5/5
Overall: 3/5

Nicky Brick and the Funkys Licks

My favourite high school entry in many a year. Top stuff guys. Our lead has a his breath taken away by the girl of his dreams, but lacks the funk she's after to let him stick it in her (I shit you not, that was the first song and it had the audience in stitches). Not only that, but there are wayfearer/leather jacket rivals who hold a lot more coolness at the start of the film. Of course what's a good love story without having a progression to allow the chance to win a lady back/at least vye for her attentions again? And what's a good 48 hours film without a manic as fuck rainbow tight wearing funk guru? The costume designs were tremendous, montage superb, the camera angles sublime and the pacing was like a runaway train. I wanna go listen to Maggot Brain now. Oh and you had the best use of the prop in the whole competition so far. Badass film on the whole guys, would watch again.

Ick

Kind of hard to review without mentioning them as a Lego team and I guess I already have. Luckily it wasn't just static activity, however, with the characters' faces having computer generated mouth movements/facial expressionss where need be. We follow a trio of brothers sent on a quest by their Queen mother. One tall and handsome, another also tall and handsome but with the ability to crack open nuts with his butt and the third a bit of an underdog who survived a piano falling on them. Only there are obstacles in the way such as giant frogs and a crazy woman. Enjoyable, but some of the jokes fell a bit flat.

Parkour Boys

Absolutely skitzo but had its heart In all the right plices. Full of rapping, beatboxing, parkour, fighting and…singing? Looked you were having a lot of fun. The only thing is that with musical it would be nice for some of the songs to develop the plot rather than being intros/boats throughout. The haphazard approach almost gave it a cinema verite feel.

Exam in Session

Several high school girls enter dreamland and fantasize about what they would do if they could live out their dreams rather than having to go through a mindnumbing exam that none of them have really prepared for.

The good = framing, camerawork, edit, lighting, sound outside of the songs. Technically pretty damn solid.

What needed improvement in my opinion = piecing together the individual's thoughts to create a cohesive theme to the narrative. It was almost there in terms of a meta commentary on forced academia but just needed some sort of glue to bring it all together and bring out an emotional response. Could there have been a dramatic question asked earlier? Was it a final exam, life theoretically depended on it ie, it was make or break? Or had there been societal or family pressure to take a subject the ladies really didn't want to do?
Knowing what led up to this with a couple of minor shows or tells could have really driven the narrative arc, in my opinion.

Musicals are farcking hard so fair play to going all out with the singing and dancing. Personally wasn't my cup of tea sonically but genuinely appreciate giving it a go.

Story: 2/5
Technical: 3.5/5
Elements: 2/5
Overall: 2/5

Plant

A book a bach has some very basic but specific instructions for our holiday goer to take care of a plant. Of course he can eat all the food he wants in the fridge if he wants, if only there was any. With the stage set this played out as a wonderfully paced game of cat and mouse as attempts to take the plant surreptitiously led the guy who was supposed to be relaxing into a state of paranoia. The use of Ultra split screen was exceedingly well done, replicating a kind of human security camera that put the audience in the shoes of the guy. I loved how things really escalated, with the cult-like triangle conclusion being a particular highlight. Editing was top notch here. Definite finals.

Gaelien

I do love a good SIMPSONS reference, and a giant asteroid hurtling towards earth only to end up being a tiny rock was a great start to this film, as three gal pals who have passionate opinions about pavlova get more than they bargained for as an alien object grants alien powers, like invisibility!

Really nice ensemble performance by the women in this film, and your invisibility effect was really really well done!

Sinister finale, although loved the natural main ending to the film which presented the classic trope of love conquers all so so well.

Technically one thing I'd recommend for improving would be a minor framing thing, which is trying not to shoot dialogue from behind actors which happened a couple of times. It can work as reactive dialogue but here seemed to be by accident. And just on audio if any lines do come through as quiet from your field sound it's all good to use ADR to dub in louder vocals.

I did really appreciate you going outside for your shoot though and making use of the lovely botanic gardens.

Story: 3/5
Technical: 2/5
Elements: 3/5
Overall: 2.5/5

Scot

A woman trapped in a lonely marriage turns to her Siri-like device 'Scot' for advice and companionship, as she has forgotten what it feels like to be loved with her husband often leaving her with the kids for work trips. It feels like she has put her life on hold.

This was an intimate film, shot with a deliberate academy ratio to tightly focus our attention, that covered some fairly heavy ground. I've been through a divorce myself and finding a balance or fairness to a relationship and family can be incredibly hard to achieve.

What I liked about this film was its introspective nature, and a message of communication being key to getting through life; listening to others and not just our own internal monologue. The lead actress gave a rousing performance selling a range of emotions across the arc of the story.

Where I felt the film felt a little bit flat was first of all relying overly heavily on many of the concepts explored in Spike Jonze's HER, and secondly whilst a lovely message the ending felt a tad rushed. Whilst I was satisfied with the growth our lead actress made, I felt that everything was just wrapped up a bit too quickly. Did Scot give sage advice? Yes, but in a way it felt like the lead went from trapped to lovey-dovey and ready to rekindle her romance in an instant.

Story: 3/5
Technical: 3/5
Elements: 2.5/5
Overall: 3/5

Graffitical

Skateboarding in an urban jungle can make for genuinely interesting cinema; see SKATE KITCHEN, WASSUP ROCKERS, PARANOID PARK, and I liked that the team, and I kind of liked that the team presented Gisborne as a concrete maze, a playground for rebellion persay.

Where I got a little bit lost was in thinking for the vast majority of the film that our lead was simply a high school kid playing hookie from school and that the woman chasing after them was a truancy officer. For me to not realise that this was in fact a "gatekeeper of social standards" until the end credits probably points to the film needing a few more hints or exposition to give clarity to proceedings.

Tons of coverage across your film so I commend you for really going all out to convey your message. The other main issue for me was though that by using one concrete alleyway after another without any real geographical pointers, it really meant that the journey was unclear both literally and metaphorically.

Story: 1.5/5
Technical: 2.5/5
Elements: 3/5
Overall: 2/5

The Riverbed

BODY HORROR! Thank you! Leisurely Sunday drives have never been more creepy especially when they include alluring mystical horrifying boxes at riverbeds and perhaps the creepiest creature I've seen in 48Hours. Shudder. Big audience reaction and deservedly so. Fine example of less is more.

Hannah's Boring Life

You know how I have fairly regularly commented about not liking narration too much in 48Hours? Well Toot Toot sent me spinning back to my cave with a delirious meta take that flipped the script on the required elements of this competition without actually breaking the fourth wall. Props also for the burns on Shortland Street and the banality of TV addiction.

The opening shot was just genius. Literally as I'm about to jod down tedious long shot not developing the plot or character, I had it done for me to my wide eyed surprise. From there, things got weird in the best possible way with a script that kept one step ahead of any competition jaded viewers at all times.

Ever fed up with an omnipotent narrator? Well Hannah does her best to do something about it and prove that her so called boring life is not so boring after all.

Lead actress = outstanding. Script fantastic. Lighting excellent. My biggest concern is actually if this fit the box for the genre. I absolutely loved all of the subvervise and meta elements in general, but I felt like the riddle with the clock ticking was arguably throway for a joke rather than central to the plot in terms of Hannah's race against time.

Story: 4/5
Technical: 4/5
Elements: 4.5/5
Overall: 4/5

Plover

A couple of crooks have a briefcase full of loot in a warehouse, and discuss how to divy out the cash between themselves. Only snag however, is when one of the crook's former tormenters Bobby enters upon the warehouse which he in fact owns. This film had some fantastic dramatic intensity, and was nicely shot. Shame it was disqualified.

Con Troll Alt Delete

Easily Nutbar's best 48Hours film I was impressed by the significant improvements made by the team to produce this 2016 entry. Relaying the dark thoughts of meandering office existence that I am sure many people have thought, a magical toy troll sets the scene for a frantic explosive low budget gore finale. Practical effects were worked well and the wild (but very well handled) camerawork was reminiscent of early Sam Raimi. Playful and funny but still disturbing at times nothing was left on the table - the spaghetti brains made it to the microwave!

Broken Ties

Never taking itself too seriously, with slow moving cars and a weakness for water being our hero's biggest issue, Broken Ties used their genre as a catalyst for exploring how far friendship can be tested.

Whilst there was a perilous kidnapping involved in the plot, the fact that the film came to a conclusion of standing around and arguing next to a swimming pool about sisterly love meant that the money shot splash played like a lighthearted comic moment rather than having any real weighting. I get that you were going for what was supposed to a dramatic SAW-like 'Live or die, make your choice', but I felt that there could have been more tension, more consequence.

Audio was clear and the film had a nice colourful feeling to it with strong outfits giving visual character to the actors, and the invisibility moments were nicely edited, but just personally found the proceedings quite light.

Story: 1.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2/5

Girl, Disembodied

Demented entry hahaha. But yeah after being abducted and having her brain sawn out my a mad scientist who has a plot to build an octopus made entirely out of brains...you heard right, a little girl's brain takes control of whoever has it in a quest to get back into the little girl's body. Creepy McCreepson strangeness abound, with people spazzing out and having acid thrown on their face. Had a grindhouse vibe that I dug, the 'scissor cut' scene was outrageous and the head explosions were fantastic. Wicked.

Misogyny And Magic

A wizard, a warrior and Betty need to slay a dragon to claim the reward and thus off on a deliberately mysognistic adventure they went, with the fighter and the spellcaster putting the woman in her place at several intervals.

A clearly deliberate attempt at satire; a character is called Antifa for crying out loud! Nevermind that the dragonslayer works in an office and that they openly admit to not using VFX because of the cost.

Technically there were some really nice touches here. The point of view shots from the beast they were hunting were particularly well done, selling the illusion of a mystical flying creature well and the red filter topped this off. The costumes albeit a little low budget sold the heroes a the stereoytpes they were meant to be, and sound was particularly strong.

Now whilst the film looked great, I have a bit of a weird nitpick which is how you framed the film. I loved the cornfield location, but just the camera shot choices throughout of being mainly medium shot with plantations visible either side of the character meant it all felt a bit crammed. I was aching for a more cinematic approach given you clearly have the chops to handle your camera really well.

Betty was well developed I must say, taking the barbs and ending with a satisfying story arc. However that satisfaction does depend on if you feel the satire box was ticked hard enough. I did though it being morally ambiguous at best meant it was not quite a home run.

Story: 2.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Operation: Snuffles

Ok so I called out a team who took 28 seconds on pouring nutri grain into a bowl to start their film, so to be honest I'll need to call out the fact this took a 23 second opening shot to slowly move from a teddy bear on a bed to a box package. Just way too long to get going in 48 hours sorry team.

From here our lead actor concocts a plan with Mr. Snuffles as to how to get to his crush's house, a meticulous corkboard outlining how he will get the keys to his parent's car, but only has 2 and a half minutes to pull it off.

With dad distracted by the rugby, where yes fair play you blurred the All Blacks, although weirdly included audio of Murray Mexted commentating? This made the film seem in an out of sync year given he retired in 2012, as well as the daylight also being at odds with the 5.30pmish timeframe. Anyway, our lead makes his move, navigating past creaky stairs to get to the automobile and see his Juliet-type muse.

This was a small scale film and whilst some of the edits were nicely done, some shots and concepts simply took a little bit too long to traverse even if it was a charming familial payoff. I personally think a bit more time spent on motivation for attempting the heist would have made things more engaging, because if we had empathy for his plight then the stakes would have been raised and we as an audience would have been on the edge of our seats wanting him to succeed. By reducing the relationship to a couple of texts at the start of the film I felt it reduced the drama the film needed to truly succeed, in my opinion.

Story: 1.5/5
Technical: 2/5
Elements: 2/5
Overall: 2/5

Faux Pas

As a family drinks at a bar to mark the passing of a member, the attractive young daughter catches the attention of the waiter serving them. I'm not sure what the mother did or represented to stand in his way, as this developed into more of a horror film than a reunion film. Some of the script was quite good, but the showdown on the roof that led to strangulation lacked any tension.

End of the Saga

I really liked this film which was a good 2 minutes max in length made up of less than a handful of shots but covered everything it needed to. A couple of Wizards/warriors, I wasn't sure which they were and it didn't really matter, the point was they had impressive beards and costumes, discuss the war which they are currently engaged in. However due to the battle finishing soon one is sent on his way to deliver news to the castle. The timing was perfect, overdubs solid and moving the framing from super wide scope to 16:9 was an inspired touch.

BOB...Interdimensional Wool Courier

'Interdimensional Wool Courier' says it all doesn't it? especially when that story is told in psychedelic hues of blue, purple and yellow with such artistic brilliance that any frame could be a painting. My understanding of this film was that Arlo Edwards simply said "I'm going to have a lot of fun and throw a shitload of effects at the film" on the 48Hours weekend. Mission not just completed but the trippiest film the competition has ever seen may well have been created. Sometimes films are just about feeling and this one hit me with all sorts of warm fuzziness. Yet whilst you could just sit back and be gobsmacked in the eyeballs the film works on many levels. Yes it speaks of the futile nature of human existence being on only one dimension. Yes it gives the impression that forced harvesting for whatever reason is distressing to the animals...I may be reaching on that one. Surreal, oneiric, futuristic absurd cartoonish sci-fi that quite literally pulsates with a plot that to me seemed very open to interpretation. Very special, thank you.

Spazz Allens

Bullied art-student with mild verbal dyslexia blended right in to the alien invasion here which presented a very strong metaphor for being the odd one out....albeit through grotesque head explosions and ray guns. I thought that the vfx in this film were really well done and would not be surprised to see a nomination in the Wellington final if only that bloody award hadn't been combined with animation this year. The comic timing here made one of the best splatstick films in Wellington this year, and yes I'm aware that the team got 'Fish out of Water' as their genre. Generally engaging framing and very impressive editing, plus excellent use of whatever stock soundtrack the team had acquired. I think this team can hold their head very high and proud as it quickly reached the top echelon of high school films all time in Wellington for me.

It Tolls For Thee

This was a nicely shot confession of a man's inability to stop dancing like a retard any time they hear a bell due to a misshap at a stag do. The events are well chronicled and there are some good laughs to be had. In particular the priest gives some good response that make him seem just one of the lads eg, responding that he too loves go karting. The mischievous grin he holds only reveals its true value once the film reaches its apex, of course. Well acted but too much talking for a dance film, I would have liked to have seen at least a 50% balance in favour of the genre but that's just me.

Finding Rose

I got quite a Highlander 2 meets The Matrix vibe with this one with the whole bad cloaked dude coming in and spouting prophecy + love interest being used as torture bait. What I'd recommend to this team more than anything would be to make sure they use better lighting going forward. A little grain and shadow here and there is obviously ok, but it felt like enough detail wasn't paid to these areas in a couple of key scenes.

Trust the Process

Tempo is a key ingredient for a short film, and Dunce Media got this one right from top to bottom with an eye catching jazzily edited portrait of a life modeling session.

Immeditately my curiousity was piqued when the black and white nature of the short was clearly shown to be a strength with a well dressed set and strong vision for contrast. Little touches such as artistic paintings in the background and the hint of a canvas meant the knock knock early on provided a trepidation of excitement for who the model would be coming through the door.

Percussion and wind instruments were used to excellent effect, evoking a sophisticated air of fliration to proceedings in combination with creative camera techniques such as deep focuses on eyes, tightly laced boots, muscular parts of the body, and mouths showing the slightest hint of movement as though inhaling the excitement.

I was genuinely surprised that this was done with royalty-free music because the edit matched to the beats was close to perfect.

Whilst this could have got lost in the crowd of artsy farty jazz films shot without colour, narration was used to excellent effect, a rarity in 48 Hours, as our lead actress drew lyrics in her head of art being her way of communicating with nature. That her life had a lack of meaning without art and love.

Having established a sense of depth to the characters through our artist seeming sophisticated and our model a straightlaced professional who is there for the money from the job first and foremost, I was utterly impressed by how well you hit the mark with your ending. Some may say it was bait and switch with the tone you had, but to me it matched the quirky nature of the short.

In terms of where I would drop slight marks from my arbitrary ratings, whilst the narration was well done, it felt a little bit jumbled at times compared to the visuals we were presented on screen. In particular for example where we had splitscreen or quickfire edits. The music and visuals always matched so well that the third element of narration could have been perhaps toned down a little, but on the other hand it matched the excitement in the room.

I am also slightly unsure if the dramatic urgency was significant enough to elevate the films to contend simply having seen other top quality films. What I mean by this is that we established she was there to draw and then had your visual treat of the life drawing followed by the satisfying conclusion. But was there enough depth to proceedings? Was the story arc strong enough or could it be viewed to be too much of a slice of life? However the fact it was tonally consistent, took some chances and was so good technically were massive pluses in my book so we will see come finals time.

Story: 3.5/5
Technical: 4/5
Elements: 3.5/5
Overall: 3.5/5

Love you stranger

This was a very well shot film as a couple of lovers had their dream romance interrupted by a supernatural threat.

The way the narration was conveyed I was getting AMELIE vibes, though less saccharine, as love at first sight got explored with walks in the park as star crossed lovers fell for each other. A car accident and ghoul arising and we're away laughing.

But honestly, this felt like the supernatural element got shoehorned into the film. To me basically two completely different films that got glued together. Obviously I normally write more detailed descriptive notes in my reviews but I just can't quite put my finger on it here. I'm torn whether the narration worked for a full circle effect or was a cover up for the shoehorning of genres.

It'll probably go finals etc but at this moment I felt the narrative was disjointed and that's what my ratings are based on.

Story: 2.5/5
Technical: 4/5
Elements: 3/5
Overall: 3/5

Piracy Police

Very fun documented take on a couple of police officers with a very special set of skills to track down and take down anyone sailing the seas of the internet.

Fast paced and energetic with lots of clever humour and a good script this was sad to see disqualifed.

Lonely Man

I think you really wanted multiverse, didn't you? Be that as it may I really liked your style as our lead kept monologuing he was but a lonely man whether on stage, by the pond, getting soaked in the rain or starring in a silent film, amongst other demanding requirements.

Honestly it was very one note a one joke film but I thought you pulled it all together well with a strong lead performance and good edit in particular. The audition at the end I felt could have bookended a little better with the rest of the film, but the meltdown overweighed that.

Story: 3/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Resonance

Sensitive leisurely touching film about a young girl inheriting a very special family guitar. Special as it had been in the family for generations. The film played with a genuine delicate rhythm that felt personal and honest as a massive scope of examples of where the instrument had been used were portrayed on screen taking the audience on an emotional rollercoaster in a really good way. From sad cringe at aunties and uncles getting high and using it to strum a fun tune all the way through to a tangi. Full of arohanui I take my hat off to you.

Lost My Lizzy

"I'm an insomniac" just sounds funny when adult teams do this. This was about a P.I. searching for a missing girl to reunite with her twin sister. The only thing is, you kind of made the reunion anticlimactic by showing the audience a bit too much. If someone is missing, it pays to keep them missing if the reunion scene is going to be your payoff.

Disinterment

Awesome location as we watched a couple of goons prep to bury a body in a quarry, before the film chameleoned its way into the race against time genre.

I loved the golden imagery of the dirt and gravel that was so well contrast against the blue sky and outfits of your characters by your DOP, well done there. Editing was also smooth in general in terms of shot transitions. Soundtrack was memorable with deep throbbing bass although it did get a bit repetitive by the end of the film. Fight scene was well done with good sound.

My main two issues were as follows. Firstly, the change of heart was quite sudden and unexpected, and whilst for the greater good, the decision to keep that character mute (just making them silent is a big stretch for the 'confidant' in my opinion) meant motivations were a bit confusing and unclear.

Second was the ending. I appreciate you were going for an ask questions type later sort of character, but it made the conclusion a bit dark and arguably left me numb as a viewer. There have been a few films with similar sorts of plotlines over the years to this such as HARDCORE, THE HORSEMAN, and COLD IN JULY; searching for a missing girl, often with morally dubious protagonists. I felt like you were drawing inspiration from at least one of these, but leaving the ending of the film open ended just had me asking more questions than feeling satisfied. Not so much about what was going to happen, but why the protagonists in the film had acted the way they did.

Story: 1.5/5
Technical: 3/5
Elements: 1.5/5
Overall: 2/5

Wheel Love

Well well well this was a surprise. Two films that only really make full sense when played back to back (this goes with Team Cupcake Go! 6.9 which followed immediately before at the Heats). The only time I can ever remember something similar was when a team basically paid the entry fee to put on some art wank they shot over the 14 minutes that two slots would allow them. This team/s actually had the best intentions at heart and so the daring move gets a thumbs up from me. Both films have basically the same start with Kevin and the girl he's interested in + her daughter saying goodbye as the girls head off on a date whilst he heads off to the TAB. The date with Roger for the girls starts promisingly enough with talk of sports and then the decision is made to have a go at rollerskating given that he was apparently a master skater back in the day. Of course this is a bit of a flat out lie and allows our main female actor to reflect on things with the other guy. Whilst this goes on of course Kevin has a whale of a time inadvertently entering himself in Big Ben's Big Bean Challenge by breaking the record for eating a vast amount of beans in a short space of time. Having lost the girl once he holds onto the idea tight that the competition might actually show her that he can amount to something. Of course the reigning champion is not going to give up their title without a fight, especially when they could have passed for the spitting image of Helen Mirren, only with tattoos. The inspirational side of things comes to the fore when we're shown that playing a good clean game will always grant you respect whether you win or lose. Also the same ending. The films themselves were decently acted but the production values were mid-range; having their moments in terms of good crowd scenes and a well framed camera most of the time. I guess that's understandable given the rush to effectively make two films.

Sketch

A young man takes a canvas to a hillside road and starts drawing. However, not just any drawing, but one which apparently has the power to alter reality, or is it that the drawing creates reality? Either way, very cool concept and had some of the best uses of the elements so far (Especially the prop) The artistic shots (bringing from soft focus into focus quite a bit throughout the film) were a bit too artsy for artsy-sake in my book, but the film had a deliberate tone so I can appreciate why they were done that way. The acting was good and the music score fit perfectly.

Lil' Bro

A couple of brothers sit tied to a chair as a Mr. Big type villain tells his henchmen to make them suffer for doing him over, leading to a shootout in a cardboard box warehouse.

I liked the little flourishes of character that you gave. The one with a penchant for taking blind risks whether through his pistol or reliant on luck with card games, made things make perfect full circle sense to the "done me over" anger prior to the ordered execution by the villain in the beginning. I appreciated the closeness of the brothers through visual motifs throughout and ultimately their trust in one another.

From a cinematic point of view this had the real possibility with a lesser team to come across as plain or bland, yet you somehow made cardboard boxes give the film more depth, with the key element I think there being the slight red tints of lighting you were able to superbly provide.

Editing was solid, fx were good for 48, sound was really good, and playing things straight for the most was a nice mature change of pace from this team compared to their previous efforts.

But I do have some areas of concern with the film. I've brought up Mr. Big so far, I've brought up your minor touches that gave the brothers a connection, but to me the issue is that your villain was a stereotype and your familial connections were just that, minor. Because of having what I felt were largely flat characters I personally found it difficult to develop a connection with the story. I felt we got close with the blind shot, the reason that wasn't quite a home run for me is that the aftermath seemed a little throway. I'll give you the ending, that was a funny twist and provided a reframing full circle resolution. Just with story being king in this comp I'm not sure this was original enough as it could have been, with a lot taken from LETHAL WEAPON.

Story: 2/5
Technical: 4/5
Elements: 3/5
Overall: 3/5

Brains?

Definite contender right here, folks. I've heard a few are popping up around the country and its not different in Wellington either with a number of films told from the zombies' perspective for once. However until you've seen this one I find it hard to explain just how original it was. Just really damn good scriptwriting I guess, stomach-churning gore and make up effects, and a strong knowledge of the undead. From the first 'Brains!' groan of the film the film makers immediately had you in the grasp of their hand. So much so that by the time it ended I had completely bought into the character dynamics of four supposedly not living creatures and found it quite touching. FORM A PACK. Well done, guys :D Edit: On second viewing I'm bumping this up to a 5/5. Holds up amazingly well and even better with a massive crowd.

Private Invasion

Wait this was coming of age? That makes a lot of sense! I forgot to write down the genre when taking my notes so had assumed sci-fi for this alien giving his first anal probe. The posters around Wellington asking for volunteers to get probed really set the scene nicely, and the fact it was just all yeah ok sweet I'm here for the probe and played straight made the film even stronger. Whilst not exactly a bildungsroman I appreciated that this did explore personal growth, and was a clear metaphor for losing virginity in my mind. The fact that it may not have actually been a first time probe played off really nicely with some charming dialogue interplay between our two leads. Several notes for the genre were hit, I think what could have made it slightly stronger would have been some personal introspection for the alien prior to the probe, to know that the probe was such a huge deal for their development. Costumes, set design and props were wall handled and the camerawork was solid though static.

Small Fish Big City

Great script delivered at machine gun pace, great gags. That fish, that song. So catchy!

Toasted

A mockumentary based around our protagonist being able to make toast with his eyes, with the reason for his documentation by a film crew being his claim that he is the only superhero in the world.

After we literally had "Bread" as the required element in the 2015 this was always going to be a hard sell especially when it pulled almost all the standard mockumentary tropes out that I am not a fan of. Case in point, talking head interview where talks about local toast statistics followed by footage in the apartment where tries to toast some rhye faster to hammer home the joke. It just doesn't really work for me from an engaging storytelling point of view.

Your lead actor performed the material he was given well would be my main positive about the film. Sound was clear too and editing not bad. But the bland apartment detracted from the mostly good camerawork and grading. I get that the whole idea was to make a humanistic mockumentary, but for me it was just as plain as white bread.

The girlfriend playing along but then giving us the predictable ending we expected was a tad flat, basically because the punchline was just again a talking head interview where she listed her powers. Yes there were newspapers to give it scope, but they felt rushed when there was a big opportunity to either use her knowledge of his BS for a story beat earlier in the piece, or really use her powers for something more impactful.

Story: 1/5
Technical: 2.5/5
Elements: 2/5
Overall: 1.5/5

After the Flare

A phenomenal performance by Tim Simpson centered on loneliness and the need for connection, as a late night disc jockey struggles with Karens on the other end of the line and impending solarstorms.

Nitro are the genuine heart and soul of this competition and stripping their story back to the raw essentials allowed them to tell a resonating universal tale here. The audio is some of the best I've heard in the comp, a genuinely perfect earworm that draws you in like Eric Bogosian in TALK RADIO. Only here this is no shock jock, this is someone trying to engage and connect with his audience, crazy warnings of zombies be damned.

What really elevated the film for me were a couple of things. Firstly the expiry date commentary was sly but clever, and then honestly the direction of the film. Tim takes us from a gorgeously framed studio to an eerily quiet dairy and back, and the effect is indeed quite chilling; the happy go lucky contrast with silence and space bringing about a beautiful sense of melancholia

I've never been happier to see a team make a Wellington final. Well done Tim <3

THAT THING

What's this doing not in the Auckland final? Must be a banner year! Short, sweet, sick tale of family acceptance no matter how alien a child's traits may (literally) be as a newborn really seemed to come from another world, complete with glass-piercing growls, accordion bookends and seemingly problematic fire vomit . Huge Lee Hardcastle vibes but with emotional warmth and the comforting tone of a well-told children's story book. I loved the measured clear diction of the storyteller's voice over and the unwavering approach to the vocals strengthened the metaphor in my book to be unconditional in your love for your family. The vibrancy in the colour palette also helped this stand out from the crowd a lot. Animation where present was great this would have got full marks from me with just a smidgeon more movement to the film. Awesome work though!

Cheernobyl: A Holiday Meltdown

After clicking on a 'win the holiday of your dreams' link that isn't spam, but the VR opportunity of a lifetime, our lead very much gets more than her bargained for when it turns out that all holidays in the world rolled into one is actually a bit nightmarish. Outstanding costume design and while the set was minimal in scope the editing was on point, leading to a claustrophobic tense effect that reflected the lead being trapped in a virtual world headset while the Easter-birthday-Xmas-chicken legged monster got up in his grill. Pretty batshit really, and definitely one of the best uses of the holiday genre this year. I liked the oneiric feel on show here, with a what the fuck feel in buckets. I also appreciated the plot having a well structured beginning, (overwhelming) middle and end, and I'm assuming that the attack on the senses was very much the team's intention. I can see why this didn't make the Christchurch finals though, out of nowhere murders are something that judges I know are completely over. However the film's proper finale was very satisfying indeed.

The Thief and the Three Gifts

Richard Falkner you are a legend, and irrespective of whether this film was ineligible/recused/disqualified it is still very cool that you made a highly entertaining 48Hours film on the weekend, and please let your son know that I thought he did an absolutely fantastic job acting!

Superbly shot, looking like it was shot in the 1970s at Shaw Brothers on 16mm film, the film tells the tale of a self-congratulatory thief who kisses a chalice and declares he is the greatest thief that has ever lived, only for a knock at the door to come and his preconception to be challenged through the course of the rest of the film.

It is really hard to deny just how strong a three act structure makes a 48 Hours film almost by default. It's something that doesn't come naturally to a lot of people, but if you put it in your script then everything just flows so smoothly. Richard knows that and by going with a concept of "3 Gifts" allowed the film to ebb, flow and develop really organically once the required invitation (to cover genre bases) had been received.

When the ninja turns up and the VFX kicks in = so good. And leading to a tale of redemption = great!

Story: 4/5
Technical: 4.5/5
Elements: 4/5
Overall: 4/5

One Last Game

Definitely adventure more than action as a couple of siblings set out for treasure that they believe their grandfather will have left them after they scatter his ashes. This sparks the sister up as she has been given a 48 hour notice of foreclosure, and so the hunt for treasure represents a chance to save the farm. That description makes the plot far more convulated than it was. The main charm behind this film was its true blue kiwi dialogue and positive energy, which overcame any technical shortfalls it may have had.

Guilty Unconscience

Neon lights and a disorientating soundtrack were the highlights here, because the film just left me a bit flat. Look, internal psychosis can be absolutely amazing cinema; from the highs of PERSONA, to the sensational performance of James McAvoy in SPLIT, but this missed the mark by starting negative in tone and getting darker, meaning as a viewer I struggled to relate to the characters on screen.

Waking up next to a bloody dead body, ok, exciting start! But I needed more; several minutes of aural assault (I was wearing good quality headphones for this heat, so very quickly got the point of the whispers of madness and the lead being a bad person as told by her conscience) made me think less of Bergman and more of Mickey Rooney in THE MANIPULATOR, one of my most despised films of all time. Sound peaks in the shots of self-reflection in the mirror did not help either.

I know I'm being very harsh here but I also definitely saw potential. Your lighting and framing was good, so I'd suggest trying to explore a more interesting location in future to play to these strengths even more. And whilst the edit of the whispers needed tightening your sound designer has some talent. So take those strengths and run with them next time with a more coherent script and there will be massive improvement.

Story: 1/5
Technical: 2.5/5
Elements: 1/5
Overall: 1/5

Flower Boys

Be still my beating heart this was achingly beautiful and a rare example of mature, well-handled queer cinema in this competition. There's some adult teams who could absolutely take a leaf or 10 out of this team's book because they put a lot of teams to genuine shame this year simply by making a touching love story between 2 young thespians. With an affinity for the bard himself and keeping physically active through running, the two young men studying Shakespeare catch each other's eye but the delicate propositioning always had something beyond their control getting in the way of their path. This was a well-thought out gentle yet charming film with a few technical bumps such as the opening couple of shots being out of focus and wind on the audio track for several outside shots, plus a couple of areas where the edit could have been tightened such as the overly long establishment that one character loved tea, however I'm giving high marks because it was a raw open window into young love that struck a chord. Whilst I may seem negative about the issues behind the scenes, I should note that the camera work was very solid and tidy in terms of framing and drawing the audience in.

Leave Me Alone

The SPCA, Bartending and Busking amongst other jobs have all failed for our lead, who just also happens to be a conjoined twin. Their bro has been the scourge of all their problems for quite some time particularly with women and employment, but that is nothing compared to the leaf monster they create when an experiment goes badly wrong. The two guys sharing one outfit for the twin effect really played off on one another well. Not a scary film by any sense of the imagination but more an ode to cheesy 50s/60s bad monster flicks which in my book is not a bad thing at all - Sting of Death and The Thing With Two Heads immediately came to mind.

Passing Lane

What would you do if you could plead your case for a second chance at life? This went deep and as a father hit my touchy feely nerves in a big way. Impeccably framed throughout as a taxi driver picked up a passenger and took them for the probably final ride of their life. Nobody needed any baggage where they were going. It seemed like the route this was headed in was obvious 60 seconds into the film, but believe you me there was clearly a skilled hand behind this to pull the strings like it did. Just little touches here and there like keeping things interesting with framing inside the car, and creating dramatic mood with cuts to a look in the rearviewmirror that doubled as a look back onto the passenger and yet at the same time exploring predetermined destiny, this is a sure fire thing for the finals and a very good chance for nationals.

Instaman: The Untold Story

An old guy trains his young and fresh superhero disciple Instaman, who ends up accidentally blowing him up with a bomb. However he doesn't give up on his dream of becoming a hero, and is inspired by another girl called Rapid Girl who also has powers (the fast running was actually splendidly done), so gets his own cape to try and be a better rep for truth and justice. Of course there is a big faceoff with the nemesis down by the Hutt River, with some cheesy effects and hammy fighting for good measure. Captured the tropes of the genre well.

The Wellington Job

A bunch of guys have their roles defined very clearly ala Reservoir Dogs for the job that they are about to pull in this film which seems needlessly shot in black and white first of all, but eveything becomes clear as the film progresses. Bit of a double-take film, although our plot development felt underutilised in my book, with far more focus on the 'crime' meaning that the chemistry between the guy and the girl was almost non-existent.

Finding Rose

I got quite a Highlander 2 meets The Matrix vibe with this one with the whole bad cloaked dude coming in and spouting prophecy + love interest being used as torture bait. What I'd recommend to this team more than anything would be to make sure they use better lighting going forward. A little grain and shadow here and there is obviously ok, but it felt like enough detail wasn't paid to these areas in a couple of key scenes.

The Pizza Heist

When a flatmate has the munchies and has spied an uncollected pizza delivery across the road at their neighbour's doorstep, a bombastic plan is concocted to yoink the cheesy delicacy. Well, 'borrow', like the cat they took and never returned. Quite a funny indictment of people as a whole because there are a lot of opportunistic dickheads in society, but this was thoroughly entertaining.

With an expert in computer science ex (with a self-aware joke about how she could have brought food, but that would have spoiled the plot) on board and ramshackle inventive costumes thrown together, the over the top planning was probably the highlight of the film.

The heist itself was a little bit bonkers, with unnecessary crawling across the grass, strange cardboard masks, NZ-centric codenames, a random ninja and a 4th wall break. All with the possibility that the neighbour could of course turn up at any moment. Very silly but fun.

From a technical point of view I noted some minor levels of hiss on the audio soundtrack particularly for footage shot inside that was a bit distracting, and whilst I appreciate that the planning was OTT and in fact a highlight, I couldn't help but feel that more time could have been spent on the heist itself because with the large allocation of time to the setup I found the edit a bit jumpy once we got going in the action.

Story: 2.5/5
Technical: 2/5
Elements: 3/5
Overall: 2.5/5

Jack & Jill

A friend sets up their friend with a psychiatrist to help them with their supposed agorophobia. Not a lot to this one, although I guess it captured the awkwardness of dating well enough.

My Jealous Ghost

Getting the keys to a first home should be a dream come true, but a green eyed ghost turns proceedings into a sharply escalating nightmare of domestic bliss turned inside out.

This had one of the best uses of a whisper in Dunedin, with absolutely fantastic sound design conveying the apparition and giving them a Moaning Myrtle eerie vibe.

Extremely well paced the edit was a highlight as proceedings were allowed to breathe, with signs that not all is what is seems appearing through the cracks in gradual steps.
Maybe I'm reading too much into it but the tell of the woman being plied with alcohol and questioning herself the next morning combined with the reliance on narration genuinely had me on the edge of my seat, like were we in an unreliable narrator situation here ala CABINET OF DR. CALIGARI? This was to me strengthened by the lead actor being a fan of virtual reality, so yes very clever take on what is real and what isn't as a theme.

Some great set pieces (the car, the competing happy birthday celebration) at just the right moment felt like nods to classic Italian supernatural horror like KILL BABY KILL, which I welcomed.

For me just a couple of minor things thing were that I felt a couple of the key story beats maybe didn't have as much weight as they could have? For example the comedic start was very light and maybe highlighting the bliss with actions rather than narration could have given the payoff more weighting when the shit hit the fan? Loved the clean location presenting the domestic dream but other than the birthday scene felt that a couple of times visual flourishes to represent the supernatural might have elevated the film even more? Nitpicking by me though and impressive nevertheless for a duo team

Story: 3.5/5
Technical: 3.5/5
Elements: 4/5
Overall: 3.5/5

High Tea with the Queen

4 ladies have high tea with drugs slipped into the mix, leading to a series of comedic 'errors'.

I think the initial premise on display here could have worked quite well, a sort of feminine take on CHEECH and CHONG, with a kiwiana twist such as making relatable jokes about wedding nights and the groom weighing a bit too much.

But after that it was largely plotless, with the gags of wearing dressing gowns and shades, and large animal head masks for mine really falling flat for me. The problem I had was that things just happened on screen with no real rhyme or reason, and sometimes holding shots for what seemed like an eternity as characters came in and out of frame. Maybe that was the team trying to make some commentary about the nature of being stoned, but visual stoner humour still needs buildup and a punchline to personally work.

Story: 1/5
Technical: 1.5/5
Elements: 1.5/5
Overall: 1/5

BLANKING: THE UNSEEN ART

A.F.M! (If you know me from this competition you'll know what that stands for). But yep...a mockumentary, which if you don't get as your genre I absolutely can't stand in this competition. It was well done and all I guess; covering an advanced form of hide and seek where the objective is to actually disappear as quickly as possible, or sometimes for as long as possible when considering 'endurance' blanking. But mockumentaries are a cop out. It also wasn't 16:9 [windowboxed] and end credit was '48 Hours 2011' (not the actually required wording) which just added to my annoyance.

Edge of the Circle

A baker's wife/gf leaves him for someone new, and our baker spies on her to see who this new plonker is, as well as striking up a friendship with an old lady on the side. Quite a random effort, with the spying, praying, hot tub laughter and sabotage by sending the new guy a prostitute with an STI. I've got to say the randomness added to its enjoyability a lot, but the plot had some gaping holes.

Taylors Escape

Made the case that what we do as a child affects us as an adult, where young Call of Duty fan Taylor ended up in the military. However also introverted the expectation of dealing with battling parents when push came to shove which was a nice touch. Breaking the 4th wall was a nice touch also and your young lead carried the film well. I do wish that the cuts between footage that had music to the different time zone with only camera sound had been a bit smoother as it took me out of the moment.

The Pick Up

It makes it hard to review when you're seeing an idea for the umpteenth time in a 48 hours year, having thought the previous teams were original, and yet the later entries may be the best of the bunch in terms of using that concept. This was the case here, with mistaken identity and criminals involved. Almost a double reunion film, it set out charmingly and quickly developed. Some nice visual touches, it was short and to the point.

Bro

Is our destination really the stars, a road trip with some bros or a quick stop at the dairy for a meat pie (no potato top of course)? ICW asks the hard questions with an existential effort that is simplistic on the outside but earth core deep on the inside. Subtitles for general grunts have worked well in the past in this competition with a famous former winner coming to mind, but here the translations play a bit differently than feral instinct. The irony and self-awareness to explore masculinity in such a simplistic yet fascinating manner that 'Bro' does has already got me coming back to re-watch multiple times and it definitely works very well on repeat viewings. Also technically hard to fault; car-based films can be tricky for keeping momentum but that was managed with aplomb, camera angles were engaging and sound crisp...and Gavin Rutherford steals the whole fucking movie - whew!

GOOD AS GOLD

You know those moments in this competition where your jaw literally drops because you have seen something amazing? Well, Good as Gold had me picking mine up from off the floor with a staggeringly beautiful film that pulsated straight out of the Cook Islands and into our lucky viewing eyes here in New Zealand.

Following a woman on the run, jump and swim through beautiful native landscapes, with a commanding screen presence that presented strength and determination without saying a word, this was a captivating film with a charming payoff.

GOOD sound say my notes. Consistency. Shot so well it could work as a tourism advert. Match cuts for days as the quest for a special coin took us on a deep dive from riverbeds through fauna with acrobatics along the way, culminating with a splash as the woman hungered for her prize.

From a technical level relative to this competition, to me this was perfect. Every frame was just so tight. The only reason I'm not giving top overall marks is that I'm not quite sure if the story had enough weight for most of the proceedings. I'm eager to see it again though, that's for sure, and watch out NZ because this will contend at the business end of the comp...

Story: 3.5/5
Technical 5/5
Elements: 4.5/5
Overall: 4.5/5

Losing Lucy

Placeholder review.

The Deliveryer

A Goonies t-shirt wearning courier drives up to deliver her package. However a mysterious mist once inside the building makes her vision blurry and she then starts seeing things such as Mexican wrestlers. A guy in a chicken suit comes along and advises that she had better get her package delivered, but there is an interesting development towards the middle of the film which I'm not going to spoil. Cool use of lasers and some great gags, as well as quality acting all around.

Vic Dreams

I know that it is obviously your team's style, but shooting 9:16 just seems bizarre on the cinema screen. The reason that Hollywood has historical shown more image wider than taller is that most audiences don't care about the lower half of actors, but I don't need to lecture, I'm sure you had your reasons for doing it this way. It was a fun little film about an English Language teacher being absolutely adored by his class. All lessons try and steer clear of the subject of sleep for obvious reasons, but once his condition is found out it allows the obsession levels to ramp up...Just writing that now I realised that you kind of got the character trait wrong as he was constantly sleeping, wasn't he? Given my own film had a dream with a girl with an umbrella I'm willing to cut your some slack.

Black Death

Black Death has been killing people throughout the City. Bobby Young tries to train 3 young women as superheroes, but that gets curtailed when she gets kidnapped. It's up to the girls to try and rescue her, by making their way to the villain's lair. Cool costumes and a polished film, but the story was well worn and I was a bit puzzled by the fake accents.

Pecking Order

2 'hardboiled' detectives decide to check out an egg farm after a tipoff about black market egg price manipulation, though they find the farm owner a tough case to 'crack'.

Paper note identification, one liners flying off the wazoo, point blank shootings and watties for blood were just some of the classic 48 Hours tropes that brought me back to teams just having a go and making an enjoyable romp as was the case here.

Now what elevated (subjectively) and yet let the film down (realistically) was the uncanny valley dialogue and Z-grade effects. The worm's eye view shot got a good chuckle out of me, but some of the framing with backs to the camera for speaking actors, and disorientating editing, not quite so much.

Story: 2.5/5
Technical: 1.5/5
Elements: 2.5/5
Overall: 2/5

The Dragons are Coming

Having broken a statue, our Nicky Brick has cancelled the force field holding the dragon's back from attacking Earth, and so he only has a couple of hours to make things right. With a lack of superglue and some powers that be actually wanting the mythical creatures to arrive, however, it is quite a quest that our Nicky Brick goes on. Only this quest was more urban Wellington than magical, with supermarkets and petrol stations replacing castles/caves. The showdown in the school hall was cheesy and entertaining and I'm guessing the team may not have had access to much fantasy adventure costuming or effects? Meandered a little and could have done with an attempt to at least show a little bit of magic on-screen.

Battle Roulette

Domestics lead into some very dangerous online gambling, because rather than sell the family house or abandon his wife and daughter, our lead decides to partake in a life/death shoot out. I'd probably need to watch this again to make my mind up on your stylistic choices, but by and large I think they worked because it differentiated the gambling from the real world.

Rap to the Future

One of my absolute favourite things to see in 48 Hours is when a team makes a musical no matter what they get, and have the talent to pull it off succesfully. With slick beats, this time traveling jam was thoroughly entertaining as 2 FBI agents more closely resembling a crooked verion of the Blues Brothers put their prisoner to the test to dig up a time hopping device.

Some things I noted that were particularly pleasing were the excellent use of the cinemascope frame, allowing the dig site to become more cinematic in appearance, and giving the centrepiece singing moments a more operatic, grandiose feel such as the fantastic first chorus.

The costume design was basic, but conveyed the roles clearly of the characters, with the sinister/anonymous FBI agents contrasting with the orange pants wearing convict, which was also emphasized by his colourful proper rapping versus their militaristic sing talking.

References to other time travel movies were nice nods, going as deep as Terminator 3, and the payoff leading to usage of the invisbility element was nicely done.

In terms of things that I feel could have been done with more emphasis, I think there were 2 areas. The first is that the dramatic questions being asked in terms of the plot were very lightly handled, but that could be said to be just personal opinion as the entire focus was on making a fun musical. But also on that note, whilst I really enjoyed the music, it did also effectively play out as one long song, whereas multiple songs would have allowed the pacing of the film to breathe a bit better. Technically sound, with the only grip there being the start of the film where the lighting wasn't quite on point.

Story: 2.5/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3/5

My Nemesis

Nicky Brick and Joseph Marlin are in the process of recording an audition tape for 'Wander in the Wilderness' and giving it a New Zealand spin with focus on our local floral fauna and how they are used culturaully for example as healing plants by Maori. However both leads dispute how they should shoot, who should do what, and the lead actress also happens to have a troubled past that links to the forest they are exploring. Very much a Blair Witch vibe but also one of the more realistic films so far in terms of actually believing someone could have stumbled upon the tape. The lead actress gave a believable performance. More in future, please.

Chip Potatoe the Super Potato

Chip Potatoe: The Super Potato, reviewed by steelpotato! Woohoo!

Shit my balls this was weird. From the animated imagery that cut into the film throughout (and honestly, I'd love to see what you could do with a proper animated film) to the potato suit that bursts into sight within 20 seconds of the film starting, we were in for a wild ride.

Therapy sessions are often the death knell for 48Hours and I'm not going to lie it was the main thing that held the film back for me. The issue with therapy films is they just generally come across as people sitting down talking, which makes it hard to present an engaging film even with visual flourishes or strong jokes, which this film had.

I liked that the team did their best to subvert the superhero genre, and the actor in the potato suit in particular did a great job as a cranky been there done that former saviour of the world. Even nukes won't stop him, but his dad's words will...

The final confrontation with the father just made things finish with a bonkers flourish, but I just feel like there was a missed opportunity here given the team's wonderful sense of humour and visual ability, that something (a film) more energetic than static would have elevated proceedings, a lot.

Story: 1.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 1.5/5

Inconsequential Halucinations

Absolutely dreadful.

'Archive'

So there's really something to be set about playing it straight, playing it serious in 48 Hours. It's genuinely hard to do let alone do well. I think the team largely got their tone right and whilst very much taking homage from HER, my main issue with the film is that this is a story that has been told countless times in this competition.

Now that might sound incredibly harsh, and I'm not going to get into spoilers territory here, but essentially what has been told here is a story where a woman represents her trauma or grief, and by the end of the film we realise their struggle to let go or move on or let go has just been visually shown to us on screen.

Case in point, the Bay of Plenty winner from last year or to a lesser extend the 2nd place getter in Gisborne. However yes the team did give things a Spike Jonze-lite type spin, and we were on the verge of seeing the connection that made her want to hold onto her love, but it just didn't quite elevate into original territory enough, for mine. Technically sound and performances good I just personally put a huge weight on story and in particular new stories in this comp.

Story: 1.5/5
Technical: 3/5
Elements: 2.5/5
Overall: 2/5

Wellingtopia

With a strong dystopian foundation laid out (animation was a massive advantage to be able to show a decrepit Wellington) this morbid and charming effort by Lovely Bongo Drums brought a smile to my face from ear to ear. Felt like what Tex Avery would have done if he had access to flash software back in the day. Also reminded me of Courage the Cowardly Dog but instead of terrified protagonist the lone survivor eternal optimist welcomed their new friend, even if said new friend is a death-bringing leper/ghost type creature. Oh and I can't forget the fan-service to your own 48hours films - love it! ps those long lasting cans = puuuuke hahaha.

Rhythm

I really really love the way that you presented the bedroom scene here; honest, raw, believable and most of all showing that the characters in the three-way genuinely cared about consent and what the other people in the bedroom liked. If more people could present sex like this society would be better as a whole. The converging storyline with the drumming lesson down below gave the film its heartbeat and whilst low key was endearing. I do think the dramatic arcs could potentially have come together but on the other hand this was a 5 minute slice and that plot would be better suited for a longer film so was not needed. Great performances and definitely a film that stays with you.

It's Always Night In Space

Superbly acted, the film nailed the concept of a urban legend where it is possible to give a slightly different tale of events based on whatever hearsay the storyteller has heard. Set in a lecture theatre, a list of possible discoveries, motives and ways Nicky Brick was killed at an observatory in 1971 are well examined. Some say he saw a giant meteor, others that there was a conspiracy to kill him and yet a different take is that it was suicide. Our lecturer of course provides the calming hand to our students' wild speculations. Some sweet visual touches and completely engaging.

Sammy

Good contender for best actress in Wellington from this film, as a mother who has lost her son brings home the boy who hosted the party where he died. Quite an intense film, the script was engaging and feedback between the two actors was top class. The only thing I felt let it down was the ending, which seemed a bit rushed and didn't have the emotional strength that the vocal exchange did earlier in the film.

life sKills

NCEA Level 3 Life Skills exam goes absolutely ballistic, in a balls to the wall display of craziness by this veteran team and it was all the better for it. Many scratch your head or blink your eye did I really just see that moments, as the exam produced some staggeringly ridiculous questions for the students to ponder. Almost all hilarious this film moved like a locomotive and when a question comes out that is worth 100 credits you know there's going to be effort made to obtain excellence! Really covered a lot of ground from spelling to toast to illuminati, and got quite dark and violent while still trying to keep some of the tender friendship elements in there that represent school. Largely raw technically with sound being haphazard but made up for by its energy.

Dick, Actually

A story of things that our narrator did for love, that being of course the lovelife of his close friend Sam who he has always seen as perfect, making it tough for any man to meet his required standards.

This played out as a classic fabrication of subjective reality and jealousy, with one person's view of a suitable partner being an impossibly high pedastal, and leading to some fun comic moments of sabotage.

I did feel that some of the humour (messing with washing, toilet seat up) was lacking in punch, and presented our dogooder as simply an annoyance rather than funny man, but the culmination with the pizza was admittedly worth the price of admission.

Strong performances by the leads with our narrator in particular carrying the film nicely, and the actress who played Sam also did well with the material she was provided.

Proper conclusion very satisfying also. The thing for me dragging my marks down a little bit is me finding the humour personally not so great until the final third, and being on the fence about the use of narration at all, but I think I give it a pass due to it being an unreliable narrator which was needed for the story arc.

Story: 3/5
Technical: 3/5
Elements: 3/5
Overall: 3/5

The Game of Solitaire

What seems like a man playing solitaire in an empty abandoned house quickly becomes something completely different. I think this was the most beautiful film of night one out in Wellington, and in my book they absolutely nailed their genre. Perfect example of leaving it up to the audience to interpret a number of things. Played with sound nicely and the on-screen dynamics developed well as the film went on.

Inspir-irrational

A drought of inspiration across the country results in a new profession being created; that of the travelling salesperson of liquid inspiration. Being Nicky Brick of course they don't exactly hit the jackpot selling door to door, and the liquid nature of the product they are selling means that it is all too easily lost. This film came across as low budget but had its moments for example I could see that the team really tried hard to come up with an original concept, and we got into some solid strange dark territory towards the end when a new batch of inspration was being cooked up/flatmate went psycho. More work on the script and a better camera next year would work wonders.

Unfinished Symphony

Holy moly an actual...documentary in 48 Hours? About the creative process of stop animation with some tender resonating moments of artistic self-reflection? Yeah this was a simple story but one told bloody well with some seriously impressive animation.

Based at our artist's work bench, he let us know how what he does presents endless possibilities as everything around us can have a heartbeat if you take the time to breathe one into it. The therapeutic nature of bringing inanimate objects to life was particularly resonating.

This was a really sweet film and whilst brief it had moments of genius. I thought it just looked incredibly cool to have the animated 'musicians' playing whilst cleverly giving the impression that the hand was moving at normal speed. It gave me a "hold on just a second..." moment when I stopped to think about how much attention to detail you needed to take to pull that off.

The acknowledgement of how animation is an age-old artform and a way of connecting with history and moving away from the distractions of modern technology was also heartwarming. Overall a very memorable film and for going actual documentary and letting us into your world, I salute you.

The minor drop in marks are because of personally thinking the required character element wasn't a real home run, but the rest of the film was stellar.

Story: 4/5
Technical: 4/5
Elements: 2.5/5
Overall: 3.5/5

Cold Porridge Caper

Absolutely GORGEOUS film, with my friend sitting next to me commenting that a couple of shots could be framed as photos. Spot on camerawork as well. I will be re-watching this as have been told by the team that sound at the Paramount was overblown resulting in dialogue not being as clear as it should have been. Essentially a dark retelling of the Goldilocks/3 Bears story with an ambitious attempt to look at the psychology of the girl. I feel that this was a film directed with a very sure hand behind the scenes, but was slightly thrown by the very young actress smoking a cigarette. Minor as I understand it was showing her being from the bad side of the tracks. The deeply saturated black and white photography of the film provided a classic Sam Fuller look to the film and to me worked well as a metaphor contrasting the reality of the goldilocks story and the fairy tale. Due to the reliance on narration it did make it a little hard to follow at the heat with score being much louder than dialogue hence I will re-watch but most definitely enjoyed.

Red River

You know you're onto a winner for a gross-out comedy when several "OH NO"s can be heard around the cinema within 10 seconds of the film starting. Absolutely brilliantly shot with many different tight yet effective camera angles churned out in what was an impressive amount of coverage. Everything popped too, and excellent sound! The overhead shot was great too, and honestly this was close to technically flawless as the edit was also top notch. I'm feeling generous so I'll also commend the outstanding lead actress! Who knew that the idea of being out of tampons on a heavy bleed could create so many hilarious puke-inducing jokes when our heroine just wanted to get back to the rugby with her guy mates in the lounge? Bodily fluids, an inhaler, shower caps, a wild fantastical imagination and blood, oh so much blood...expect to see this contending in the Wellington final at least.

Think Punk

How on earth am I supposed to review this film? I'm really sorry to hear that you were disqualified, and thank you so much for sharing such an intimate personal video diary about your family history, but this just went over my head as to how the film we watched was related to the competition. The final 90 seconds attack on Fox News and George Bush were welcomed, and I appreciate you not being afraid to speak the truth, you're a talented guy and confident on camera but I found this a very awkward watch due to so much seemingly being irrelevant to 48 Hours.

Story: NA/5
Technical: NA/5
Overall: DQ/5

Product Z

Thank you very much for giving sound reasoning as to why the footage was shot in 1080p. I'm guessing the team had recently watched 21 Jump Street? As took the element of making an extreme new drug as their plot point. Sadly for them the territory they are looking to move on already has established dealers. Guns aren't hard to come by in this country, at least... I was really hooked in by the energetic start, and then the drug testing I was still engaged with. The film kind of lost its way though when it became a formulaic turf war, although the very ending of the film was really well done and the bullet holes in the windscreen a very impressive effect. Also not sure why sound quality was perfect fine at the start but progressively got worse?

A Delicate Point

Black and white minimalist animation that showed a wonderful friendship develop between a recently dumped girl and her new best friend unicorn. With charming picnics and shared sensibilities for pottery, the crisp clean animation was handled with aplomb. I particularly loved the subtitle touches such as the selection of equestrian netflix shows for our horned friend. Of course a bond over a breakup is one that is to be protected and so the defence of the friendship was a particular highlight. Makes me wish I had gone as clean and simple with my own animated film!

Insomnity

Insomnity is a combination of insomnia and insanity, we are told. The rest of the film was a bunch of shots of creepy guys in masks and close ups on the boozy lead's crazy eyes. Well, other than the buzz saw carving with screams. Needed more plot development.

Full House

I appreciate unsettling your audience. For me, to have an effective film that has this with its ultimate goal, you want to start on a level and then build towards the payoff. What this film did; an unpleasant tale of domestics gone awry, was to start negatively and finish in an unpleasant manner. This meant that our lead actor's swearing outbursts and violence felt a bit jarring. There were moments which indicated a more peaceful domestic situation, and his obsession could have been what gave rise to the situation, but the fact that they were only glanced at meant the actions felt unjustified on the whole.

Love.

After playing a game all night, two close knit friends talk about how things might change if one of them comes out of the closet to their parents. This had some excellent sound design as the lead actor dealt with the inner demons in his head, which were given actual demonic sounds to truly represent the personal torture that he was going through. Raw and admirable this broke down a lot of walls with a simple story well told. Would have got even higher marks from me if there were not stretches where the audio needed work; it was audible as the boys walked past all the cars but the car noise did make the dialogue lose some of its impact. Just so much unbridled love from friends and family in this story made my heart swell, this was a delight to get to watch in a cinema. Thank you.

The Winds de la Séance

*Technically a summoning not a seance

Really fun film here playing on a classic reunion scenario where a summoning led to a possession via mystery film where the tainted needed to be identified ala THE THING. No musical in sight here!

I liked your setup that felt playful in vibe along the lines of similar scenes from BEETLEJUICE and BILL & TED'S BOGUS JOURNEY as the bravado characters became clearly definable not just via their dialogue but by clearly defined traits which relied on very good performances from all 4 on screen.

The ramping up to violence felt like a good way to raise the stakes and the conclusion was satisfying.

I thought technically really good all around, but the location (and I get you work with what you have in this comp) left quite a bit to be desired. Enjoyed this though, thank you.

Dreaming of Love

A foreman who can't sleep collides with a woman who has trouble finding love, and goes on a series of dates that we get to see the comedic result of. Played more like a Public Safety Announcement than anything, I thought if you edited it down it could have been a TV add regarding getting behind the wheel on a lack of sleep. The actress who was looking for love did a great job.

Viktorious

Or, Frankenstein’s Robot, this team went all-in and it paid off in spades with a low budget zinger of hilarity. Followed a bullied (but envied for their genius) young man creating a robot with some terrific capabilities, and the gory results of man trying to play god. Z-grade effects brought a high level of laughs after a slow burning start and a genuine contender for best worst film.

Velcome To Vampvile

Ok so first of all I see that what's in the screening room here is an extended cut running 6 minutes 22 so I have to ask the question did you write a 6 and a half page script and have to cram it into the 5 minutes? Because my first piece of advice would be to write no more than 5 pages next year. I get and massively appreciate a 'go big or go home' mentality, but if you view this competition as asking you to make a slice of life film then what you produce is probably going to be a lot tighter. I know that this probably comes across as massively preachy and condescending, but when I see extended cuts jump out at me I feel obligated.

The film itself is a fun take on vampires, bursting with energy from the opening frame with guerilla camerawork as a baseball wielding Frog-brother type strolls down the street seemingly driven to drive out bloodsuckers from his neighbourhood, only to form an unlikely connection with the fanged undead as they welcome him into their home with open arms.

I appreciated the in jokes to tie this into the WHAT WE DO IN THE SHADOWS universe and subverting all expectations straight off the bat by having a flat full of vamps who love garlic, though wished the film had a bit more to say than riffing off the expectations of the audience.

Got to say though, the actor who played the party crashing Ivan was absolutely outstanding. What a great performance! Just stole the whole show for me and elevated the short from average at that point to enjoyable! Cows blood jokes, understanding physical performance and line delivery was just sensational.

Technically a few issues for me with some camerawork that felt unfocused not in terms of the actual focus of the lens, but more just leaving a lot of negative space in the scene. Audio whilst easy to discern what was said also felt a bit echoey due to shooting in larger open areas of the house I felt.

But a fun film and for that I give you credit.

Story: 2.5/5
Technical: 2/5
Elements: 2.5/5
Overall: 2.5/5

The Wishboners

A family of genies and their company were documented dealing with a lack of wishes for people in the world in 2018. This played mostly as a one joke film with the team throwing every possible boner reference into the mix that they could think of. A lot hit the mark although when material became exhausted the film did hit a bit of a lull. The chicken jokes and development of genuine sympathy for the family did give the film a second act although the editing during the first half of the film was of a lot higher standard as the ending felt rushed and predictable. Having said that the first half of the film did have a few too many talking heads moments for my liking. EDIT updated star rating to correct (for me) 3 stars. Sorry had the wrong (and probably appeared to be mean) 2 stars in here until I corrected myself.

Many Happy Returns

Following a very recent family death, a birthday cake complete with candle is presented. "Make a wish" and the rest is history. Although of course there's no such thing as a free lunch, and so oneiric J-Horror makeup and backyard burials become the order of the day much to the chagrin of our protagonist. Strong screen presence from the lead actress given very little dialogue, and engaging audio ambiance this was very much a foreboding folktale that I imagine would affect anyone who has lost somebody close to them. The only thing is that I swear I've read this exact folk-tale/ghost story previously.

The Fellowship

What a way to kick off proceedings for 2022! As an ominous OMEN style soundtrack played straight out of the Jerry Goldsmith playbook, our interest as viewers is immediately pique as a multitude of cloaked figures make their way to a candlelit convention, with a view to writing the wrongs of the sins of the past.

Peeling back layers as the film unfolded I was particularly impressed by your coverage and pacing, with a deft hand in terms of the cinematography on show here, engaging camera angles and solid performances by all actors on screen.

Comedic timing was a particular highlight, giving some nice beats as the film ebbed and flowed with an elegant pace. "PAAASWORD" got a genuine chuckle out of me.

I must admit I raised my eyebrows that the first film of the first heat went for a pandemic joke, but I also like how you kept things grounded in reality where not everyone just followed an alpha male's word at face value. Cults are not always a good thing, right??

For mine I felt I could see the payoff coming a little bit in advance, but it still worked and left me satisfied as a viewer. and despite the great coverage and angles it was a tad on the sit around talky side in terms of plot development, but lines were delivered well so a minor quibble.

Story: 3.5/5
Technical: 4/5
Elements: 4/5
Overall: 4/5

Smiling

So that was pretty unique. Kind of cardboard cutout/superimposed photos of the actors crudely animated? I noted lots of stabbing but with a positive vibe. Very short film, but hey it didn't overstay its welcome.

Story: 1.5/5
Technical: 3/5
Elements: 3/5
Overall: 2/5

Friends Who Pretend

After school special in tone as characters talked to the screen like Play School presenters, only with deadpan creepy vibes leading to a big twist.

Personally I felt the repetition was not very engaging, because combined with the stand and deliver line delivery it felt I was being talked at, not engaged with. That huge negative space of essentially a green park behind the characters also did nothing to drive home the surreal Lynchian tone that I could feel you wanted to achieve.

People holding up teddy bears and talking with them also not my personal cup of tea but each to their own.

Props for being consistent but I think for this film to truly succeed you could have gone with a more visually striking location or moved away from the long shots of repeated dialogue.

Loot & Blunder

Loading....After plundering DIABLO-esque skull mountain with faithful familiar Beezlebub, our bossy ass-kicking heroine sets the course for home whilst her devilish sidekick heaves the loot. The defeated monster guarding the gold was most impressive, meaning wealth beyond the pair's wildest dreams and mystical potions that can hopefully heal their life bars.

Now I am of course painting a picture that this was some sort of serious fantasy adventure and that couldn't be further from the truth. We were treated to a marvelous comedy of errors, with spitfire barbs between the unexpected companions that covered capitalism, barbarians and brain bats whilst embracing a love for video games with fantastic chiptune music throughout.

My word this looked great. I Love Loops you have my sword because what you manage to pull of in 48 Hours is just unbelievable in the best possible way. You give your characters life, the animation is so so so well done, your voice acting is so on point and the backgrounds. THOSE BACKGROUNDS, just are pure art. Textured, rich and magical. Incredible.

Now for any criticism I give you, it is hand on heart probably invalid because I could never do what you do, I'm incredibly jealous of your talent and would never want you to change. Every year you make something in this comp is a privlege to see.

So with you being technically perfect I feel, my only thing I'd raise and that I think judges might look at would be the depth of the characters and the gravitas of the story. Obviously the characters are literally 2d but I'm meaning was there quite enough emotion, or was the bickering potentially throwaway rather than actually coming across as organic? Also is the ending strong enough? (I liked it, didn't love)...and finally was the driver of the story with the potion spill strong enough to compete for top awards gongs? Impossible to speculate what judges are going to think. For me though, this was world class straight out of something I could see being turned into a funded TV series right now. Thank you.

Story: 4/5
Technical: 5/5
Elements: 4.5/5
Overall: 4.5/5

Motanka

Fever dream surreal hypnotic dance of the (voodoo-like) dolls in a warzone the name of the game here that I found visually captivating but hard to understand at the same time.

After rebuffing the advances of 2 men with sinister vibes by closing the curtains and lighting some candles, the aforementioned dolls put on a rhythmic display in line with an outer worldly soundtrack and disorientating at times frame rate.

This was a message film, coming across as the nameless, the faceless being slaves to the horror of war, and whilst a great message, I felt that the abstract presentation needed a bit more glue to hold together the storyline coherently however visually memorable the film was.

Story: 2/5
Technical: 3.5/5
Elements: 3/5
Overall: 2.5/5

The Seven Problems

A zoomer whodunnit that moved at a frenetic pace to try and shove as much storytelling and characters as possible into its 3 minute run time. This was vibrant, zany and colourful and played nicely on the trop of an unreliable narrator.

The 2 main things I would have suggested working on would have been slightly more interesting locations or backgrounds. You had a vibrant aesthetic so the contrast of the plain wall and gymnasium did desaturate the mood just a tad. Secondly would be audio. Loud audio can be fine just if it peaks too much it can be a little harsh on the ears, and whilst I appreciate that having all the characters argue was because of the ferocity of the debate, having them talk over each other meant that I lost some key dialogue in proceedings.

On second watch here in the screening room I'll give you props for a lot of your edit, with some really smooth transitions especially when moving from static interviews to dyanmic recollections because static to fluent is not always the easiest to pull off, so well done there. But I feel like the film did need to relax just a little bit. As I mentioned it was over in 3 minutes whereas I personally felt that for the film to breath, we as viewers might have needed 20 or 30 seconds more. Same story but just not quite as frenetic pacing would have made the story clearer. Just my 2c.

Story: 1.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2/5

Trapped in the Act

Nice take on the genre; I'm guessing you saw the Martin Freeman starring world 48 Hours winner from a couple of years back? A mime in Civic Square felt that they were trapped in a concrete cubile, much to their friends' amusement and his frustration. I thought the switch between scenes of reality and the mind entrapment were exceptional, but the ending came a bit abruptly.

Past-it Notes

Out of the box timeless take on time travel, as the old monitor and vcr + unidentifiable setting for watching meant this could have been any place, any time. I was pretty impressed by how well the team replicated the look of a composite analogue tape, the only thing missing would have been some colour bleed haha. The person giving the self-help seminar on the video about sending pick me up/encouraging post it notes ("past-it notes") to the past was outstanding with not a single moment where he did not completely sell his performance. The pacing was tidy and I loved the originality. I think the lo-fi aesthetic worked really well and I liked that you kept it simplistic in scope, though I do wonder if the notes to historical figures could have had slightly more impact. The ending was also a tad abrupt when I had really grooved on the film up until that point.

Digital Flick

Our lead's mum (played with hilarity by a guy) stays with him for a few days, becoming a total nuisance by relying on her son for everything; from food to the toilet. Eventually she even rings him at work. After talking to a colleague who was formerly a bully, our lead has had enough and plots his revenge. However there are potentially obstacles to the planned revenge for once. This was pretty over the top, verging on silly but it still made me genuinely chuckle.

A New Leash on Love

If you've ever been on a dating app you'll know that doggos are incredibly popular and an integral part of people's identity who are looking to find a connection, so when a pooch-less hopeless romantic takes advantage of somebody else's best furry friend to flirt in the park with a dog loving jogger it leads to a comedic spiral of cover up for the non existent good boy.

Now where the film really shone was when the actual cover up plan was put into action. How much can a dog cost, right? But the film portrayed well not just the importance of connections on a romantic level but friendship as well, giving an extremely eager to help flatmate a right royal chance to shine, and they sure did, tearing up the screen with enthusiasm in every shot they were in. Contrasted with cellphone addiction and allergies being a couple of the defining characteristics of our lead protagonist, they were a very strong foil.

Worms eye view shot here really fantastic I must point out, even if gross.

Technically sound, sound in particular very clean the film looked good even with a couple of lengthy sit or stand around and talk sections.

So, why are my arbitrary ratings only good and not at the great/high end? Part of it is early days in this year's comp but we're at 2/2 on comedy of errors working as a framework to getting in the way of finding love, ala a standard romcom as per the Shakespeare tip given by the organisers... I did appreciate that this was built on one big error, and then the strong script creating branching and layers, but just not elevated nor subverted enough to take that extra step, personally.

Doggo Count = 2 (I think)

Story: 3.5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3.5/5

Meet Heath

I'm going to be the disagreeing voice in the room here and probably by quite some margin...because I ABSOLUTELY FUCKING LOVED THIS FILM.

Here's the thing that has struck to me after speaking to a few people about MEET HEATH. I've been told this film was 'mean spirited', others have said that the intentions of the team across their body of work in the competition should be considered, and I'm not having a bar of that. We judge films on their own merit in this competition in my opinion and how they go about setting out what they set out to achieve in terms of that film, for that specific year, with the genre and element requirements a huge consideration.

After 10 years or so of good but flawed films, in my opinion Christchurch On Air in 2022 have absolutely knocked it out of the park.

First things first, the play on words, yeah damn that's clever "Christchurch On Air...set in Ayr, Scotland" whilst nothing of note to the plot I found that a lovely little touch. You all saying there was background noise in the film...watch it again; that was foley for the beach wind and not any disruption on the sound design. And yet in the mix that moderate wind being raised as a viewer immediately brought about some distraction, creating a parallel with the distracted mind of the lead actress who had forgotten the couples own anniversary...at their spot, the beach, which is very carefully spelt out.

Cinematically the film looked absolutely fantastic. The plot was allowed to develop and breath, with realistic dialogue such as blaming forgetting an important event on a long, tiring week at work and selling this through body language of being unnerved at the mention of celebrating the relationship.

As we moved onto to a golden baked idyllic picnic scenario, reminiscent of UNDER THE TUSCAN SUN, the romcom genre tropes of going all out to show true love seemingly came to the fore, only to be turned on its head in quite dramatic fashion given that our lead actor has never really been the outdoor type.

Also if you know anything about British treats you'll appreciate the zing that taking the Tunnock's Tea Cakes was.

Onto the elephant in the room, was the cellphone reveal, the sinking feeling as the reading of text messages drew parallels much closer to Peter Greenaway than a Diane Lane romp..."mean spirited". Fucking A it was, and it was a jawdropper at the same time. It hit me right in the feels. With texts of "how to get away" there was just enough to show that the resulting actions were within the predisposed; that there was a history and longing for a fairtyale and that what we saw on screen, the attempt to make a majestic anniversary picnic was much greater than the sum of its parts.

Call me crazy but I could see this film winning the whole competition in 2022.

Story: 5/5
Technical: 4.5/5
Elements: 4/5
Overall: 5/5

Master

What a good boy that dog was! Percival I think I saw on the credits? Managed to keep a very calm demeanour as all hell was breaking loose for his masters due an unexpected nasty terrorising the neighbourhood. Direction on this was really top notch and the team showed their experience in building suspense in such a short space of time, with money shots that celebrated the genre in the best possible way. Aware of tropes and yet subversive as domesticated bliss came under attack like an old sea monster film. EDIT - Winnie! Not Percival...lol

Dregs

This played like a Bogan version of the Twlight Zone classic 'Where Is Everybody?' with our bearded lead being blissfully unaware the world has ended, but not seeming to really give a shit that it had. To him it just seems like another Sunday (or Monday or Tuesday) hangover. Quite a sexist streak shown at a party by our drunken lead prior to the world ending, but this sets up a nice finish to the film. His stereotype is only further reinforced once the apocalypse hits; not something that should stop him getting his smokes and booze, right? I'm guessing you weren't the biggest fan of the sponsor's product but the film had a nice script and excellent lead performance.

Gimme Five

It's pizza time! But a quick spot ya for the lack of wallet preparedness creates a rift in friendship for payback and shows what lengths people will go to when they need to stand their ground on principles.

Adding to the awkwardness of the matter is the blink and you miss it fact that the delivered food contains a surprise prize that should mean the payback is a non issue. But some people just go about life with blinkers on...

For mine this one is a hard one to review because you had some really clever ideas for set pieces; the K Pop stand in, the mugging gone wrong, the pointless toy keyboard bought on a whim before someone goes to Europe. But yet whilst we knew our dramatic question so early on (SHE WANTS HER 5 DOLLARS BACK; HOW WILL SHE GET IT BACK)...what was so 'impossible' about the situation? The stepping on eggshells to avoid asking directly seemed relatable, but just made it hard to buy into the desperation to get the money back.

Final joke with the lipstick was good, and the film sounded nice and had good colour play throughout. But for mine the film would have been much better with some more polished framing and a tighter more cinematic edit.

Story: 2/5
Technical: 2/5
Elements: 2.5/5
Overall: 2/5

Illusion of Refuge

A woman and her brother hope to seek refuge at a shelter, but they are told they will only be able to stay if they can find what the military camp attendant is looking for. On their quest for this they encounter several characters who sing songs about their own situation. A monkey with a guitar, a dirty long haired man and a labourer who is out of work lament their woes which have resulted in them seeking out the shelter. Songs were painful and only the military officer held the film together with any sort of acting skill; I would have suggested having a few more goes at nailing your one shot and probably doing the music off-camera. A real struggle because of the lack of polish.

Herd of Cows?

Familial drama and tension on the old farm lets to some pretty unpleasant generational secrets groaning out. For me I actually liked the character drama and world building you were trying to create here and camerawork was decent. I would have liked to have seen you ask a dramatic question to drive the story forward myself, as the reveal as it was came about a bit abruptly with your chosen framing.

Pig butchering

Well done on your first 48 film. I have also done this comp with teammates in different countries and it is HARD making it work! I felt the narrative was a bit unclear in terms of dramatic question and engaging us as an audience, and visually a bit muddled, though lots of ambition to tell a layered tale of deception.

Big Ben's Big Bean Challenge

Well well well this was a surprise. Two films that only really make full sense when played back to back (this goes with Team Cupcake Squidwig which followed immediately afterwards at the Heats). The only time I can ever remember something similar was when a team basically paid the entry fee to put on some art wank they shot over the 14 minutes that two slots would allow them. This team/s actually had the best intentions at heart and so the daring move gets a thumbs up from me. Both films have basically the same start with Kevin and the girl he's interested in + her daughter saying goodbye as the girls head off on a date whilst he heads off to the TAB. The date with Roger for the girls starts promisingly enough with talk of sports and then the decision is made to have a go at rollerskating given that he was apparently a master skater back in the day. Of course this is a bit of a flat out lie and allows our main female actor to reflect on things with the other guy. Whilst this goes on of course Kevin has a whale of a time inadvertently entering himself in Big Ben's Big Bean Challenge by breaking the record for eating a vast amount of beans in a short space of time. Having lost the girl once he holds onto the idea tight that the competition might actually show her that he can amount to something. Of course the reigning champion is not going to give up their title without a fight, especially when they could have passed for the spitting image of Helen Mirren, only with tattoos. The inspirational side of things comes to the fore when we're shown that playing a good clean game will always grant you respect whether you win or lose. Also the same ending. The films themselves were decently acted but the production values were mid-range; having their moments in terms of good crowd scenes and a well framed camera most of the time. I guess that's understandable given the rush to effectively make two films.

Binary Love

With Y2K fast approaching, love comes in the most unlikely of places, a party in 1999 where our lead falls for Sally...a laptop. Slow motion puddle in this was fantastic and the actor was so good it was a borderline genuine romcom for mine. But then the premise is so ridiculous that is certainly fits outside the box as required. Solidly framed throughout with just minor lighting blemishes and a couple of bad misses on the 50/50 line. I was there on the waterfront when the millenium came around and this honestly captured the mood extremely well, right down to the laptop and (separate) keyboard actually being from the era. Loved the understanding grandmother and some high quality shots of Wellington. Wouldn't be surprised if this makes the shortlist.

Trolley King

The musical talent on display here was sick, with thumping bass and impressive flowing raps outlining that our protagonist is more than a trolley boy, he sees his wheeled shopping carts as his crew.

Now when a hardline boss gives him 29 minutes to return a wallet to its rightful owner, we get a classic race against the clock scenario and the opportunity for more fantastic music, with the next jam presented in cinemascope. Given a photo of a beautiful woman is also inside and his colleague is at risk of losing his job too, the urgency is profound.

The resolution was suprising but to be honest a refreshing dismantling of thirsty men and a mic drop moment for sure.

Camerawork was absolutely sensational at times and performances assured so it was absolutely a crying shame that you were DQ. Just for me I also don't personally think our protagonist really fit the unlikely or anti or reluctant hero? But this was one cool short.

Story: 4/5
Technical: 4.5/5
Elements: 3/5
Overall: 4/5

(Time) Travel Centre

Pretty much perfect. Goosebumps on the skin and not a moment of fat to the storytelling. Incredible sound mix, foreboding and gripping unique original vision. Touche.

Titanic on a Plane

I don't think there has ever been a more deliberate title to a film in this competition. But unlike say the annoying self-aware pastiche of SNAKES ON A PLANE, here we got a sinister guffaw-inducing stick figure stitch up of James Cameron's 1997 blockbuster.

Every memorable beat from the cruiseliner was turned upside down, from Jack's "flying" to the naked portrait, which utilized one of the required elements of this year's comp very effectively.

For those uninitiated it would be easy to say that this was basic animation, and to an extend it was by simplifying characters to rudimentary stick figures. However the movement was really smooth, voice work on point, sound design in particular folley providing strong world building for the plane, and the cinematic framing top notch so within seconds it allowed complete focus on the jokes.

It's just a really funny film with a nice (well, not nice, very very dark) arc to it. I guess the question to me would be whether parody is going to be valued particularly highly by the judges. Having been a regional judge in the past the mantra we were always given was to focus on originality first and foremost. Having said that the film is subversive AF, so it may come back to the depth of characters or lack thereof in terms of progressing further in the comp. I loved it myself.

Story: 3/5
Technical: 4/5
Elements: 4/5
Overall: 3.5/5

S.W.A.P.

With an absolutely killer soundtrack here that felt inspired by the best work of Ludwig Goransson, Lamps and Plants might have made the biggest year on improvement I've seen in this competition in many a year, as a door warping clean up crew member from the 'I.C.A' goes rogue through no fault of their own and reality gets shattered. Wow.

Simply phenomenal costuming and cinematography on display here, with marvelous lighting flourishes used at just the right time to provide the ebbs and flows of a film that set out to take as a viewer on a journey and makes you strap yourself in for the ride.

Your lead actor did a wonderful job portraying their confused, frustrated and desperate situation with body language given they were in a full SWAT-type getup for almost the entirety of the affair, meaning the team had to move beyond facial expressions to sell emotion, and they 100% got this on screen.

With nods to MONSTERS INC and SCOOBY DOO via way of PHANTASM the fan service to some of my favourite media as a viewer was enchanting.

Now I'm not going to forget to heap praise on the sound design, which flourised particularly in the interactions with the help desk representative. It felt that the sound was authentic and coming from exactly the right place on screen every time a voice came into the headpiece.

Edit was also super tight.

For mine I actually loved how this could have fit under so many genre umbrellas this year (Impossible Situation also comes to mind). I think the 2 very minor quibbles I have were the helpdesk set design not quite matching the quality of the standard of the rest of the film, and I'm dwelling on the ending and whether it was too open-ended. But given you basically fleshed out a fully fledged original sci fi concept in 5 minutes I'm more than prepared to let that slide. Standard will be exceptional if this is not in the national final this year.

Story: 4.5/5
Technical: 5/5
Elements: 4/5
Overall: 4.5/5

Snuffed Out

Survivors wonder where their renegade friend Nicky Brick may be, with both pretty confident that he has risked the raving savages that rove the post-apocalyptic wasteland once again. Having a car involved in the piece seemed only out of place given that there seemed to have been early important dialogue about a lack of rations, and yet petrol can be used for the commodity of moving something on 4 wheels? Odd. Be that as it may this was a mainly sit around and talk end of the world one shot film. I would have personally tried to cover more sparsely populated areas but that’s just me. A lot of wind sound was very distracting, please watch out for it in future.

Heart of Wire

In a military bunker, our lead writes a love letter to his beloved that needs to get to HQ as he's about to go over the top. The film was sound from a technical level but I would have really liked more than one song for a musical, even if it was a key plot point.

Human Resources

Here we have a textbook example of what I would describe as a cartoon come to life, and the film was all the better for the approach. What is seemingly at first glance a slightly low budget effort with cardboard printed backgrounds such as 'Temp Agency' to represent an office quickly reveals its true nature through exaggeration and absurdity. I also cannot help but appreciate the glowing neon lighting that radiated throughout to develop important story beats, calling to mind 80s classic VAMP.

The reason I'm drawing a comparison to animation is a multitude of reasons, from the ridiculous storyline of a temp serving Satan, through to the ultimate presence that His presence ends up presenting as, so outlandish that I would normally assume not doing them live action . Quite genius really to present evil incarnate as a loveable pooch that would normally be man's best friend. On that note, mad props to the sensational voice work of whoever voiced the dog which was another point that had me thinking how cartoonish the film was, for the better.

But it all works. The team threw the kitchen sink at the screen, but nailed it by playing it straight and letting the comedy shine through. Were they the only team to do a QR code sign in joke? Heck no, but they were the only one to pair the topical humour with an over the top tattooed punk reminding our protagonist to use the app.

And then it got elevated by giving itself heart (literally, the best use of heartbeat in Wellington was thoroughly deserved), and warmth with a change in mis en scene presented through adjusting hues and lighting to more reddish in tone, as well as pulling the film back into relatable everyday experiences like dancing with the pooch and giving it a bath.

The performance of the lead actress was also really strong, taking everything in her stride and nailing the believable naive temp role with aplomb.

As mentioned earlier, the low budget nature of the short was slightly noticeable and some audio was a bit echoey in the office, but the editing was smooth and camerawork really well framed, to the point that the visuals are something I think of really positively. Because that lighting was so damn good I am going to praise it again!

I did also like the ending, though felt it was possibly just a tad rushed following the excellent pacing of everything that had come beforehand. Overall really great film and so glad it made the Wellington final.

Story: 4/5
Technical: 3.5/5
Elements: 4.5/5
Overall: 4/5

Strings Attached

One of the darkest 48Hours films I have ever seen in terms of subject matter as an abusive domestic relationship was shown through the abuser treating his partner as a puppet. Phone calls and access to friends are stopped and emotional abuse is hurled at the victim. This presented a really tough subject matter and subverted its genre however whilst a strong story the actors did feel a little bit like they were reading lines other than the friend who was concerned about the abuse, and stood out.

Heir of the Taeral

Have you seen EVILSPEAK? Because holy moly I was getting mad vibes of that Clint Howard personal favourite here! Some really cool set design work, and handled the Ultra darkness requirement really well with candles lighting the way, although this did result in considerable grain at times.

With a foreboding tone, and set across 300 years, this had a vibe of doom where you knew that something would go wrong given it opened with hands dripping in blood followed by strangulation, and later a warning not to touch the wrong ancient object or a trapped demon could be unleashed, but with an ultimatum of ending chaos and suffering, something had to give.

I genuinely loved the feel of the film, and if that actually was an Evilspeak homage then you can bump up your grade in my heart by a point. I did find the plotline a little jumbled, and felt slightly more could have been done to differentiate the timelines, with the conclusion to the film feeling not nearly as strong as the buildup in my book. Also whilst I loved the overall feeling presented here, it was hard for me to ignore the particularly grainy footage and framing that at times meant I felt it was hard as a viewer as to where I should focus my attention.

Story: 2.5/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2.5/5

Fifty / Fifty

A teen team explored gambling addiction here and the distance it can put between people, as well as its highs and lows. There were some really good harmonies in your music, but live on camera sound for singing is generally a bad idea, because the lack of clarity meant I had a hard time distinguishing the lyrics. A couple of neat editing effects.

Max

Good lord I do love me some eyeball fetishism to start a horror film. It immediately makes me feel giddily nostalgiac for 70s and 80s European cinema designed to give you chills. In fact, this had many notes from the three Italian masters of the macabre. From Bava, through our haunted female protagonist, but then let's not forget Argento with the deep red hues as the tension ramped up, and my favourite Fulci with the aformentioned deep focused start on a contact lense going into an eye with great precision.

But Cyan Sea were not just out to pay homage, in fact I feel there intention was not homage at all but a more intimate exploration of PTSD and psychosis. This was about a woman who was cared for, who had felt love, and who needed love, but a troubled past put strain on her reality and sanity.

Other than the strong performance by the lead actress, I have jotted down that I felt the edit was particularly strong here. Troubles started smaller in scale and snowballed as stress levels rose and the stakes were elevated. An unwelcomed hand on the shoulder and a misheard word leads to things such as mistaken identities and ultimately consumption by trauma.

What I also liked was the consistent tone you chose, and how you went for it guns blazing, delivering a rare well done serious 48 hours film. Even a misplaced face on a date didn't feel out of place, for example, due to your sure hand, whereas I could have easily seen other teams having that play as comedy whether intentional or not. Yours didn't.

From a technical point of view other than the edit I thought it was a particularly nice touch gradually raising the music levels from woah to go, mirroring the dramatic arc.

In terms of what could have been done better for the film, initially I absolutely hated the ending of the film. It felt really stabby, cold, predictable and bleak and was exactly what I had hoped not see given your marvelous work up to that point. HOWEVER I think the final shot might have saved it and brought things round by showing how sometimes we let trauma consume us to the point that we become the thing we hate the most. Still a little bit on the fence though.

The next thing is that despite the wonderful camerawork and lighting flourishes, I found a decent portion of the film's locations to be a tad plain. But again this allowed a laser focus on the inner turmoil of your lead for us as viewers so more of an observation than a criticism.

Lastly would be the show don't tell approach for the past events. I think it was incredibly clear just what had happened myself and applaud you for tackling such a subject area, but there may be some who miss crucial details if they hadn't paid attention as some key information was provided in singular great shots, I felt.

Overall though, a tensely built horror film that invoked a feeling of claustrophbia by the time we got to the 3rd act of the film. Impressive work.

Story: 3.5/5
Technical: 4/5
Elements: 4/4
Overall: 4/5

Super Scam

Exploding onto screen with a BLAM! and a WHAM! Things get quickly focused onto a call centre where heroes super problems are the operator's super concerns. From colour blindness to the big green dude struggling to come out for a 'hulkish' hero, the team ran the gammut of first world problems that those seeking truth and justice might theoretically encounter.

The operator here gave a star turn as a seemingly disinterested customer service rep, although Bat Guy upped the stakes with quips on cryptocurrency and his personal living situation.

Shot with a professional quality, the colour palette produced by your art department, the performances, and satirical script were the highlights. For me I found the plot a little hard to engage with, because whilst the issues faced were particularly humorous and cleverly gave the superhero film a human element, it felt a bit one sided in that we were told jokes but didn't really get too much from themt in terms of a story progression point of view. This was almost doubled down by the jokes being told over the phone providing even more distance for me as a viewer to the characters.

I'll admit the ending was reasonably well done and provided a bombastic comic tone to round things off, though.

Story: 2.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

The Portable Pizza Predicament

Placeholder review.

Manu and the Runaways

A film with a joyful sense of adventure, with go big or go home themes that could very much only ever be made in New Zealand, and celebrates community in the best possible way.

Essentially an on the run film, as children now identified as threats look for sanctuary in the wilderness, with an expert tracker and his unit hot on their heels with lots of comedic touches.

The team here made very strong use of genre, with Manu the family dog working as the brains of the operation for the escape and quickly garnering our attention as an audience by paying just as much attention to the broadcast warning as his teenage companions, and then seemingly thinking outside the box by 'suggesting' camping gear and leading the way.

Further ticks like linking the animal with the tracker via smells and tastes gave this some really nice laugh out loud moments. I also appreciated the well edited POV animal shots that felt well placed for giving the film movement and urgency.

Technically some really fantastic work with expert framing, focus, grading and drone work making this at times a visual splendour. Audio super clean with the confident trumped centred soundtrack driving the film quite uniquely whilst the deliberate avoidance of modern technology gave the film a timeless aesthetic.

Performances strong here in particular the tracker. Where I think the film could have been elevated a bit further were driving home the high stakes that were so clearly loud out with some emotional gravitas.

Don't get me wrong, this ticked a lot of the boxes from a storytelling perspective; asking a dramatic question very early (kids a threat, have to run - where will they go?) and ultimately we end up with tenderness and an endearing film. I just wonder if the tonal consistency was just broken up a little bit more if we'd have seen this in the Auckland final. Also it looked like you got an amazing amount of coverage and the fun of everyone making through shone through on screen, but could that coverage have been tightened up just a little bit in the edit? Just my minor nitpicks. Great job though team!

2 Guys 1 Pug

A lackadaisical hitman with a love for pizza and panda masks decides to take a job for much needed money, especially when his last scratchy card produces 2 cheerios and nothing more. This was a confident, colourful low budget romp as our protagonist's fuck you attitude to the world was presented in everything about him from his untidy apartment, through to relaxed approach towards getting to an urgent mission.

The highlight of the film was of course the parking lot battle between our baseball bat wielding hero and the Puppy Muncher who seemed like they were straight out of POWER RANGERS. Certainly seemed like the team were having a blast as they busted out some over the top fight sequences, with an excellent heartbeat, well tempoed music and zany entertaining camera angles that worked particularly well for the taunts and challenges thrown down by each fighter.

A bombastic ending rounded things off nicely. Certainly a bit light on character development and story, but one of the most entertaining films in the heats this year.

Story: 2/5
Technical: 3/5
Elements: 3.5/5
Overall: 3.5/5

The Prototype

A scientist comes up with a new energy source, which gets stolen by an aggresively flirtatious rival; the term 'jumping someone' never really fitted better. However the scientist's assistant won't stand for the theft, so she and he set about infiltrating the office of the rival in order to get their invention back, and put egg on their face for a presentation to a leading company who could fund the project. I liked the barrel rolls, cheeky high 5 ending and the flirtatious rival had great screen presence.

Journey To Dreams

A determined dancer practices as hard as she possible can with a prestigious audition coming up, working for hours on end with the encouragement of her best friend to nail her routine.

I really liked the use of lighting her to convey just how much time and effort was put into proceedings by the protagonist. Whether by shooting early in the day and then later, or colour grading, by the second half of the film the visual tones and use of change of how shadows came into the room gave every impression how long our lead had been at it.

Great dancing by the lead actress who looked like she genuinely knew how to dance, and I also liked that this worked as a slice of life; encouragement from dad, and the journey to the audition actually being the meat and payoff for the short rather than any big dramatic conclusion.

Clean sound. This went an awfully long way to help this film stand out in this heat of mostly high school teams I must say. The ADR dubbing was clean and made the dialogue audible and easy to understand.

Now where the film could have done with a bit of improvement I felt was the camera framing and editing. Camera shots were clean, well lit and in focus, with good white balance throughout, but a couple of shots got away from the team with characters chopped off from frame for example. Would have also have loved to see some more cinematic techniques to give more visual flair to the obvious dancing talent, but that's just me.

From an editing point of view, just felt that a number of shots were held for a few seconds too long, almost making me think of some of the actions as tedious, but I guess that is genuinely how dancing is, a tedious process to become the best.

Story perhaps a bit light and lacked much originality but I liked the way it played out the and overall really well made.

Story: 2.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Add to Story

Mostly shot as vertical cinema from a phone POV/found footage approach as freshly turned 18 year old lads venture into town for the first time on the prowl. Very naturalistic in approach it seemed like the script came from a very familiar place. Sure looked like real vomit here too...Champagne popping, uber driving and courtenay place. Well done day-after repercussions that almost reframed the previous events but the verite approach once the drinking started simply felt too much like a low budget Project X in my opinion.

An Elf's Journey

This was a well edited classic quest for a sword that relied on a lot of classic fantasy tropes from a team that clearly loves Tolkien's work, rolling hills and cloaks to the forefront.

Nice makeup and decent performances, this was a fun film.

Man Hand

I love films within films, but even moreso I love films set in cinemas. From FADE TO BLACK and DEMONS to ANGUISH (one of my all time favourites) the meta aspect of watching characters watching the big screen will never get old for me, and to take that even further and add oneiric atmosphere and make a genuinely creepy horror film, yeah I'm rambling but I adored the film.

The opening frames with soft flickering light where we see clear discomfort for our leading lady treated with amusement by her date immediately set the tone for the film. We know that that's not standard social behaviour and so with no history of the characters it piques our curiousity.

And then the cut to a warning being ignored takes us figuratively and literally down a very dark rabbit hole, a journey where we question reality of what we are watching and what the characters are watching. Bigas Luna would be proud.

Congratulations on the best cinematography win! Watching this again to review made me truly appreciate how incredible your inky blacks compared to the popping characters and framing really make the film shine. I felt like the use of negative space combined with sense of dread from that incredibly evocative soundtrack had me as a viewer on the edge of my set throughout.

Performances great also. The one thing that I personally felt would have just pushed this film into contending for top 3 etc would have been a little bit more emotional gravitas to the outcome. Like its good, we immediately like our protagonist and fear for her safety, I just personally felt the ending a big sudden. But on the other hand the air of mystery is one of the films greatest strengths so I'm not really complaining!

Beef

I think pavlova western as a genre very much made up by the organisers this year is kind of a gift for teams, because it tells them to abide by western genre tropes, and yet hands them on a plate the ability to subvert expectations by throwing a kiwi twist in there. That is exactly what Cinema in Italics did here with a charming sendup of exactly what it takes to be a cowboy.

And even more than just what it takes to be a cowboy, but a meta commentary on personality and visual representation, as 2 leads waiting in line for an audition bickered about whether eating beef or wearing stubbies on a real farm and knowing how to milk Daisy qualified them for the part.

Script here was really fantastic, with steadfast dedication to a Texas rancher contrasted with a swandry wearing bearded vegan. Edit really smooth, a well paced film and whilst not laugh out loud funny I found the dialogue very relatable. Ending was a winner and so far in this comp I am very much all for non literal gatekeepers because it very much stands out from the crowd.

Story: 3.5/5
Technical: 3.5/5
Elements: 4.5/5
Overall: 4/5

Broommates

Very clever meta film that leaned hard into the 2024 required elements and is genuinely right up there for best use of match cut so far in the comp, as the foundation was quickly laid for a quest to provide a WIZARD OF OZ style resolution via a potion.

Well paced and nice visual flourishes throughout, charming in nature with parodying of witches and wizards whilst never crossing the line into sarcasm or overt silliness this was highly enjoyable.

Like an after school special this included uses of puppets and costumes and even broke the 4th wall for good measure. My main comment here would be to try and up the dramatic stakes and mix up the tone a little because the positive vibe throughout meant whilst the stakes were declared via dialogue, in my opinion they didn't really resonate as being a huge problem for the characters to overcome.

It's a Dog's Life

The film is shown from a dog's perspective initiallly first person and it really does make you feel sympathetic towards them, as their owner inadvertedly neglects them. Of course we realise this is just reality in their rush to work etc. but luckily their actually is some inspirational stuff in this film when said owner has time to spend with their beloved pet. A nice little fence joke really made the film for me

Happily Never After

Threw out all the stops to provide several vfx shots and whilst none were perfect I definitely commend you for the effort. Odd creepy little film had a book of the dead or something of a similar note summon fairytale demons and lull victims into a false sense of security. The tiny axe of the woodsman provided a good laugh and the tears of blood were a nice touch that added a nightmarish feel to events. I feel that a key element of horror is caring about the characters that are under threat so if the main girl being attacked by riding hood had been fleshed out a little bit more this film would have been stronger.

How Time Flies

Age inappropriate casting = the best sort of casting! This film felt like it was more of a crime investigation than anything, although worked around an upcoming reunion. Focused on someone obsessed on catching up with the person they have been tracking for 3 years. I liked your earnest approach to the film, but finishing with "never leave me DAD" when he was clearly younger than the person saying it was just one example of why I lost suspension of disbelief.

Hard To Peas

Placeholder review.

Blade of Insomnia

A martial arts teacher shuts down his dojo after an accidental death under his watch, and the rest of the film was mostly about his mental anguish/fighting other warriors in his dreams. Despite the disclaimer that this would be the most random film we'd see in 48 hours this year I'd disagree as I've already seen my fair share of animal outfits and ninjas this year. It was actually relatively straightforward compared to a lot of other films, with some nice shots, it was just very tedious. Given the martial arts training at the beginning it would have been nice to see some proper martial arts fighting given you had action as your genre.

The Ooze

As a mysterious figure trudged along a rocky landscape with a briefcase clenched tightly, an air of intrigue was immediately developed in this cracking entry by Slime with tonal nods to ERASERHEAD and THE STUFF and yet very much its own thing. Played straight, and at the same time feeling like a completely different world the team explored what we will do as humans in order to survive.

Really classy saturation on show. I keep feeling the need to highlight teams who get black and white right, because most teams don't. What Slime achieved was an achingly affectionate love-letter to 1950s sci fi both in the choice to remove colour, but also by adding touches like a bunker and the worrying feeling of desolation so recurrent throughout Cold War films.

Do I need to talk about the incredibly strange plotline? Without giving anything away of course I do. The man in the ooze being ready to rize, and how his recipe will present a resurrection was just absolutely bonkers. Was the harvest for his good or for our lead actress to help her continue in this cold harsh world? I have so many questions but not in a confused way, I loved how open-ended you made things here. Leaving things open to the audience is a massive plus if done right.

The soundscape was interesting to say the least. I feel it could have used a little bit more punch but it was otherworldly and weird and meant a consistent tone was created.

The repetition of the rocky cliff shots I could take or leave, but it takes a lot of craft to show restraint in your 48 Hours pacing and still deliver the goods. This is a film that took its time and very much left a lasting impression. Strange in all the best possible ways.

Performances strong, the only thing that got a few marks down for me would be if the box was strongly ticked enough for a reluctant/unlikely/antihero.

Story: 3.5/5
Technical: 4.5/5
Elements: 3/5
Overall: 4/5

The Pick Up

It makes it hard to review when you're seeing an idea for the umpteenth time in a 48 hours year, having thought the previous teams were original, and yet the later entries may be the best of the bunch in terms of using that concept. This was the case here, with mistaken identity and criminals involved. Almost a double reunion film, it set out charmingly and quickly developed. Some nice visual touches, it was short and to the point.

Reg

This felt like a throwback to the melodramatic 48Hours entries of yesteryear that used to be a dime per dozen, but shot in high definition as an awful small scale crime drives a police investigation through black humour and hysteria.

With candles and a knife stab, this murder by numbers quickly became a sharp parody of eating habits and the lengths we go to for revenge. Some genuine gold comedic moments with the stone faced detective a highlight, and the dramatic vegan a real scene stealer.

I felt that the script just needed a little bit more development, to give gravitas to the payoff, as justification (if any) would have made the crime revelation more impactful instead of a bit blunt, in my opinion. Well done whisper, though.

Story: 2/5
Technical: 2.5/5
Elements: 3/5
Overall: 2.5/5

Post-Heist

A heist goes horribly wrong in more ways than one due to some really unfortunate circumstances. Funny what money can do to people, eh? Hoping for a smooth exit as it appears our crooks had run a long way to get to the getaway car, yet they get anything but when Nicky trips over...but does recover a black bag and then the paranoia ramps up when they realise a name may have been said a bit too loudly at the scene of the crime. Excellent camera work but the storyline was very predictable. Having said that the physical violence definitely got an audience response and the actors played off each other well. Not sure if you were going for laughs or shocks to be honest as the film treaded a fine line between the two.

Death of the Twilight Flower

Promising title but did not quite live up to its promise with music that could have been considerably improved. Perhaps dance next time if you draw the genre of doom? Having said that I had a good hearty laugh at your song about Fruit Loops. The aftermath of an Earthquake leads to NB being in hospital, but she also dreams and has to get away from guys with malicious intentions. There was the opportunity to do a lot more with the parallel worlds but it didn't quite add up.

48 Hour Famine

Fucking amazing meta puppet film. Made me giddy. 3 October - as a judge I am so so so sad this was DQ and hence not in finals despite the almost unanimously deserved 7/7s. Sigh :(

Three-By-Three

A dagger, skull and necklace must be collected within 3 minutes or our protagonist will be lost in the timeline of her quest through medieval times to the 1920s.

Here we had a relatively simple story done effectively with assured performances and direction. Personally I feel that this sort of structure is something that many teams would be begging for when plotting their films at 4am on the Saturday morning of the competition. It gaves a natural pacing to proceedings and allows a clear beginning, middle and end to the film, though this team made a couple of nice adjustments because of their time travel mechanic to avoid being labeled as generic.

Costuming was really good. I particularly liked the attention to detail for the 1920s actress, whilst I could tell that the medieval knight was clearly having a lot of fun on set portraying a brave and stoic defender of his family heirloom.

Good clear sound was also on hand here and so overall it was a good short film. My main issue is that the film whilst not being exactly generic came across as a bit plain in terms of storyline.
I felt that a lot more could have been done to emphasise the threat of being stuck in the previous timeline because to be honest the way it played made it seem like all 3 eras she traveled to were relatively nice places. Albeit with sample sizes of 1 character per era but nevertheless it never really felt like the stakes were very worrying. But just to me there was a missed opportuntiy for character development in terms of the present she was supposedly so desperate to stay in and what drove her in her current life.

I also had slight eyebrows raised at the ending. It felt like a nice 'oh shit' suprise at the time, but on reflection it was kind of a bit throwaway. Was it meant to be a commentary on how we do work without question? Slave to the wage etc? Or that actually she would have been better off in the past? Arguably open ended but I feel like the film would have benefited from a clearer ending myself.

But as this was technically sound and well acted it gets positive marks from me.

Story: 2.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Wink

Very serious EXTERMINATING ANGEL vibes here as guests invited to a party can't leave and one by one the number of attendees drops.

What I liked about this film was the mysterious tone where you felt unsure if watching a murder mystery game or actual extermination. If you haven't seen the Bunuel film I'm referring to in my opening paragraph I'd suggest you go out and view it immediately to understand what I'm talking about.

Short and sweet with decent sound and clean albeit relatively static camerawork that evoked a theatrical feeling of MOUSETRAP, this was an original film although a bit light in terms of storytelling.

Story: 2.5/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2.5/5

Accidental Candyman

Currently not DQ, but from what I understand this one is on right on the line given that 48 Hours is actually not generally ok for fair use parodies, given that it is a commercial competition (and that is despite what the law says; there has been quite a hard line on this sort of stuff since a fantastic short in Auckland called 'Discount Taxi Driver' was DQ a few years back). Trapped in the Closet parodied with subtitled singing about a guy who has just got out of jail [currently in a halfway house] trying to stay clean, who is asked to do one last drug pick up job for his best friend. Beautifully shot, and well sung, I expect it to be kept out of the finals because it goes a bit too far with the 'recreation'. The team apparently recreated the music themselves, but from someone who has watched R. Kelly's shorts an awful lot, this was way too close in my view. Ballsy to do a musical when it wasn't your genre, I would have recommended going by what the 48 Hours page said rather than consulting any legal experts.

Fetus 5000

What a location! Reminded me of the nuclear factory at the beginning of trash Italian zombie classic Hell of the Living Dead. We followed a tour around the facilities where they make the latest craze, the 'Fetus 500'. The key elements of the product being highlighted with some scripting/comedic timing that was outstanding in particular our tour guide. Where do you get the finest specimens for injecting pregnant women? Watch the film and find out :) Of course what's a tour without a demonstration, right? Luckily there are specimens close at hand who are ready to give birth with the help of the F5K. 200 litres of injected fluid and a flying demonic spawn baby follow with a couple of jaw dropping moments. Again, do have to reiterate that it was a good idea for the pregnant Wellington judge not to come to the heat... The battle between the demonic spawn and the scientists/progression of the footage as the situation disintegrated was excellently done I thought. Given what it was the production values were almost perfect, with just the one repeat shot dragging things down ever so slightly.

The Last Lord of Scotland

After a guy pops the question to his girlfriend of 8 months and she doesn't quite give him the answer he is looking for, things avalanche when the photographer he hired doesn't quite capture the magic moment he was paid for.

But this was all done fairly lightheartedly, playing in the family friendly heat for the night, as a terrific script then allowed the characters to explain and explore their true thoughts and feelings, with the click happy professional in the back working as a nice comic foil.

As to the Scotland reference in the title, well that is very cleverly incorporated and adds sentimental value as well as offering some reflective commentary on love not being measured by money or a ring. Honestly it seemed like something that only a true romantic could have come up with so I salute you for that.

For a film mainly set in a car I thought the cinematography was superb. I could definitely tell your spent time on your colour grade. Framing, editing and camerawork were on point and with your location choice it meant really clear audio. Everything was bright and positive. The sheepish gentleman ticked all the boxes of a well constructed reluctant hero, whilst the brief moments that recalled the mother-daughter bond gave our lead actress strength.

My main concern is that I feel that conclusion was just a little bit crammed. These fully developed characters seemed like the types who would have reevaluated things, but I get why you made that decision for your short. Plus it led to a smile inducing final shot.

Story: 4/5
Technical: 4/5
Elements: 4/5
Overall: 4/5

Moist Hoist 2 - Crime Me A River

Love the Z-grade vibes team, from the fact you went full on sequel to your previous 48Hours passion project, to the deliberately changing costumes through to the whiteboard Covic Tracer with 'QR Code' scanner written with a marker. Classic.

Self-aware, all the way through driven by a ridiculous but extremely catchy song, I truly appreciated re-using the Wilhelm Scream to bring things full circle! The crime being a heist netting a vest, tripod and guitar was the cream on the crop. Just really silly all around but appreciated you were fully committed to your tone. Really gave me a strong sense of nostalgia for early bonkers 48 films.

Safe House finale with the closet hiding and run by the goons was also entertaining and that ending was amazing.

Up there with Aaron's Censorship Trial for most bugnuts film in the comp this year. That's a big compliment, trust me.

Story: 3/5
Technical: 2.5/5
Elements: 1.5/5
Overall: 2.5/5

The Goat

Basketball sure has grown in popularity around the world and in NZ lately and there's a lot of reasons why; the fashion, the (generally) non contact nature of the sport and fact they (the NBA) are so eager to let their intellectual property be shared means it's a social media generation's dream.

Of course it has extended to common vernacular such as 'Goat' no longer instantly calling to mind the billy goat's gruff, and here the double entendre plays hard with a teen out to git gud on the courts and lucking out on his Jack and the Beanstalk moment. Be careful what you wish for indeed.

Honestly this was well put together in terms of narrative plot and performances, though the audio mix fluctuated significantly in quality throughout the film. Obviously you were never going to have your lead high flying Teen Wolf style so probably a wise choice to veer towards the loss of humanity and focus on comedy.

Nicely done silly film overall.

How Time Flies

Age inappropriate casting = the best sort of casting! This film felt like it was more of a crime investigation than anything, although worked around an upcoming reunion. Focused on someone obsessed on catching up with the person they have been tracking for 3 years. I liked your earnest approach to the film, but finishing with "never leave me DAD" when he was clearly younger than the person saying it was just one example of why I lost suspension of disbelief.

Pause and Effect

Who remembers the film Clockstoppers from 11 or 12 years ago? Um, I do, and it was a little bit ironic in my view for adults to rip off what was a children/family film. Bit more of a sinister dark vibe, given that the usage of stopping time was for criminal gain by our protagonist as opposed to stopping it in the original film. I thought the leads had good chemistry, but was disappointed that the team had not done something a bit more original.

Mother's Day

[DQ] Interviewees give their take on a daycare centre teacher who was a bit too endearing to the children, making them more than jealous when the annual celebration of motherhood rolls around. At the start I saw this going in several ways so it was quite engaging, but on the other hands I’m really not a fan of talking heads in 48 Hours. The sinister levels built throughout, although the ending was quite abrupt.

Mel the Magic Mushroom

New cellphone game takes over lives and ruins friendships, this was short and simple. Started off really well but did lose its way; I think that whilst the effect on others of the obsession was telling, in my mind the ‘relationship’ being with something like a game meant it lost that human dynamic I would have expected.

Dog's Day Out

On a day with lovely weather for adventure, 2 carefree doggos decide that the pond is not quite the location they had in mine to lollop around in, especially when they know the way to their favourite place if they give their owner the slip.

The footage of the dogs on the run was genuinely outstanding, offering a sense of freedom and exuberance to see the animals running free. This footage was particularly well put together, with landscapes, forest ands tunnels working together to create a sense of freedom.

I think for mine, the film's tone was just slightly uneven, with the parking ticket and fall into the water providing comic relief but not quite hitting the mark, and the ending seeming a tad anticlimactic. However the out of control van was nicely done and did make me laugh.

Story: 2.5/5
Technical: 3/5
Elements: 2.5/5
Overall: 3/5

Dual Bakers

Pun-filled bread fighting low budget fx love triangle buffoonery. The kitchen sink and its bakery replacement were thrown at the screen here as two buddies bickered and argued about their bakery and the woman they loved. The jokes ranged from absolutely awful to absolutely brilliant, and the final showdown with bunchucks vs a French bread sword stick was great. I would recommend working on your camera work given this was largely very static medium to long shots throughout, and is something that can also be used as a great film making device to tell a story, whereas the reliance on dialogue exposition did become a little tedious. Very fun though.

Tempus

A time travelling guide explained the mechanations of time travel in particular the idea of challenging tragedy. The set design was of particularly high quality and the lead actor who played 'Cronos' had watchable creepy screen presence. The negative marks for mine were an over-reliance on exposition because there was definitely some promise to explore the doors of time. Nice ending, mind.

Battle Royale with Cheese

Oh so short but oh so much action. I think this would actually be touch and go whether it met the 60 second requirement. An all out assault on the senses and each other as the film was basically a big brawl in a carpark as they all fought for their "last chance" that included a couple of neat night vision shots. Finger guns have been done before but it established the film's own little universe well. Good example to be honest that bigger is now always better as I'm not really sure what else could have been said outside this framework that would have matched the intensity displayed on screen.

Face Plant

Jazz singing as a group of friends/associates converge whilst they await Nicky Brick, who they are hoping will have the talent to bring them riches. Nicky is looking to make it big so that she can stop being whore (I apologise if I misheard the lyrics but it seemed to be what she was saying). The original guests of course are obnoxious to the point where there waiter feels he has to do something about it, with dire consequences for Nicky. Looked like the team had fun as they sleazed it up a bit. Tough genre to get for this team as there songs could have done with a lot more work.

Keep Your Game Face On

A board game playing syndicate has high stakes, that increase when Vic Meyer arrives to the party. Full of puns on popular creations by the likes of Hasbro, Jenga etc this team simply went with one idea and ran full steam ahead. Some hissing sound distracked, but the guerrilla approach was really entertaining. I think the hierarchial structure and importance of change could have been examined a bit more though, as the convergence of stories was a bit weak.

Residual

Good gravy when I saw this genre pop up for 2021 I thought it would be a tough ask for teams to come up with convincing story arcs of redemption within 5 minutes, but Nutbar gave it their best shot with an almost dialogue-free film that actually clocked in closer to 4 minutes!

With a wounded man on the run from cop sirens, we followed his progress to an abandoned house, with 2 teenagers also intrigued by the place. However whilst it seems they are actually in completely different universes, things come to a head.

Like I loved the atmosphere here. The editing was great for what you shot, sound design was nice and camera work was really high quality. I was just completely and utterly lost as to what the link was to the kids and what the electric shock/sacrifice represented when the 2 worlds combined. I'm assuming it's supposed to be open-ended, but that makes me question how the 'redemption' aspect of the genre was even ticked at all?

Cool use of invisibility, I think, but also puzzled about the antihero/reluctant hero/unlikely hero...don't think any of the characters ticked those boxes? But I must be missing something sorry.

Story: 1.5/5
Technical: 4/5
Elements: 2/5
Overall: 2/5

Minor Transgressions

After failing to check the back seat of a stolen car, a group of "hardened" criminals get more than they bargained for in the form of a clever young boy joining their gang. A decent script here playing well to the odd one out requirements of the genre, with a lowbrow homegrown attitude that was largely charming. Solid examination of tough external personas as well though perhaps could have played that angle a little more for more dramatic impact. Good use of the warehouse interior and ticked the ultra box by having the child as the clear lead. Sound however was a tad flat for me and whilst I really appreciated the subversion the majority of the film being sitting and talking or standing around (not all, mind) was what held it back a bit.

Monarch

After a parent-teacher interview goes awry, our protagonist teacher has murderous thoughts of how to deal with the bad dad who thinks his naughty son's behaviour is her responsibility. But of course that would be way too simplistic, and so when the rubbish bin full of tissues from her coughing metamorphs into something sinister, all hell breaks loose within the school. Most definitely this was slick, with the Joseph Bishara-inspired soundtrack the actual highlight in my book, and the team ticked a lot of the trope boxes for the genre, with nods to ALIEN and MOTHRA being the most obvious, but the script just left me a bit cold. I think the reason for this is that the dialogue interplay between the 2 leads was engaging at the interview, but after that opening 60 seconds it all just went a bit murderous. I really liked the practical effects I must add, I just personally didn't engage with the story after the teacher was made to feel like crap. Just my 2c.

Turn Around - Sweet Cheeks

Whilst young girls just want to have fun, so does their old man who is a boozer and also looking for love. However this is also a questionable dad with a history for vomiting all over the carpet and so some awkward humour ensues when he tries to make his move on a woman he has his eye on.

The performances of the girls was good, with some solid dialogue and actions showing how they are mature beyond their years and perhaps it is the dad who has some growing up to do.

Props for taking on Ultra, but I felt like this needed to be incorporated as a plot device more given you chose a suburban home for the location. By just having so much shot in the dark without justification it made a lot of the film grainy, out of focus and distracting. I do like how it was worked in a bit by making evening pickups of the kids though.

My personal take on the script was that the jokes were not my personal cup of tea, but that I could understand how others might find it funny. I just felt like the dad was a bit inappropriate to be hitting on the woman right in front of his kids, but that was probably a deliberate part of the script, and if I've felt how I'm meant to about the dodgy-ish guy then well done.

From a story point of view, the skeletal structure of your story arc was there, but the edit did distract due to unclear timelines and what I felt were sudden shifts in character behaviour. I also found sound fluctuated a decent amount with some peaks so that was a little distracting.

Also it might just be me, but for a romcom I simply need to see romance. Not just someone trying for romance and failing. It's an absolute deal breaker in my book as to whether the film has succeeded at its genre or not.

You've already apologised for the loony bin/mental health joke in your end credits so I'll leave that one alone. Thanks for the apology.

Story: 1.5/5
Technical: 1.5/5
Elements: 1.5/5
Overall: 1/5 (I know this doesn't add up; genre failure overrides everything in my book for overall grades)

Its Not a Pirates Life for me

Lovely opening overhead shot onto a pirate family's boat, as the docked band of buccaneers have come to Wellington for their young son's 'Arrrrgh-mitzfah'. Only he's not so sure he wants to make others walk the plank, when options such as planning for the City Council seem slightly more appealing in his measured eyes than covering one of them with a patch. This threw caution to the wind with a shit ton of dad jokes and puns, and squeezed every pirate trope the team could think of into its 5 minute run time, from swashbuckling to kidnapping. Whilst I loved the camerawork to start I felt that as the film went on it lacked the energy that could have elevated it as most shots were steady with little movement. I know that's nitpicking given the film was set on a docked boat, but then that was your choice.

Le Burglar

Giggling flatmates and a mime seems like an innocuous enough plotline for a film, but this played the shit just got real card very fast and was all the better for it. With a few f-bombs here and there and invisible guns that actually went off, this had a classic casual Kiwi tone.

The camerawork was top quality, and the framing was tight but involving ala John Carpenter. It was a fast paced, nicely edited film of a shootout with a catburglar mime, but the cast also delivered their lines with aplomb and the payoff was well earned.

Now my review book notes are what I'm sticking to here because I don't have a way of rewatching the film, but yeah whilst this was thrilling the characters were a little underdeveloped for my liking, verging into stereotypes. But on the other hand this was just presenting a slice of action which is in my opinion the best way to approach a short, so hard to argue with. The other minor issue I have was that you only shot in your flat, which I understand may have been your only location, but it did mean that the set came across as a bit plain.

Story: 3/5
Technical: 3.5/5
Elements: 4/5
Overall: 3.5/5

Sharon and Cobie

Seemingly charming domestic house cat turns out to be fairly damn crass when given a voice by their loving owner inadvertently. Treaded the line between gross and introspective, almost a personal film at times, a couple of the jokes hit but I think I kind of missed the message here. As was said at the launch I'd encourage you to get out of your house for the shoot weekend!

Not One Tear

NAILED IT. Like out of the park in my book got your genre absolutely picture-perfect spot on. I've always been a bit of a puppet fan and having watching The Lady from Sockholm earlier this year I was pretty pleased to come across some getting the big screen treatment so spectacularly. Our lead actress feels empty, although they acknowledge that with Hamlet coming up that an opportunity to re-gain their passion for acting may be able to come through. The only problem is that they can't cry. Nicky Brick tries to ignite this passion for them, suggesting a multitude of scenarios that ultimately hit home a lot harder than anyone would care to imagine for our lead. Set design was superb and the puppets were simply beautiful. Not just play with for Sunday school type stuff either. No, this team put a huge amount of effort in with differing facial features to actually convey emotion. Big time payoff to the point where the audience was clapping before the end credits rolled.

Sticks & Stones

Some different camera techniques were used by this team which was refreshing to see. Some sort of limbo prevents a mother from reaching her son, and everytime she falls she gets sent back to the darkness to be made a mockery of by another woman who has her beloved boy captive. Again got to state really nice visually and a reasonably straigh edge approach throughout. Good motivation for the character's actions too. I think it was good that we were not hit over the head with exposition in any way shape or form, but the potential of the space travelling stones seemed like they could have been explored a bit more. Having said that, it's a short film and two settings is sufficient.

Achy Breaky Hero

There's a lot riding on your shoulders when you are the first film to play in the first heat across all of NZ! But kicking things off this year with a cheeky charming puppet superhero film was a great way to start proceedings.

Good voice work here across the range of characters in the film, and there were some tellingly truthful messages here that a real hero does not use their powers to do bad things.

Quite a detailed script giving the characters depth to be honest, comparing and contrasting one with a broken heart and others who are casual and have moved on with their lives. I like how you kept everything grounded in reality, albeit with animal puppets.

Visually really appealing, and whilst you worked with what you had I think the lack of mouths on the characters was the minor detail that did create slight issues for me. This was because every time there were 2+ characters in shot, even though the voice work was good, it made it a tad confusing to follow due to one person doing all the voice work.

But on that note I'm incredibly impressed this was a 1 person school entry. Well done and please come back next year and keep making films!

Story: 3/5
Technical: 2.5/5
Elements: 3/5
Overall: 3/5

Once a Winker, Always a Winker

Having parted ways following a defeat in a 2009 Tiddlywinks championship game, this mockumentary followed the process of a team reunion to try and take down reigning champ Vic Meyer. I do not like Talking Heads in 48 Hours as it means people can just describe rather than show events. The other issue is that if you describe character traits then you should really actually back that up when said character turns up on screen. I felt this short would have improved without the talking heads as it would have allowed the characters to develop more naturally. The talking got to the point of being tedious.

GOD BLESS AMERICA

A couple on a park bench discuss how they hate USA, only for a figure in red white and blue coming along to give them a singing lesson as to why they should really love the land of the free. The music was seriously amazing, some of the best I've ever come across in 48hours, and I've still got 'When you sing, you all sound American' stuck in my head. But that's really it, it was amazing wordplay and singing without a plot. Big crowd pleaser, though.

Beast Mode

Really slick effort this one with nary a frame not looking great and crystal clear quality sound and music, this took a lot of beats from cult classic horror film THE BEAST WITHIN but played for laughs, and unfortunately (as I've been a huge fan of Alan Morrison's work in this comp over the years and see he wrote this) I didn't really buy it as as radio DJ went through a monster transformation all the while staying actively engaged with social media. I get that this was meant to play as a meta commentary on instagram/facebook etc but the payoff genuinely came too late in the piece for my liking. I also think that texts as an on-screen graphic have been a tad overdone in this comp especially when Chess Club did their drop the mic film in this area a couple of years ago. However I'm pretty inspired by what you guys pulled off from a technical pov. The camerawork in some of this was absolutely exquisite from the fish eye lenses examining the man's soul and body transformation through to the dramatic VAMP-like neon lighting. The makeup was freaking marvelous for a 48hours film too!

Where's Simon

Bumbling hitmen look for their missing kidnap victim who somehow escaped from the boot of their car on the way to the murder spot. The tone was set early when we learn it is not the first time they have had things or limbs go missing, and from there they urgently raced around looking for their target Simon.

I thought your actor with the ponytail gave a terrific performance in this film, showing excellent screen presence with fantastic facial expressions and nuanced line deliveries that reminded me of Hugo Weaving in THE MATRIX.

The edit was tight and I noted 'cool music' though not sure if was original or stock, but it suited the film well either way. The only thing that dragged this down for me a little bit was the ending, which felt a bit rushed compared to the proceeding film.

Story: 3/5
Technical: 4/5
Elements: 3.5/5
Overall: 3.5/5

Impalpable

A mum gets up whilst the dad lies in bed, picks her baby up out of the crib, takes the baby down the hallway and makes herself a cup of coffee and 'wakes up'. I've called out other teams this year but boy oh boy, taking the first 58 seconds to get to that point was just painfully slow. It's just a personal bugbear of mine after many years of watching this comp to see teams wasting time on waking up, getting ready for the day etc.

Things did pick up from there with an adorable bubba then immediately lighting up the frame with a wonderful smile and giggles, offering a strong contrast with the large amounts of dead flowers on the table which gave a pretty obvious foreshadow for the shape of things to come, but was shot beautifully. Did the team need to spend so much time on the initial setup? Maybe. But even if plot essential it doesn't change the pace of the film.

Definitely some strong universal themes covered here. Most of us want a nuclear family to work, as raising a newborn is incredibly tough. The performances were also very good at conveying the weight of exhaustion that the young parents must be feeling. The team also played this very seriously which is rare in 48Hours.

Film looked really nice, and for once shooting in a house made sense. The grade was on point witht the slight blue tint of sadness.

For me this was a good film, not a great one, and the main reason was that there just wasn't enough meat on the bones of the story to elevate it. I might get shade thrown at me here but parenting is tough, and solo parenting is arguably tougher. Also for me the twist was obvious and I want original engaging stories from this comp not just those that are well shot and performed covering home truths.

Having said that, congrats on your win in BOP.

Story: 2.5/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3/5

Clutha Matters

Head scratcher mockumentary about a madhatter wanting to recruit students for his theatre troupe in the school holidays inspired by...Full House and Willy Wonka?? whilst seemingly shot on a very old vhs camcorder despite everyone in the film tapping away on modern smartphones. Tonally this was all over the place from the casio keyboard flavoured theme song that jumped out throughout, to self descriptors to the camera, to the actual filming of the show/interviews. I think this was a bit of a square peg in a round hole regarding the genre, as simply mentioning it was the holidays didn't really tick the requirement for me. I also think that if you were going with this old camcorder approach there simply had to be more justification for its use, as it didn't make sense and became a throwaway at the end. Your lead definitely hammed it up and this could have gone somewhere if there was a bit of motivation for the hiring of the actors. Ending definitely out of left-field but yet again had me puzzled rather than surprised in a good way.

I'm A Horse

Holy hell this was by far the most flat-out entertaining film of the first night of heats in Wellington. A guy who can’t sleep of course takes a pill only to be awoken by a man with a horse’s head. Well, now we can’t have our sleep being interrupted can we? A violent revelatory mindfuck with a damn catchy little ditty tidying it all together. Nailed the genre and POV shot with aplomb too.

Full-Night

Well this was a tantalising little film that left me wondering what would happen next, capturing the erotic part quite and the intrigue it created at the end being enough to satisfy me re: its thriller quotient. Having been texted to cum ova 4 a feast, might get luky, our Nicky does exactly what he's told. And given the apparent interest shown in him as soon as he walks in the door, who wouldn't, right? Of course blindfolds and restraints aren't always the best things to have applied when you soon realise that a party of 2 might never have been the intended course of action. I would have liked a little more dialogue but appreciate keeping it up for interpretation.

13 going on 14

The tale of a an awkward 14th birthday, with a cringey mum who gets things a bit wrong (veggies at the party, providing a book about reproduction to her son bizarrely late?) and three in your face energised friends who don't seem to have come close to hitting puberty like our lead has. Finger spinners, hamburger slippers and joke books for children seem a bit out of place to say the least for presents. Well, at least until one of them confidently and aggressively asks a girl out by the river and takes her off hand in hand despite weirding her out, in a slice of action that definitely feels like its own tale. I liked the positive energy on show here, and whilst I'm not the biggest proponent for flinging the camera around I'd advice to utilise some motion to match movement inside your framing, as this will engage the viewer by directing our focus. I would also recommend mixing up your camera angles as this is the biggest advantage a film medium can give you. For example utilisation of close ups would have driven the point home as to who was made to feel awkward (assumedly the lead) but by keeping the camera long it avoided the cringe comedy aspect and just made the action on screen as cringe. I hate to be overly critical but it seemed like having almost everything recorded through long shots meant the camera was a bit far away for recording audio, creating a slightly echoey effect to the sound. If the camera was closer it would have also allowed cleaner sound (or else an external mic will also be of huge benefit). I did enjoy the energy and liked that you got outside to shoot! But due to the technical limitations and lack of clear storyline I've unfortunately given my low rating. Sorry :(

limb

Almost an all-girl team (was I correct in reading the credits that the only male contribution was the music?) had an interesting dark colour grade, with a sense of menace throughout, as a Lyall Bay swimmer happens upon limbs after getting out of the water. Strange symbols abound and she then gets chased by something, this was almost great but overall felt like a case of style over substance.

A Day in The Wasteland

Perfection!

The World

Name of Short: "The World" (Race Against the Clock Genre) [DQ] A guy plays a videogame where he gets to create the word, but the first time he plays a woman who is a glitch enters the system and won't leave him alone. The relationship develops, but I felt this was more of a techno thriller than anything. Contained some nice early morning shots of Wellington but could have done with some more character development.

Chromaticity

Working as a reverse PLEASANTVILLE, a churchgoing housewife locked out of the picket fence dream life she always wanted in the 1950s gets her eyes opened to the apparent wonders of 2022 in all its stark living colour.

I felt like the team could have really capitalised on their WIZARD OF OZ sendup by having the protagonist show some emotion at the change of scenery, and how the status quo has been turned upside down.

Women negotiating power broking business deals and incels disrespectful to Elvis were just begging for some more powerful story beats. I get the strong contrast of swapping time periods, and the film mostly looked and sounded fairly decent, but I also felt things ended abruptly and we were missing Act 3.

Story: 2/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2.5/5

Shadowplay

Was it just me or did anyone else get a bit of a Jade meets Oldboy vibe to this one? I liked their style at least, if that comment was not entirely obvious it was a compliment. A tale of deception with some erotic moments was carried out, with a love triangle involving a couple, his older ex and her much younger daughter (the younger daughter being his current partner). It was well acted and had some juicy dialogue. Good restrained approach at least visually to the genre though with a tongue to cheek being about the most explicit activity shown from memory. One where you really have to pay attention to the dialogue though as that ending...wow.

Holdin' On

Another dude sitting on the toilet to start this one off, one of the more popular themes in this year's 48 hours. We were then treated to a looong tracking shot following him down Aro Street, lamenting not having TP through some fairly ordinary spoken rap (decent beat, though), running into a couple of acquaintances. Highlight was the operatic phone booth singer, which left me baffled as to why the team hadn't made more use of his stunning voice. The film looked fairly nice, but most of the music wasn't great.

Gestalt des Saturn

A German hiking vlogger film that combined elements of NEVER HIKE ALONE, THE RITUAL and BLAIR WITCH. Well shot, but wish it had more originality.

ACES

In a way this could have been construed as a returning vet film, given that most of the film was fire and duck/run military action in the woods with the contrast bumped way up on the images presented. Not a lot else happened, and could have benefited with some originality. I also think your final plot point could have been developed or mixed in earlier.

Cranial Muffin

Cranial muffin does not really sound very endearing, and neither did it to our central protagonist when the very mention of the words took him to some dark, cannibalistic places with his ex in the back of his memory vault. I felt a real sense of unease throughout the film, which I’m hoping is what the team wanted to convey.

Truck and Hose

Nicky Brick always knew he wanted to be a fireman, but there's no reason to make a song and dance about it is there? Oh well he does it anyway as does the rest of the cast in this decent take on the genre. Unfortunately having bad luck and cooling off situations where burning flames are at hand don't really go together. The action was decent, and music pretty well composed as well. A couple of technical issues with the video skipping, but on the whole looked pretty good. Sah-weet slow mo on the pumpkin with the axe as well. The training montage felt a little generic but it still worked for developing the plot. I understand not coming to your heat if you're DQ but only one person turning up from a team of this size seemed a bit turn your noses up-ish.

Pause and Effect

Who remembers the film Clockstoppers from 11 or 12 years ago? Um, I do, and it was a little bit ironic in my view for adults to rip off what was a children/family film. Bit more of a sinister dark vibe, given that the usage of stopping time was for criminal gain by our protagonist as opposed to stopping it in the original film. I thought the leads had good chemistry, but was disappointed that the team had not done something a bit more original.

You'll Understand When You're Older

A couple of ghostbusting scammers bite off a bit more than they can chew when a strange mask proves to be more than a match for their colander helmets and water guns.

I liked the commentary from the hustlers, because who cares if if what they do is real as long as they are making coin? If it makes others happy and puts their mind at ease then all good, right?

Some really good editing, clean sound and a nice modern take on The Boy Who Cried Wolf. I think I get what the team was trying to say here, that a lot of people want to make money the easiest way possible, I just think that maybe it needed to be expanded a little bit more, though was fast paced and enjoyable.

Story: 3/5
Technical: 3.5/5
Elements: 2.5/5
Overall: 3/5

Bloody Mary

Placeholder review.

The Barbie

It's kind of hard to keep up with the Joneses when you can't even keep up with your partner, and when our corner cutting lead doesn't get invited to the upcoming dinner next door but his lady does, he hatches a plan to get a BBQ and become the king of the community.

Or at least that's what his mindset is as we got a bumbling populist but classic Kiwi comedy where the jokes flew thick and fast.

First off, excellent performances by all of your actors and actresses. They really committed to their roles and played the roles with aplomb.

Second big positive point for me was how you contrasted the bright sunny suburban shoot location with some incredibly dark macabre humour. It honestly felt a bit WTF when our would be grill master fantasized about murdering their succesful neighbour and dumping them in the Hauraki basin. Just so off the cuff I can imagine this having got a lot of laughs in a cinema heat screening with a crowd. Obviously many others liked the humour too, congratulations on your audience favourite award in a seriously strong heat.

But I think the script let the film down a little bit because whilst there was a whole lot of storytelling in here with an arc, which is always a big plus in 48 (trust me), and subtle hints at giving your characters motivation, the tone just really felt too relaxed for your genre in my book.
Good payoff but I wish there had been some dramatic urgency. It's fine to be comedic with a normally serious genre, in fact subversion is probably the best way to go in this comp to stand out from the pack, but like maybe showing the neighbour actually was a "farcking carnt" would have gone a long way to getting the characters on your side for taking the weber. Just my 2c.

Technically pretty good with decent camerawork, sound, editing and use of natural lighting. Not much to complain about there. Main area of focus would have been some more dynamic camerawork to heighten the action given you got Heist as your genre.

Story: 2.5/5
Technical: 3/5
Elements: 2.5/5
Overall: 2.5/5

The Masterclass

A production team gets an interview with the ultimate subject that nobody has been able to get their hands on until now...Death! With a demonic skeletal appearance he (they?) then proceeds to give a masterclass in horror.

This had some absolutely wild elements from the gore and elevator urine, to the puppets and costuming, and was very subversive in a good way. The horror-comedy vibe was just right and it tread a fine line between a lesson in how to scare and a lesson in how to die.

I would implore anyone thinking of making a mockumentary to have a good look at this film in future; any negative tropes were turned on their head for the better with a focus on allowing the plot to develop organically with the documenting crew simply being part of the story. For example Death waxing lyrically about the best time to scare being when reality slips would have been a talking head moment for a lesser team, but given his demonic voice and horrific mask it instead becomes a highlight.

The fact that the film built and built and then paid off when the shit hit the fan was very satisfying to see.

Technically strong throughout most with a well done edit and particularly well done lighting. Performances were the standout for me to pick the best thing about the film.

In terms of minor issues, audio was a tad muffled in the first minute or so of the film and the human characters were a little underdeveloped to the point of just being bodies to be killed at the climax. But thoroughly entertaining overall.

Story: 3.5/5
Technical: 3.5/5
Elements: 4/5
Overall: 3.5/5

Unravelled

Placeholder review.

Boxed Away

Narnia-lite with a box full of memories being used as a transportation device to magical worlds; a couple in fact with one having an Alice in Wonderland flavour and the other more medieval. The cardboard sword fights were well done and the tea party ala Alice was particularly warped. As a family make a move, the young boy must rifle through his collection of childhood memories one last time as they pack up boxes... I just felt the film needed a bit of work on its narrative. I was trying to make head and tails of the rainbow flag and whether this film was trying to be metaphorical but decided to just go along for the ride through the box as the film was more or less an ode to coming of age.

The Getaway

It's pretty rare to make 2 48 hours films in the one weekend. There's a handful of instances that come to mind such as the once in a generation scenario of the separate Auckland/Wellington weekends in 2021, or performers offering up their services to however many teams need them. But genuinely making two actual entries has happened few and far between with the only other notable examples being 2 film sagas and a vanity project from Grayson Gilmour many moons ago.

Cathasaigh Ó Fiannachta and Andrew Todd meanwhile via Fox Emoji Wolf Emoji and now this film have joined that exclusive club and it is quite remarkable how they let their creative talent simply shine through on both occassions.

In this film we start with a bang via an intense hooded and cuffed interrogation at gunpoint, only for the threads of the story to unravel through vulnerability and the balance of ships in the night versus intimacy.

More in common with the cinema verite of Harmony Korine than any smug self aware QT quips, this nevertheless shot off the screen with originality, meta touches and sincerity. Portrait framed phone shot videos really are the home vhs of modern times aren't they?

Narratively it was messy and scrambled at the best of times, but you get many points in my book for doing what the fuck you wanted, and doing it well. Another striking film.

The Painter

Like the best horror films, creates its own lore with a sinister Painter comparable in many ways to Fulci's book of Eibon in THE BEYOND (but could not be more different than that masterpiece by Italy's Godfather of Gore). Seemingly simplistic vfx but really not given made over a single weekend those eyes will haunt me whenever I look back at the film. Possession? Haunting? Curse? Hard to say but a bloody fun time - pun intended as Nova Waretini-Hewison gives another star turn aided by a Linda Blair-like demonic voice. Shocking stabbings, a shrillseeking fantastic music score and the catchiest little song you will hear this year round off this little outside the box beauty. "A L I V E - so good to be!"

Daylight Horror

Walked in on the end of this one which had some good toilet humour and fencing on show, with strong audience laughter. Will update the review once I see the full film but liked what I saw. Edit: this team is behaving atrociously. Had given the film a 7/10 based on what I had seen which made me laugh, but now cannot fathom giving it a positive rating of any kind. Behaviour will be brought to judge's attention, probably the school's if it continues.

The Imaginary Crime

Who stole the cookie from the cookie jar? Well, a good question and one that takes us 7 minutes to examine. My main concern here was that almost every segment of the film was gathered around telling simplistic jokes. The big letdown was the fact that you introduced the characters and gave them backstories, and then threw these personality traits out the window. Would have actually been fun to see them behave the way you described. Your camera op has a good eye, but the script really needed work.

Affinity

I saw you had some decent gear in your intro, so not quite sure what happened with your motion problems; possibly an issue outputting in 25 frames? There was some excellent comedic back and forthing between a brother and sister 'taken your pills?' - 'nup.' but other than that, this tale of a girl who would do anything to impress her first date (after being stood up the last couple of times) was ok. It needed more action, or more adventure, or ideally a combination of both. You hit some genre troupes such as the one liners and running from baddies but needed more.

Dark Side

Our lead gets approached by a dangerous looking girl who asks for a smoke, but he is attached to his fiancee and says no. She keeps popping up in a creepy manner, culminating in a shock ending. The film looked pretty good, but the story was unoriginal and whilst something dangerous was always hinted at, there was no real tension.

6A

An eco-conscious woman keeps taking the effort to make sure the recycling is done correctly, but gets very frustrated at being undermined by her neighbour. So she goes to her flatmate Bobby Young for help, who comes up with some pretty devious plans for revenge. However when writing a letter to sort out the situation, our lead forgets the other side already had something written on it before getting it through to their messy neighbour. This results in brilliantly awkward confusion. The non-recyclable guitars and team intro were simply fantastic, this film was more about the creation of a want for revenge, rather than carrying it out.

Redbelt

An absolute hurricane kick of a film, with swag and comedic timing for days. Grab yourself a cold one, because a couple of witty but shitty go too far laugh it off debt collecting hitmen provide a barrel of laughs throughout.

I enjoyed how the blood spattered victims and inventive fight scenes made the heroes likeability increase as the film grew. Though shot in Melbourne for me this carried with it a classic kiwi "She'll be right' mantra and was all the better for it.

Edit lightning fast and smooth, performances top notch, crass and consistent whilst the white singlet uniforms gave us the popping contrast between purity and reality as the goons went to collect.

The use of natural lighting and course but larrikin dialogue added to the raw believability and the gore actually was purposeful. A shame about the DQ team, I liked this a hell of a lot!

Unquenchable, Undying

After a raging drinking party where everyone gets dressed up, our fairy costume adorned lead actress falls victim to a GROUNDHOG DAY meets FINAL DESTINATION loop of death. Some inventive kills (that fork into the microwave being the highlight) and some not quite as effective deaths when it just seemed she hit her head, she starts to realise the steps she needs to take to avoid her doom. With very little dialogue it was hard for this to stand out from the other looping time travel films this year, but it never took itself too seriously. I just think that even though you went for the farcical approach some of the set pieces needed a bit more impact to really get an audience reaction.

Petra's Pet Perils III: Dog Gone

Now here was a film with a massive visual point of difference, seemingly inspired by 1990s FMV games such as NIGHT TRAP and THE 7TH GUEST in terms of presentation, with pixelated imagery that at times was indeed pillowboxed to about 240p much like those games of yesteryear, although a CARMEN SANDIEGO-like UI framework did allow a full 4:3 Academy 1080p frame to be presentated for most of the film.

Onto the film itself, where a naughty dog runs off with its owners keys in the rain after being let out of the car, leading to Petra investigating a mysterious house complete with knife throwing women and Margaret Scratcher, an invisible cat. Of course what would a video game be without a boss to defeat, with would-be pooch stealer Xanthe stealing the show and only true love being able to save the day.

The performances were strong, with each character in the film having a uniquely identifiable screen persona, and the music in particular replicated my nostalgic memories of what adlib soundblasters used to sound like playing DOS games back in the day.

I also liked the message of the film, that nothing can get between true love whether that is for a spouse, child, partner or dearly beloved pet. With its unique A/V approach this really stood out.

My main criticism of the film would also be rooted to its strength in terms of it being such an on point video game presentation. Were we as an audience allowed to be fully drawn into the storytelling? Or did the digitization to sprites potentially take away some of the depth of the human element of cinema? For me on first watch I think I fell into the latter category, but I sat up and paid attention on my repeat watch today and really loved the uniqueness of the film. The story is still a bit flat, for mine, but I love films that stand out in this comp, which this did.

Story: 2.5/5
Technical: 4.5/5
Elements: 3.5/5
Overall: 3.5/5

The Essence

An agent is sent to another dimension because the earth is running out of vital essence, and off she goes to an ALICE IN WONDERLAND type setting where the comfortably nuts tea partiers are able to open her eyes to the colourful world of imagination.

The film also used the WIZARD OF OZ trope of starting in black and white, to represent the dying earth, before blasting into rainbow colouration when the agent was transported.

I think that this film verged a little bit from homage to probably taking a bit too much from Lewis Carroll for most of the time in wonderland, although things were redeemed a bit when you notched up the surreal and bizarre tone with the pig masks and jazz party.

I get that your actress was playing a very direct stand and deliver type agent and that the whole idea was to change her persona, open her eyes persay. The problem was by taking this approach it verged on making the line delivery feel quite flat. Due to not knowing the agent's backstory and going with the sunglass option it also made them a two dimensional character, taking away the opportunity for the audience to understand them through their face as the eyes are the window to the soul.

Sound I felt was probably the biggest letdown in terms of technical elements, as the indoor footage sounded echoey to me. The script also in my opinion felt like the essence being missing from the earth was just a springboard to then make things as dreamlike and fantastical as possible when your agent entered the world with colour. But personally whilst I love surreal and weird I need to have something engaging from a plot point of view and struggled to find it here.

Story: 1/5
Technical: 1.5/5
Elements: 2/5
Overall: 1.5/5

Switch Glitch

I was dreading where this film was going when it started with a character waking up, getting dressed, making some toast...but then bam! We were into body swap territory and the film was away laughing.

Or, it could have been...only we quickly reeled things back to the exposition of the leprechaun/guardian angel/fairy who had created the mishap in a scenery chewing and stuttered line display, leading our lead to make their own investigation into the temple of Churr to make things right.

For your big comedic beat to be a body swapped person going into the wrong gender's toilet was kind of puzzling to me, to say the least. Like, ok?

The ending did feel a little bit rushed to me when conversely the rest of the film needed a bit more urgency to push along proceedings. Stronger reactions to the swap for example or maybe using some more cinematic techniques such as zooms or close ups? As the entire film was most medium to long shot with static performers, making it more theatrical than cinematic.

Lighting was good and editing smooth where used, though.

Appreciated putting the bloopers putting the credits but I think allocating that time to the plot would have been a better idea.

Story: 1.5/5
Technical: 2/5
Elements: 2.5/5
Overall: 2/5

Super Dead

Opening with a Brian De Palma inspired split screen revelation that a best friend has passed away, this deadpan investigation into the suspicious death of a close friend had one of the best uses of invisibility I saw in NZ this year.

The script also had some standout moments in terms of dialogue, but technically this was pretty raw. For example said initial split screen shot had one half of the screen out of focus, whilst fuzz on the audio track did occur on multiple occassions and the volume peaked and dipped significantly throughout. Some excellent music choices at times, though.

Whilst I strongly disliked the stabby ending, this covered ground about how jealous we get and how rife tall poppy syndrome is in New Zealand to this very day. Performances were pretty solid across the board.

I liked the attempt to subvert the genre, but for me it missed the mark because when I'm thinking about a film I've watched in 48 Hours I personally feel that another genre (here, Crime) shouldn't be the thing that I think of first and foremost and then get a shock when I'm reminded that the required genre was something else.

Story: 2/5
Technical: 1/5
Elements: 4/5
Overall: 2/5

Escaping Eden

Adam and Eve contemplate leaving the garden of Eden and bringing the word of God to the modern world, whilst Nicky Brick continued to show signs of being awfully unlucky before said two deities unleashed their superpowers of enlightenment. I've got to say I was impressed with the High School teams this year; it was obviously they poured a lot more effort into actually scriptwriting and the coherency displayed has been excellent. This film in particular had some great quick witted puns and inventive camerawork.

The Ad

Starring the 48 Hours legend himself James Kupa! Great to see this man giving a fantastic performance as a stuttering former All Black struggling with his Fujiji-Plex Heat Pump lines much to the chagrin of his ad crew who have only paid for his services for an hour.

I found this thoroughly entertaining with a beautiful gradient to the pacing of proceedings, and a script that produced some genuinely quality comedy such as comments on Richie McNugget's height and the red mist trauma that his previous failures caused him.

My main issue with the film was the plain location of the house/apartment, BUT I actually think this worked because it was filling in as a film set and covered itself well in this regard.

Also nullifying this was the camerawork which I marked as "clean". Whoever was your DOP had a superb control of depth of field, and everything was razor sharp which is always a big plus to see.

Whilst I have commended James at the start of the review, I must say the entire crew were on fire with their roles with the director matching him with her fantastic screen presence and determination to get the job done. Clear cut and defined, they presented a stressed collective very well, meaning that the resolution was particularly satisfying as I felt it worked as a strong metaphor for working together as a team. Film within a Film. Sports. Invisible. Etc. Put it in the onion bag, this was a goodie.

Story: 4/5
Technical: 4/5
Elements: 3.5/5
Overall: 4/5

"Cheatings Eating"

A Psychopathic housewife goes on a bit of a murderous spree with regards to servicemen, taking out a plumber by choking them to death and heavily hinting that the same fate may await the internet service man due to come around in the near future. Luckily we are given motivation behind this behaviour with a backstory of mistreatment by her ex and how her current beau essentially came to her rescue as a white knight. There were a couple of nice shots for example the hand in the oven, and I squirmed at least a little whilst the plumber was choked. The film did appear however to go for more of a dark/disturbing approach (also included chainsaws and blood, for example) than any sort of tension which is what I view as a key element to horror, and the production values were average.

Magic Mic

Be careful what you wish for, especially when a $20 van turns out to be way too good to be true. This was a blast, a simple idea done exceptionally well as a doorway to another dimension coupled with exquisite comic timing and strong direction meant this got a big well deserved audience reaction in the Wellington heats.

I liked the theme of opportunism you had running throughout, as the deal of a lifetime for a travelling magician was only a part of his grandiose plan. Save money? Sure, but make money is really where it is at in this economy and at $2 profit per silly show consequences be damned.

Really great physical performance by your lead who knew all his right angles to make this silly magician work with butt thrusting and facial expressions that were nuanced and sold the show.

Keeping it believable in a gravelly capital carpark complete with graffiti was smart as it allowed the film to stay laser focused on its intriguing transporting concept that nailed this year's 'exit' element.

I thought you were a contender for incredibly strange before you took us to hell, but that BIGGER LONGER & UNCUT devil will have you right in the running for that award.

Framing solid, only thing from a cinematography pov that would stop this competing at the business end would be the lack of a strong colour grade. Editing really good and sound whilst not the best in the comp was clear and at a good level for hearing the creative dialogue.

Overall I loved this. Dark horse already for best Wellington performer for sure.

Trophy Hunting

Animals are running wild in Wellington we are told over the radio to start this short, which attempted to build some lore through taxidermia and a post-apocalyptic vibe. Eventually turning into a battle between two determined females and one remaining dog, I felt the team attempted to subvert the genre by playing on the aftermath of said nature as per their genre already having run amok. Whilst I like double personalities as much as anyone, and thinking back this had parallels with POSSESSION, I think the edit could have been tighter. The tight focus pulls were impressive but much of the coverage did not push the story forward. Also I felt the back stories of both the animals being wild, and the 2 characters were a bit unclear.

The Eyes Have It

After a mysterious redheaded woman runs down a hall and climbs into a mysterious box, our film cuts to a picture of her being pronounced as missing and from there this film investigates her disappearance.

To me the best thing about this film was its wonderful ethereal musical score which elevated proceedings a lot in terms of tone. I also really liked the tracking camerashots that were particularly smooth for a 48 Hours film. The missing woman sold a sense of desperation as she ran down the hall and the lead actress delivered her lines well.

But for me personally the story was very light. I found the plot very predictable given the invisibility element the second that the woman climbed into the box, and did have my suspension of disbelief challenged when a school was effectively standing in for the 'neighbourhood' that the detective was asking around in.

Having said that, the ending was nicely done and left things with a satisfying conclusion that felt a bit like the Twilight Zone, redeeming a lot of the film.

Story: 2/5
Technical: 2.5/5
Elements: 3/5
Overall: 2.5/5

Tale of the Rolling Wanderer

People get butt hurt about review scores which is why I'm not using them this year, but I'll just say I was very surprised to see this on the Wellington shortlist, incredible costumes and all.

This is because firstly from a cinematography POV a significant amount of the film was slightly out of focus (rewatched the heat again today given youtube link was still up and I stand by this) and whilst lighting was killer the grade didn't really make the film pop much, for me.

DND films this year are genuinely becoming a chore to sit through. And then if you're going to go with office comedy in 48 you had better bring something bloody original to elevate your film. This did not, for me.

Love, Pain and Chow Mein

A Baywatch-loving Chinese exchange student in New Zealand uses his Kiwi friend/former penpal to try and win the girl of his dreams/obsessions. Energetic lead performance conveying the confidence we'd expect from the underdog in a romcom, creating a strong setup for the "anti" part here. The audience definitely liked this one however I'd just be careful about using things that are probably not ok copyright-wise (karaoke videos in the background and the song from F.R.I.E.N.D.S even in another language probably not ok)

Cadavre Exquis

A French girl keeps having things from her past mysteriously left at her doorstep including an old toy bunny rabbit and banana + jam sandwiches. Days pass until it is revealed who has been leaving things, before an abruptly shocking ending (which I unfortunately found to be a bit of a throwaway) The piano music fit the genre well.

Vic TV

Some super strong sleeping pills pull Vic right into a television where he bounces around between channels with the same nemesis in each. Cooking/Infomercials/Religious/Kids TV were about it. Being whisked away to a parallel or alternate world is a great setup for a non dialogue film, but I would have stayed well away from somewhere that is arguably 50% driven by dialogue like TV. It got tedious.

I'm Actually There

Invisible superhero is about all you need to know, but the film gets a lot better and has some great visual gags when said male superhero meets somebody else who is also invisible. Some of the camerawork was a bit odd, but ithe film knew its genre conventions well and played on them for good comedic efffect. ...Also had far and away the best freeze frame ending so far in Wellington.

Survival of the mutant

4 years in the future a virus attacks the whole world, and so people decide to make the most of their last time by spending and sharing time with friends and family/sharing video and skyping. Started off cringe-worthy and got better...and better...and better until I was literally crying from laughter at the stupid things our narrator would quip on. I mean a young boy with a slingshot? Yeah ok. Drinking mate with a BBQ? Good to reminisce I supposed. But yeah the team just snapped and our narrator came up with some goldmines of dialogue. "Go Nick Go" "Alanis Morissette isn't ironic, she's just inept". So yeah in other words another best worst contender.

120 hours in OSdom

This is quickly becoming my favourite genre of 2013 as yet another team knocked it out of the park. After an initial Star Trek-ish setup of having been beamed down for shelter during an asteroid storm, our team of explorers soon realise the dangers of having things run on solar power when the area has 5x the normal levels of exposure. Eyeball violence, tinfoil costumes and drill sergeants were the order of the day here in a film that had me in stitches laughing.

THE CHALKER

AFM.

I brought it up earlier today that everyone who ever does 48 probably feels it's ok to get a free pass to do a black and white noir, or a mockumentary once in their competition existence. Tripell films take their mockumentary pass in 2024.

Talking heads? Check
Cut to interviewed characters that add to what the talking head is saying? Check.
Complete focus on wordplay to do with the one joke that the mockumentary is about? Check.

Look, you're clearly a really talented team. Dialogue was naturalistic, camerawork was clean and inside locations were even really well graded to bring a somber blue tone to proceedings to emphasise the seriousness of what our protagonist was driving home.

100% not my cup of tea, as the mockumentary was and is incredibly stale in 48. I think Auckland even made it clear 'no more!' as far back as 2011 so you get the idea.

But rather than ragging on mockumentaries, did you have a good, solid story that was asking a narrative question and engaged the audience? In my opinion you could have, if the talking head who was raising at times poignant points about carrying on tradition had actually then been backed up with something that made us empathize and care rather than just see them as someone sitting in a chair talking about police chalking.

In my opinion a missed opportunity by a really talented team.

CATASTROPHIC

I think a few too many teams have thought we'd relate to cutesie HOMEWARD BOUND/BENJI animal adventure films and have thought that whimsical cute pets would cut the mustard this year.

Fuck that! Kate Chu's team delivers an absolute banger of a film here with a super smooth and funny POV film elevated with extremely long puppet cat paws and a sinister bent where anyone is potentially prey.

The glass bottle break had me chortling and the payoff was fantastic. I don't like seafood but was rooting for that cat to get the salmon! Congratulations on the well deserved shortlist recognition.

It's Always Night In Space

Superbly acted, the film nailed the concept of a urban legend where it is possible to give a slightly different tale of events based on whatever hearsay the storyteller has heard. Set in a lecture theatre, a list of possible discoveries, motives and ways Nicky Brick was killed at an observatory in 1971 are well examined. Some say he saw a giant meteor, others that there was a conspiracy to kill him and yet a different take is that it was suicide. Our lecturer of course provides the calming hand to our students' wild speculations. Some sweet visual touches and completely engaging.

Claymore

The bullying gets established early on through a military camp, before we come back to the present where a domestic situation forces a family apart. The father (Bobby Young) sets to the booze, but there are some police officers who still hold just a bit more than a grudge against him. The film came together well.

Loose End

I can only imagine the absolutely incredible amount of time and effort that went into the set building that was needed to build a believable world where the strings that people followed quite literally guide their lives.

Every string tight and holy shit the eye for composition in each and every frame would make John Carpenter proud; a mosaic of 1984 industrial greys and blues popping against the thin but bold red lifelines. Particularly effective was the depth of field and edit, as laser sharp cinematography with triangular viewer eye direction showed a team in complete master of gripping their audience.

The mix of singular strings for highlighted moments and layered webs to foreshadow and then allow the chaos and freedom to break out was a particular highlight. Also whilst we got a verbal announcement, the very obvious "RED = WARNING" colour play is something that has been surprisingly lacking nz wide in this year's comp.

So the setup is fantastic, we're immediately in our armchairs with our jaws dropped at the killer inventive concept, but the kicker for me was the BRAZIL homages and really sublime performance by your lead actor. Showing the freedom of breaking free from the banality of white collar work was superbly done, and because you had the building blocks of your fantastical world, it meant that the comedic payoffs of the different strings hit all the right notes.

Inside to outside also a smart choice for that mental incarceration allegory allowing for the best use of the required traveler element so far in this year's comp. Don't let the man get you down hey?

Soundtrack killer (if original whoever made that needs to be rewarded, if not then a perfectly suited mood piece) and not a lot to complain about here. My partner wasn't a huge fan of the ending feeling it was a bit sudden and graphic, but it definitely worked for me as it kind of looped back around to the warning provided at the start.

Keep up the great work Great Lake Film Society!

Carecrow

So glad I got to see this in the heats with an audience because this won't stay one of the hidden gems of the entire 2024 competition for long. I've found it fascinating that we had a spate of teams shooting scope in this comp for a while to go more 'cinematic', and yet it has come back around again with teams shooting academy for the tighter, more intimate framing. Paired with joyous spirit and emotional resonance and you're onto a winner like Hairy Tool.

The film itself is bloody gorgeous to look at, taking the viewer on a hazy whimsical tale of a scarecrow struggling with their core responsibility of saving corn in the most unlikely of bildungsroman scenarios.

A talking crow and naughty little elves give the film heart, with some very clever moments such as fracturing the line between reality and the film world with diegetic music and modernist touches.

Sound design is excellent and the titular hay stuffed protagonist gives one of the best performances of the year. The makeup is fantastic but they conveyed a really fantastic range of emotion and growth throughout the film from innocence to self discovery.

Now is the edit perfect? Not quite. But the sum of its parts works wonderfully fell. And is the production design perfect? Also not quite with the crow at moments sticking out a bit like a sore thumb, as do the elvish ears, though the sinister twists override those flaws.

Overall this is one of my absolute favourites of the whole competition this year.

Distressed

Contemplating suicide, our lead has brief interactions with those who have mattered to him most in the past ala It's A Wonderful Life. Played seriously, this wasn't really an immobilisation film.

Followed

Spooked loudmouth armchair film critics show that paranoia and what they show you in the movies can escalate things very quickly when you find a hockey stick in an alleyway. The interplay between the 2 lead actors was really terrific, with a solid script and immersive character creation. Bit of a shame to go for the unexpected violence against a woman trope which has plagued the competition for years, although the timing of the comedy here was edited very soundly. As a comedy of errors this really was top notch as the splats kept on splatting, but giving the audience enough time to recover from their last bout of laughs before producing another unexpected gag. Good work on utilising both the CBD and the beach as distant locations can be a tall order. I just WISH you hadn't gone with the guitar beat from Elvis Costello Pump It Up/Rogue Trader Voodoo Child for your pivotal scene. Loses a whole point for that.

Follow Her

Placeholder review.

CHRISTMAS

Certainly unique, I could definitely see a crazed auteur behind the wheel of this one as an electric guitar beer loving bogan drove around and tried to engage with his mum in the lead up to Christmas. The car driving shots had an ethereal, oneiric quality and this presented the idea of how loneliness can be a genuinely problematic issue around the holiday period for people, as can family. Also the recording of phone conversations due to paranoia and a previous theft of the laptop fit nicely with the character arc that we were privy to witness. Genuinely takes effort to pull this aethetic off but I think you nailed it.

Job Security

A 10 year human security veteran tells his newly recruited robot replacement that he is going to teach him the ropes today. By that I mean he is going to use the day as a means for some excellent comedic quips and observations. Both actors were really solid here as they built a rapport in front of our eyes. A couple of nice special effects touches as well re: the robot.

I want to be a cowboy

It is genuinely a personal bugbear to see a 48 Hours film literally was the first 30 seconds or so of a film on waking up and getting ready shots. What was even more perplexing to me was that you chose a wonderful upbeat song to kickstart proceedings, any if we had actually come into the narrative sooner rather than later I would most definitely have been a happy camper.

Because when things got going this film looked absolutely fantastic!

I think we had a few things going on here that would have greatly benefitted from maybe choosing one to drive the narrative? Whether that was the crossroads, the new dawn, or literally living the dream as per your visual motifs it was easy to see how passionately our lead wanted to be a cowboy, just whilst beautiful once it got going, the plot was threadbare.

Story: 1.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 2.5/5

Yeaagghewahh (Love Ya Face)

Let me take some time to review this one whilst it is fresh on my brain, no joke my absolutely favourite film of the 2022 competition so far, and an absolute shoe-in for the best Incredibly Strange award. It's also a bloody brilliant film.

Starting off with an ethereal romp through the park by a couple of happy go lucky adolescents, a really fantastic mystical tone was set early on with glints of dew and perfectly framed autumnal trees calling to mind BRIDGE TO TERABITHIA and THE SPIDERWICK CHRONICLES. Really technically impressive stuff presenting a sweet glance at blossoming young friendship and potential romance with sublime camerawork, editing and framing to convey the mis-en-scene at hand.

But somehow a fall, a facial injury and overbearing father leads to a fate worse than death for our would be Disney princess, who in a passing of time becomes less Rapunzel and more reminiscent of Mindy Clarke in one of my all time 90s films...RETURN OF THE LIVING DEAD PART 3.

Yes, that's right, you see the previously mentioned disfigurement results in a quite ingenious rearranging of the deck chairs, and a fairly brilliant homage to a former 48 Hours national winner comes to the fore with subtitles for grunts.

Lost in the tangled madness of worms, obsessive watching of online French kissing and a father out to protect his baby girl at all bloody costs is quite a tender performance by her now grown up friend from yesteryear, who wants nothing more than to rekindle their connection with the girl of his dreams.

Good thing that security systems in New Zealand aren't all that, hey?

When a pony can't be found for a raging appetite, well let's just say that I literally yelled out "OH. MY. GOD!!!!" at the ending on this one. An absolute fucking all timer.

Story: 5/5
Technical: 4.5/5
Elements: 5/5
Overall: 5/5

Bobby Alone

Voiceover throughout was a ballsy decision, and whilst a couple of lines of narration fell flat, it mostly worked. With Bobby Young dying, he sets off on a rumour that there is a flower found only in a very remote area which could save him. None of his friends will help so it is up to him to try and find this rarity to heal himself. However the journey gets harder as he goes along, resulting in a Fight Club-like flashback that lists his material possessions and activities important to him. He is not one to give up though. I for the most part really liked this one, it threw a bunch of ideas at the screen and held the audience's attention throughout.

The Big Number

Very subversive take on the musical/dance genre as a theatre director outlined how the production should run, with extravagant exclamation that brought good laughs from the audience. Playing as a comedy of errors with children and musicians missing cues as the theoretical running of events was outlined, the fact that it was almost all one very steady long take was almost an afterthought. I mean that in a good way, because the unusual camera choice did provide a point of difference to most other films in the comp this year. Reagan Morris nailed his role as the flamboyant man in charge, and importantly in a film like this you had good clear audible sound. I don't take issue with the lack of any actual songs or dancing as the film itself did have a rhythmic quality and its honestly refreshing to see a different behind the scenes approach that isn't a mockumentary! Left a bit to the audience's imagination at the end, though made sense if you had been paying attention.

Dead Last

A fake trailer for an upcoming horror-action film that included blood, intrigue, an exorcist priest and guns. First things first; the positives were that it was bold, fun and kept repeating keywords that would hopefully attract an audience if they were to come see the supposed film on release. Also made complete fun of itself ala the fake trailers in the Grindhouse (Planet Terror/Death Proof) releases. The negatives = why fake American accents? Why have part of the trailer scratchy like a film print and other parts in crystal clear HD? Why add a supernatural element with the shot of the priest and have the trailer announcer not mention it when you are promoting a horror film? Also, ambitious long trailers do often give you a general storyline idea without giving anything away and this did not. It was fun, but there were a lot of potential things that could have been done better.

The Talk

Fantastic looking short here as a very young lead stumbled across an adult magazine at the beach, and wondered what sex was after feasting his pre-pubescent eyes on a scantily clad lady. Unfortunately the sage advice he is after is a little shortcoming from his brother, mum and grandad despite their best intentions with condoms, books and dolls (don't ask). I felt the cinematography on this was top notch, and a cracking start to the heats with some deeply saturated deeply focused shots, all in well framed scope.I also liked the attention to detail for your production values with the house kept tidy, but interesting through attention grabbing stylish backgrounds. The payoff so to speak was a bit predictable in this day and age but the actors were committed to selling it. Well done.

Spy Tunes

American spies from Virginia come to infiltrate the Beehive and report back to their government. However when caught they must try and prove to their captors that they are true blue Kiwi blokes and not Yankee infiltrators like appears entirely obvious. Songs such as 'Greatest Spy Alive' and some classic tongue in cheek humour were thoroughly enjoyable in how they made fun of Kiwi sayings and doings. The songs not so much for their musical sound which could have used a lot of polish but more for their crack up lyrics. Just seemed like the team had a really good time on the weekend and put that on screen

Beans and Frank.

Three Hawaiian shirt-wearing crims on a getaway struggle to deal with the fact that one of them has been shot and really needs a doctor. Camera was decent, script was working well and performances were engaging. But that ending....like the flattening of a balloon in all its cold mean spirited cliched predictability. Ruined the film for me.

break a leg

Holy-one shot baby! Incredibly well done backstage piece as a troupe of actors got ready for their play to begin, we swirled through curtains and dressing rooms, past affairs and meltdowns all the while somehow being able to let a few of the characters actually develop depth and personality, all with the most steadihanded camera I can remember for a one-take film (though I think I saw a cheeky edit). The lead actress, tree number 4 and the would be vampiress all had memorable moments. Impressive stuff, and I think this is a shoe-in for a cinematography nomination at least. Close to a 7/7. Might be on repeat viewings. Sometimes I hate star ratings but what I did not hate was this film. Probable finals.

Lush Leaves

Here's a tip from doing 48 Hours for quite a number of years; don't waste the first 45-60 seconds of your film showing someone waking up out of bed etc as its precious time that can be used on jumping into your story and engaging the audience. The film itself was ok, as a girl deals with the horror of no 'Mermite' in the kitchen pantry by scouring around the house with a chair held over her head Benny Hill style, and then ending up in a fantasy world reached through leaves where they are promised this condiment by a mysterious mystical girl. I noted good use of sound effects throughout such as rustling leaves and running water for the river, as well as being drawn into the world of the film. The fact it had me thinking of more questions re: the fantasy world was probably a good thing.

Out of Order

A very interesting concept; the mystery of the item transporter elevator which switches items when the receiver opens it up. However rather than explore that concept, it got a bit sidetracked I believe by then switching its attention to an old man's attempt to uncover the reason for his son's disappearance. It was well shot, but I felt it could have used more focus. It got the mystery vibe well though.

Bad Day

Placeholder review.

The Ballad of Nicky Brick

A cowboy type strumming their guitar on the beach works as a nice introduction to this tale that happened once upon a time when Nicky Brick who had no friends to help him out on 48 Hours went on a bit of a quest. Very clever lyrics and well shot for the most part (although at times a bit music-videoy which is a backhanded compliment, but the fourth wall singing could have been toned down a little in my view), this was probably a better fantasy adventure film than most of the entries in that genre so far despite not having too much mystical going on. Solving riddles, questing for the leaf of luck and dealing with a curious old man with a beard warmer made this quite a fun watch.

Sleepless in Seatoun

A late night infomercial addict, and an infomercial star with a few issues at the local TV studio have their lives chronicled back and forth, which led to some fantastic visual gags. The performance of the lead actress in particular was fantastic, and this had a huge crowd reponse. My only real issue bringing this film down was that I felt the resolution was entirely predictable, although the physical comedy made up for that.

Birthday Boy

New day nerves and heightened sensations with a modern twist, Pixel Pixies showed some real craft here, building a layered film where the cherry on top got squished into glorious oblivion.

So much relatable well-written content in this script; tapping elevator buttons a few too many times, poking your nose around corners of the office that you really shouldn't and presenting an over eagerness to do new well in a new role. I expect a lot of us have been there.
What made the team stand out was that the keynote visual prompts they used were all story drivers. Loved the framing starting tight on singular characters and close ups and then money shots getting the visual pizzaz.

I also didn't mind the office setting, because you had a super clean set and you sold an original idea! I think the real highlight of the film for mine was the oh so clever way you not only had great sound design, but made it a central plot point.

ASMR me if old but as a slice of life short this was really fantastic.

Story: 4/5
Technical: 4/5
Elements: 4.5/5
Overall: 4/5

Buckets of Love

Excellent performance by Jackson Wood as...himself?? Nice twist on the obsession with an inanimate object contrasted with an actual real developing relationship with a person. Clever script, and a brave performance to go and get soaked on Cuba Street in the middle of May. Zany is a word that comes to mind, I noted minor sound level issues, but the team wore their guerrilla low budget approach with pride.

The Hand That Feeds

Very impressive sound design indeed, and a creepy as hell sound track had the audience genuinely squirming in their seats which is everything you'd want from a horror film that bravely played it straight and did not go for laughs. Reliance on mood and tension had my attention as a cursed loaf of bread caused our lead actress some high levels of grief whilst she tried to keep her daily life in order. The main things letting the film down were a lack of a polish from a cinematography point of view, and the curse afflicting hobo was a bit off in his performance tone. However I was able to overlook that and found that your strong lead actress and disturbing nightmarish soundtrack really knocked me over. Well done.

Instant Cinematic Classic

I have been eagerly awaiting this film to come up on the screening room since it absolutely floored me in the Dunedin heats. For a new team to come up into the competition this fully formed, ticking all my personal boxes for what I'm looking for in a 48 hours film, most definitely consider me blown away by what they filmed here.
Make no mistake, this is THE film from Dunedin this year that I see on the potential grand final list, a confident, beautiful, pulsating film that oozes a love of cinema through its veins and breaks down the door to celebrate the new blood coming through. I'm still giddy thinking about how absolutely amazingly you interpreted the gatekeeper element.

For those playing along at home you might be interested in what I loved about the film so much. Well we've got the film within a film element first of all, with regal decor of a classic cinema calling to mind FADE TO BLACK and CINEMA PARADISO, but portrayed with such visual flourish that you could feel the warm rich oak aromas and velvet curtains infiltrating your senses as you watched.

Then there's the storyline itself, as 2 young filmmakers are desperate to show off their self-made film to a director they idolise at his premiere, not to steal the limelight but to pay respect, and getting buy ins all along the way with a theme that art is all about 'taking a chance'

The gatekeeping brilliance? Very much a case of showcasing how cinemas like to keep things big scale, emphasise the grandiose and never give a chance to the small team. Do we maybe even do this with 48 Hours? Really had me thinking.... Yet the team had the bravado to not only call but deliver a 'Instant Cinematic Classic'. You have my sword because your confidence was incredible with amazingly written and believable characters.

The edit was slick yet perfectly placed, costuming and characters well defined, the lighting (that shot towards the end, you know, THE ONE...wow) and camerawork superb (my minor nitpick was a slight reliance on focus pulling from slight out of frame to focus in static shots), music perfectly placed, sound crystal clear and it was genuinely a sweet, uplifting film.

One of my immediate favourite 48 Hours films of all time <3

Story: 5/5
Technical: 4.5/5
Elements: 5/5
Overall: 5/5

Made Maid

Frustrated young brats try to manipulate their android babysitter to go from young kid levels of entertainment to adult (3.5 inch disks storing the ability to change, much to my amusement). The plot developed nicely and the android POV shots were quite well done, as was the excellent final shot. I think your young leads did a stellar job, and the choice to go with a darkly comic approach gave the story credence.

Fistfull of Crime

A tough cop with some slight (well, giant screaming skull face that constantly flies around) mother issues interviews a suspect in relation to a murder case. Having advised the suspect that he's capable of doing the good cop/bad cop thing all night, we are treated to a couple of pretty graphic confessions, one involving a horse and a urethra, or something along those lines. Of course everything gets topped off with a David Carradine CSI put the glasses on 'oh yeah!' scream moment, and Jesus. The animation was pixellated brain candy mess yet again from The Avatards, and the warped humour was definitely my cup of tea. Awesome.

Imaginary friend

As newlyweds make their way to a rural bed and breakfast honeymoon treat, an obnoxious limo driver tries to get under their skin but they ignore the dickhead and instead settle in for a lovely celebration of their marriage with beekeeping, tennis and picnics. Only the Air BNB house is not exactly as he seems.

Firstly, good sound here including some really nice foley and from a technical point of view I enjoyed how you bathed every shot in sunlight where possibly, but your white balance was strong resulting in a warm fuzzy tone to the proceedings.

The performances were strong, selling the deep connection of the newlyweds just simply over the moon at having tied the knot. I also felt the host delivered an interesting slightly off-kilter performance.

The thing holding this back for me was a lack of dramatic urgency. Really enjoyable tone overall and some clever comedy, but even in the most lighthearted romcoms I do want to have a dramatic question driving the story because otherwise it becomes a little observational. I'm giving you an overall positive mark though as I personally enjoyed your film a great deal.

Story: 2/5
Technical: 3.5/5
Elemenets: 2.5/5
Overall: 3/5

Pour Moi

Technically super smoothe, acting performances fantastic and a brilliant take on a difficult genre as our lead was immobilised for hours in an attempt to woo the girl of his dreams. The sound levels peaked a bit high a couple of times but those are minor quibbles. I won’t give too much away but art and pills and provocateurs really do work well on screen together.

Leave Me Alone

The SPCA, Bartending and Busking amongst other jobs have all failed for our lead, who just also happens to be a conjoined twin. Their bro has been the scourge of all their problems for quite some time particularly with women and employment, but that is nothing compared to the leaf monster they create when an experiment goes badly wrong. The two guys sharing one outfit for the twin effect really played off on one another well. Not a scary film by any sense of the imagination but more an ode to cheesy 50s/60s bad monster flicks which in my book is not a bad thing at all - Sting of Death and The Thing With Two Heads immediately came to mind.

Sleepover

A grumpy (but hilarious) dad and a forced restlessly early night for a group of boys at a pizza party sleepover means that it's time for horror stories and some classic kiwi bad taste splatstick ingenuity. This was kinetic in approach with lively performances and a nice buy in to the urban legend which pursued the young men with great vigour. The jokes were funny, the film screamed by in terms of pacing and I love that the team threw everything at their gore they possibly could. You really can get a lot out of sausages, fake blood and horse heads if you're committed. Getting out and about was impressive as well with the waterfall being a really strong final location. I noticed a colleague giving you some sound advice about not leaving the sound until last for your film, and I agree. It was cracking good fun but there were also quite literally some crackles on the audio, some muffled dialogue and several distorted peaks. Huge potential here though and for what I assumed was an ARRESTED DEVELOPMENT reference to round out proceedings I take my hat off to you.

Ribena Tree

Now here's a film I have been aching to turn up in the screening room, because it was one of my absolutely favourites in the whole competition this year, and honestly I feel a strong darkhorse to make the national film. Seriously touching subject matter about learning to accept and love yourself, Rame Media you hit me right in the feels.

Firstly, EXCEPTIONAL performance by your lead actor, who is considering an upgrade from the slightly sinister and most definitely superficial Alexa Cybernetics, who can help with creaking bones, aching muscles, physical disabilities or if you just want to become 30cm taller. Said actor was stoic, charismatic, introspective and assured when they develop a friendship with a young man in the waiting room. It appeared that they actually had a physical disability with their arm and I loved the way you took a slightly meta approach to make something so uplifting.

In terms of further praise, your music score was an absolutely perfect fit for the subject matter. I forgot to note whether it was an original composition or stock, but whoever edited made every note a winner. The heartbeat was also so well placed it was one of the very few I made a note of in my review book about.

There were a couple of minor misses for me. It sounded early on like fake American accents were being used for the technology company (please forgive me if they were genuine), and technically whilst the job got done very well, it was a little flat in terms of cinematography particularly in terms of backgrounds whereas a slightly stronger depth of focus would have elevated the film even further. However that was balanced out by the fact that we were able to concentrate our attention 100% on the actors who were so fantastic.

Story: 5/5
Technical: 3/5
Elements: 5/5
Overall: 4.5/5

Mother's Day

[DQ] Interviewees give their take on a daycare centre teacher who was a bit too endearing to the children, making them more than jealous when the annual celebration of motherhood rolls around. At the start I saw this going in several ways so it was quite engaging, but on the other hands I’m really not a fan of talking heads in 48 Hours. The sinister levels built throughout, although the ending was quite abrupt.

People Get Lucky and Bad Things Happen

This was actually a better example of a road movie than just about every film that thinks it needs a car to qualify. A failed business major recruits some other buskers (musician/statue mime/magician) with plans to make it big in the world. However when they try to put their act together, things go awry. This certainly had some of the best framed shots I've seen this year, and it was also well acted, however there were some instances of style over substance eg, close-ups on cigarette smoking unrelated to the plot.

The sky is falling

I know you were disqualified for some other reason, but do you reallly think having Bangarang by Skrillex play would have meant you would be able to keep going in the competition? Hard to say when a team made it to the grand final and got away with Billie Jean last year, but yeah... Its actually a shame that you were DQ because the editing on this was cut tight as heck. It might have seemed like a random set of collages/happenings in the city initially but everything came together and formed a real bond for the three focused on actors by the end of the film. Also gave introspective into city life; seemed like the team had some pretty badass lenses for whatever camera they had. As breaking news of the world ending comes in, people gather together their family, friends or loved ones and try to get away. Some look to enjoy what they love one last time, others prepare signs such as 'Aliens go away'. Like I said earlier it is a real collection of images but three friends look to make the most of Wellington one final time before the end. Tugged at the emotion strings a little.

Lucy

Months of work on an android suddenly comes to fruition, and this short examined the repercussions given that not everything was exactly fine tuned yet. Could have been better, as just merging the ideas of Frankenstein and The Terminator without motivation for the killing removed any real tension. It was getting there towards the end in terms of the couple actually being believable, but was just a bit underdeveloped overall.

Indelible

Placeholder review.

Scraps

An obsessive cleaner takes things a bit too far regarding the girl he is into. Shows the danger of falling head over heels with someone based on a fantasy image rather than reality. I would have liked to have seen this fleshed out a bit more with perhaps some drama or comedy. As it was, it simply presented this idea, ramped up the tension a bit when the creep took things a bit far and then ended.

Off the Cuff

Excellent film. I was a little hesitant at least initially that this was going to be a mockumentary, although having said that the film blasts into gear with quickfire jokes such as the name the NZ equivalent of Cops being 'Beat Off'. I should have worried not as we get a plot turning point that really uses the found footage concept to good effect. Sure, not the most original re: death and documenting the antics that follow, but some really good topical laughs and particularly strong performances I was fairly sold on the idea that these people were just being followed rather than acting out scripted lines.

Attendance Mandatory

Like I know BLACK MIRROR is popular, but the opening minute or so of this felt so similar to that show combined with a lo-fi version of 2018 national winner Peptok that I almost fell out of my chair, as our lead kept getting messages in their head through some implanted A.I. type device. However luckily the team turned it around by playing to their genre with the stakes raised as an important invitation comes through.

Then another invite comes through. And another etc, until a 1984-type pressure develops and our protagonist is left with a moral dilemma of safety for the community or individual freedom.

I liked the light moments in the script here. The invisible fireworks for example was particularly well done comedy, and the acting performances were strong in terms of screen presence.

Sound was clean which was very important for a film driven by its aural centrepiece. However despite the overall storyline being a solid foundation, I just felt a bit of a disconnect between our protagonists' issues and how it was being visualised on screen. I get that's one way you can go about black comedy but I literally felt distant by the end with the long tracking shots just not giving us dramatic or comedic impact as the film moved towards its finale. Contrasting one with the other for mine doesn't automatically create a balance.

So yes honestly a little frustrating for me because technically lots to like, especially that you got such clean footage with a lot of the film shot outside, and you had really good actors. I just felt that where it fell down a bit was needing more cinematic moments (close ups, in particular) to sell your big moments.

Story: 2.5/5
Technical: 2.5/5
Elements: 2.5/5
Overall: 2.5/5

Extract of Feminine Essence

Placeholder review.

Meyer's Mime

Just because you included a computer and a digital camera in your film, does not cover your bases for the TECHNO thriller requirement. Also, the uncleared use of a few seconds of Bad Moon Rising by CCR in the background of one shot was a big no-no. Those were the negatives; the positives were that you made a great looking creepy film about a clown mime who is a little bit too comfortable with children. Despite being technically pretty good, the storyline needed development. There's a point where you can leave things up to the audience, but here I found it frustrating. Good work getting a big audience gasp, though.

Skuxx Dogs 4 Life

Hold on a second. I'm so embarrassed. I literally missed the impressive spewing in the heat viewing. So sorry. Please bump up your story grade a whole point. Sorry team. Frigging heck :(

Shotgun

Yep, I think this is sort of exactly what the organisers were looking for in terms of "Pavlova Western"; rolling hills and pastures providing the perfect setting for a kiwiana janken showdown between a landowner farmer and a bunch of pissheads.

You see, urban legends spread quickly and when the goer is to use the paper road of the local 'wanker' farmer for some peace and bourbon, a group of bogans can't leave the gate open fast enough to sink a drink or 2.

But for a staunch defender of his land, there's no better way to defend a paper road than with paper and scissors, right?

I'll third the championing of the silhouette zoom leaving my jaw open. One of the best single shots I've seen in the comp in years. But I actually noted that I thought the farmer hooning it on his bike was the footage that looked the best to me. Perfectly framed with the actor giving the perfect serious expression it looked straight out MAD MAX! I did note a couple of shots slightly out of focus but those are minor quibbles when the overall cinematography grade was very high due to those breathtaking moments.

Clever wordplay and a carefree attitude were the order of the day. Original although light in tone and content, this was highly enjoyable.

Story: 3.5/5
Technical: 4/5
Elements: 3.5/5
Overall: 3.5/5

Utka

So very very good. Be careful what you wish for indeed... I know that George Miller was a clear and obvious inspiration but boy oh boy did this deliver. Honestly the closest comparison I could think of was the writing of Gregoire Solotareff because this was most definitely its own morality tale and an absolute beast of a film, pun intended. Framing was captivating, pacing like a leisurely journey across an ocean paradise and an ability to emotionally resonate like few 48Hours films ever have. The only minor minute squibble I had was the voiceover not quite being technically perfect sound-wise however the performance was so great in terms of guiding us lucky viewers that this is most definitely still getting full marks from me. Oh and that music using strings to pull on my heart strings? YESSS. Poor little Utka... ps Robbed of top 3 at nationals.

DICKS

Anarchist cyberpunks who believe only a true state of anarchy is achieved when removed from the system set out to rage against the (library fine) machine. The D.I.C.K.S are presented with a hellbent determination to take down anyone deemed a fascist or conformist and Puppyguts produced a really good looking short film here. Really went with the idea of punk ideology of being anti-rules and ran with it, with a particularly strong performance by the woman with the nose piercing as she showed vitriol and spitfire like a true punk. I do think the story could have been a bit more streamlined as we moved from live gig to group formation to multiple botched kidnappings to a techno thriller. Also was a key plot point not that a certain action needed to be done by 4pm and completed in an office that showed dark night time through the windows? If I have that wrong I apologise. Overall really presented a punk ethos well and was very well made. Points also for Reagan's disguise!

REWRITE

A struggling writer searches for inspiration after having lost what made his previous work so great. So far we are seeing some nice interpretations of this genre and this was another solid example, being about a reunion of the self/mind. It was however better played than that simplistic description with several different mental angles, and an examination of the strain writer’s block causes on relationships. Excellent use of the line is noted in my book.

Battle Royale with Cheese

Oh so short but oh so much action. I think this would actually be touch and go whether it met the 60 second requirement. An all out assault on the senses and each other as the film was basically a big brawl in a carpark as they all fought for their "last chance" that included a couple of neat night vision shots. Finger guns have been done before but it established the film's own little universe well. Good example to be honest that bigger is now always better as I'm not really sure what else could have been said outside this framework that would have matched the intensity displayed on screen.

Psylent Night

Holy fuck guys that editing was SIIIICK. Drug-addled shroom-tripping via MANOS: THE HANDS OF FATE. Meta commentary on the fungus among us? Just a scribbled note I had. But yeah visually a masterpiece for most of the film, cult in tone as the spoils of a forbidden treasure of shrooms were enjoyed by a select few. Nightmarish, glorious, neon but ghostly my mouth was agape at the literal trip back through the door post-pill ingestion. Also noted that it was a comment that what goes around comes around. It's rare to be taken on such a voyage in this comp. Slightly more of a story and you'd get full marks from me. EDIT - hey as Wellington finalists you should probably take this down from the screening room in case you get in the grand final :)

Pre-emptive Defense

OK I guess I had better review this one whilst it is still fresh in my memory coming off 2nd place in Wellington, congrats on that and good luck for potential national finals!

Onto the film itself, where a self-defense guru with 15 years training passes on his knowledge of impacting, incapacitating and impairing would-be attackers with hilarious effect to a class not ready for his swift authoritative action, made all the more difficult for one student when they take the wrong pills.

The performances here were top notch with Sam O'Connor as the direct professional instructor commanding powerful screen presence, whilst Josh Dey nailed the wide eyed beginner with aplomb. Script was also gold with incredibly memorable lines such as the penis being the CPU of the paedophile. Gold.

Editing was slick, and the reaction shot was killer too, evocating instant memories of Eric Stolz administering a needle in PULP FICTION. So yeah, I can definitely see the reason for the awards as story was strong and elements were nailed which is exactly what we're looking for from 48.

Now for mine there were a couple of things that held the film ever so slightly back. I mentioned it in my review of Tripping Point but yes utterly surreal seeing multiple teams with a race against time to stop drugs hitting the central nervous system of the protagonist. Plus as per my previous paragraph that was most definitely a Tarantino homage at least. So some of the key story beats not being the most original just personally I noticed, however it was balanced out by everything else being unique.

Ultra - shot in the dark was to be honest on the line for me. Like yeah it was an evening class in a dimly lit room, but not quite sure it fully ticked the 'in the dark' box there. I don't mind really though I think Ultra really shouldn't come into things when measuring entries against other teams.

Last personal slight negative for me was I thought the film looked great and it was a genuinely believable dojo/centre, but it also meant the background was a little bit plain. On the other hand that worked by allowing the strong script and performances to stand out. Which was helped by having crystal clear sound and sound design.

And that's just personal opinion, because the thing is everything was so tightly consistent in terms of grade and framing that its super hard to deny how bulletproof your cinematography win was.

One thing I will say though is that on first viewing through the heats I had the film marked down as a 3 or 3.5 out of 5. I thought the script was great but wasn't sure the story worked as a cohesive whole. However it 'came alive' for lack of a better term on second viewing, and seeing it on the big screen with 600+ others proved just how cinematic it was. I'm still not 100% on the story despite the great script (hence my arbitrary rating of 3.5/5) but in combination with the elements I truly see how it worked overall. So great job team, awesome to see legends like you continue to make rock solid films in this comp.

Story: 3.5/5
Technical: 4.5/5
Elements: 4.5/5
Overall: 4/5

Night Terrors

Oneiric tale of a lonely girl's struggles with sleep, where visages dripping with neon hues and a killer synth soundtrack really captured a dreamy tone and made us as viewers question what was real.

I liked how the team took a show don't tell approach to key plot elements, such as the sleep journal, and the lead actress sold her narcolepsy well on screen. The humour was sardonic yet socially conscious and brought a smile to my face.

The lighting was indeed absolutely fantastic, and whilst watching at home I noticed a handful of shots ever so slightly out of focus, this was balanced out by the atmopshere that the overall mis en scene generated.

In terms of areas of the film where I felt it could have slightly improved, whilst I found the comedy amusing, some was a little crude and felt like a tonal shift (eg, "I'm going to go jack off"). Also the ending was not quite a home run to me, but I may have been wrong in my intepretation and if it was meant to reframe how we looked at the prior events then that is actually a positive.

Story: 3.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 3.5/5

Time to spare

After getting bored watching TV (please don't use actual TV footage in future, it's a big no-no under the competition rules), the chance to win $500k suddenly gets Vic Meyer excited and he races towards Wellington Town Hall to try and collect. I sat in wide eyed amazement as our lead shuffled his bdsm gear to the side of the kitchen bench before picking up his keys. Just about the whole thing was shot POV, and whilst there were some nice shots, the editing needed some work especially as geographical continuity errors in Wellington are a bit of a bugbear. At least you stuck to your genre.

Rein Ici.

Black and white narrated crime film starring an ex-homicide P.I. is typically actually a recipe for absolute disaster in 48 Hours. The reason being is that you kind of need to produce something absolutely extraordinary to stand above other teams who make film noirs along this line each and every year without fail. So how did Rein Ici do? Not quite a spectacular failure due to them understanding the tropes of the genre so well, but this was quite a generic murder investigation I have to say.

Firstly, the elephant in the room of going black and white...why? I'm genuinely not trying to be mean here but if you did that because you think you needed to I suggest taking a look at how neo noir films gave the genre a modern take (POINT BLANK, DIRTY HARRY, CHINATOWN for starters) decades ago. If you've going to strip your film of colour and follow a noir blueprint this closely then for me that contrast needs to be way up, those shadows need to be mysterious and saturation from the absence of colour needs to go way up as well. The costuming worked I must admit, but it felt like you clicked the footage into black and white in your editing software and called it a day.

The investigation did go down an interesting rabbit hole, and the characters performed their lines well. Also whilst visually I had major issues I must admit the edit was strong, and camera angles themselves at times really stood out plus the sound and soundtrack was very well done. I just wish that the film hadn't been so generic.

Story: 1.5/5
Technical: 2/5
Elements: 2/5
Overall: 1.5/5

That’s What Big Sisters Are For

A story of loss, guilt and family as a woman comes to terms with something terrible that she deems was her fault, but that was never meant to happen.

I felt that this film had some absolutely terrific shots and cinematography, but the plot got a little bit muddled for mine. Apologies for not having more to say I could tell you were going for the show don't tell approach and a serious tone. Good performance by your lead actress conveying these dark thoughts I just felt there needed to be a few more coherent plot beats.

Story: 2/5
Technical: 3/5
Elements: 2/5
Overall: 2/5

Skuxx Dogs 4 Life

Given a much-needed job of delivering a package, a couple of BEAVIS AND BUTTHEAD types lazily make their way to the spot to avoid being followed. A very cruisy and casual observation of slob life with our protagonists having CVs that highlighted tagging and public urination as their main skills.

There were definitely a couple of gross moments from the shambles of the apartment to the huge spray sneeze on the car window and...yep, that's a penis. Thanks guys.

Funny at times for sure, but the audio was very inconsistent with multiple peaks and pops throughout and I felt the edit was a little bit jumpy. Whilst consistent in tone with a SLACKER/JAY AND SILENT BOB approach, I felt the ending did not really give much of a resolution either. Your actors were good though, so well done to them.

Story: 1.5/5
Technical: 1.5/5
Elements: 2.5/5
Overall: 1.5/5

Mondays

See now this is how you subvert dystopian but still keep well within your genre. After a start that felt like a Captain Exposition joke (but carried by the oh so most wonderful bubby electronic score) covering the resistance movement against the government machine the film settled into a classic kiwi comedic look at taking down the system armed with a 2 person rising and a very thoughtful getaway driver. Strong mis-en-scene throughout I felt the team here played to their strengths of good actors, solid camerawork/editing and particularly good music.

Courting Assistance Technology And Matchmaking Expert

A non-linear framework of interviewing for a very personal position is actually a smart move for a 48 Hours film, especially when you use it to really get under the skin of the protagonist and what makes her tick, essentially creating a strong sense of depth to the character. It takes a metric ton of skill from your scripwriting department, but I must admit I was thoroughly engaged by this short.

The pieces of the jigsaw puzzle were expertly put together as our interviewees detailed their backgrounds as couch surfers or coming from old money with just the right touch of hints thrown at viewers for the shape of things to come.

The sonic soundscape was really well done as was the edit. In years past this is the sort of quality film that would have probably made finals. But there's 2 moderate issues that I could see that prevented is standing out from the pack. First, location was very plain with minimal set dressing. It really does matter these days, and secondly basically the whole film is people sitting down and talking to each other. As dynamic and colour as characters and outfits may be, it does hold a film back when it comes down to judging.

Story: 3/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Hightail

Gorgeous film, from the steadicam footage outside with superb framing and understanding of lighting, to the light prisms and BLADE RUNNER inspired neon fused interiors. The exceptionally done original Vangelis-inspired new wave soundtrack was also absolutely on point as a superhero tries to teleport their way out of entrapment.

But story is king in this competition and despite the overlord's comments almost bringing this through the meta end of the tunnel by playing with the whole concept of viewership and three dimensions there was just not enough for me, personally, in terms of an engaging storyline.

It is a tough one because I feel like you were trying hard to evoke a feeling and a mood to the proceedings, giving the story engaging visual flourishes such as the nature shots and rainbow beams. But whilst visually distinctive a lot of the time it genuinely felt like style over substance as these beautiful shots did little to progress the actual plot.

There was something here that I think if it had been clearer would have really elevated the film. How we are all trapped to the screen, we are all the heroes in our own story. But glossing over these elements meant the focus was on the Audio Visual experience, and whilst memorable, would have been even better with a stronger dramatic arc.

Story: 1.5/5
Technical: 4/5
Elements: 2.5/5
Overall: 2/5

Lost

Now here we go, genuine contender this one as our lead struggled to make his way to his party destination in the middle of the night in the middle of nowhere. Of course he also happens to be alone in his car with only an Alexa-type phone for company... Seriously awesome sound design in this film, barely an ounce of fat to it, sublime camerawork and a lead performance by Jordan Rivers that is going to take some beating to stop him taking out the top Wellington award. Hints of CHRISTINE, IN FEAR, 2001 and KNIGHT RIDER but absolutely it's own beast and all the better for it. I mean jeepers creepers this was a thriller and it actually gave me goosebumps at a certain key dramatic point! I've been impressed by Stock Standard's continuing maturity in this competition and this is their most sublime effort yet. Just shy of 7 stars but that may change after the Wellington final.

A Slice of Heaven

The father, the son and the holy toast give a young woman one last chance at redemption, only this 'back from the dead' film keeps keeps going wrong meaning the pathway to heaven might need to be re-evaluated.

I liked the corny nature of the jokes in this film, the groan inducing puns matching the silly shooting style and over the top personalities presented on screen particularly the energetic teacher Mr. Wilson.

Cartoonish in tone the edit was consistent however I was a little bewildered how this fit into the required genre though I appreciate the team was going for subversion.

My main tip would have been stopping at three to give the film better pacing balancing rather than give our lead actress a final final ultimate chance? Because it did result in the film dragging a little bit. Silly but fun.

Story: 2.5/5
Technical: 2/5
Elements: 3/5
Overall: 2.5/5

Party Pooper

A genuine race against the clock to save a perfect first date when a bathroom break doesn't go quite as planned. My goodness me this was an urgent film, never boring for a second with flash cuts, split screens, blockbuster camera movement and a pulse-pounding score. Really threw all the editing tricks in the book at the screen and stood out for the better because of it. Comedic timing was bang on and to me an absolutely charming film with terrific acting performances but at the end of the day your enjoyment of the film will hinge on how much you enjoy toilet humour.

Āta

Ok, so I think I'm genuinely over my head here and absolutely wish my understanding of Te Reo was a whole lot better than it is.

I was absolutely intrigued by what the title of this short was meaning, and online my search results took my to the anzsw journal, with an article defining Āta as "the principle of growing respectful relationships, specifically for the social services as a transformative approach for Kaupapa Māori initiatives. It is about building and looking after relationships and can support practitioners with understanding relationships and well-being when interacting with Māori. Pōhatu advances the argument that cultural underpinnings of whenua and whakapapa are imperative to ensure cultural transmission and acquisition.
Āta has been described by Pōhatu (2005) as a key element of ngā take pū (principles) and is seen as a ‘behavioural and theoretical strategy’ for building and maintaining relationships."

Impressively deep especially after viewing the hypnotic short, which seemed to be a subversive take on the horror genre, with warp speed recollections of history and betrayal towards Māori through the horror of western colonisation.

The film started slow, an etched black and white stick figure walking towards a cliff before they pressed a button and the world was inverted with the viewer thrown down the horrible gauntlet of history. Some absolutely striking imagery, with the morphs and transformations being unbelievabily smooth. Sound design was also excellent.

It's a heavy film covering important ground. Hard to mark down the story at all. Brave to tell everything visually and not use any scripted dialogue. I liked it a lot, and think that risk taking should be rewarded in this comp.

Main issue and it's kind of a glaring one in my book, is character development or lack thereof. I'm to be honest on the fence whether the box of the required character was even ticked. Not through subversion or an unusual take on the character, but to me they were literally just a body on screen that then allowed the 'horror' to unfold. I have no skin in the game, I didn't enter and am not a judge, I loved your film, but that is what dragged it down slightly for me.

Story: 4.5/5
Technical: 4/5
Elements: 2/5
Overall: 4/5

Keta-Mean Girls

Drug dealers with an appetite for pies contemplate whether to try taking down their crime lord, whilst being on the run from the guy they nicked some special K from at the start of the film throughout. Decent rapport built up between the two leads, and of course hilarious when they got hungry and contemplated mince vs steak and cheese. I thought the story was a bit muddied and the payoff at the end abrupt.

Nosferatu II: No Sferatus Today

A small metal case in a warehouse is the target for our would be thief in this delirious vampire vs crook romp, where gonzo camerawork was the order of the day and Max Shreck is nowhere to be found, sequel title be damned.

Things got off to a relatively sedated start as our hero bumbled his way out of a bin he had hid himself in. Certainly a head scratching way to start the heist and then frantically scrambled around until his best Harrison Ford impression presents the box he is after and from there things get. WILD.

Played deadpan with wonderfully suited music to proceedings, the everyman versus Dracula fight was indeed just a catalyst for insanely inventive camerawork. Super low angles giving our bloodsucker a menacing presence. The protagonist sent flying in a way that would have made Sam Raimi jealous. Just really fun edits that fans of low budget horror films will thoroughly enjoy.

Story a bit basic? Who cares! Play this on the big screen please Christchurch judges!

Story: 2/5
Technical: 4.5/5 (simply for that fucking amazing camerawork <3)
Elements: 3/5
Overall: 3.5/5

Beginner's Luck??

Exquisite cinematography and a great exploration of Dungeons and Dragons being the theatre of the mind. A hypnotic visually rich film that had oil ink blacks and superb framing. Could be a contender for a couple of tech awards.

Earth 2.0

Genuinely batshit insane. I saw the title and was expecting something inspired by the old Tim Curry sci fi show from the 90s and instead got a hilarious romp through the last day on earth in Wainui. Boy oh boy this team was out to entertain. A lot of jokes missed but several of them hit such as the meteor spotted out the window with a "nope!" response. The fight to be the last survivor on the last rocketship anyone would realistically want to stake their life on was mind boggling stuff, from the blunt gun death through to jenken. But the Prince of Wainui....just wow - not sure if incredibly strange or best worst is still a thing but you guys are up for my award this year at least. Sound was unfortunately very raw.

Man Bat

When you're sick of saving the world, there really is nothing left to do other than go on a multiverse vacation to get away from being a caped crusader. Nice rough take on a heavy drinking Mr. Bruce who has such a fuckit attitude that he can't see the portal in the ceiling above him.

I thought the script had some inventive lines of dialogue and the reversal of fortunes was a concept that opened up a huge world of opportunities. The classic Adobe Premiere lightning was used to good comedic effect for warping and we almost got into cruel fate territory, story wise.

I just personally felt like the narrative needed a bit more polish. Your Man Bat delivered a really solid performance but honestly there was too much going on in my opinion. Nice camerawork and relatable underling theme of wanting to work realistic hours and not be stuck in the same thing forever, but coming to self realisation, but the cohesive whole needed tightening.

Were the side jokes and gags enjoyable? Forgetting the bag, being unable to escape stardom, neighbours being lacksadaical about saving the world also? Yeah sure, and arguably added depth to the characters, I just would have lost some for a tighter narrative.

Story: 2.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2.5/5

Cut Up

Really well shot, like the best shot teen film by far this year in terms of framing and focus. Reminded me of the 80s slasher He Knows You’re Alone stylistically, with the puzzle pieces being kind of obvious and yet the slow burning revelation still having good effect. Nice work.

Not Everyone's Fantasy

Catty flatmates are convinced that there is something up with their flatmate, and they have reasonably good reason to think so given that they found a toilet covered in pink glitter and when they try and enter his room it seems like they are crossing a magical forcefield. This leads to the setup of some hidden cameras to try and catch what he is up to, only what they find is perhaps a bit different to what they may have expected to. The film took the piss for the most part, and really got into some funny weird territory when we got to see the camera footage. The 'wizard' and horse head/mask wanking for example brought the LOLs. In fact several memorable visual moments...being soaked in milk being another...probably a better found footage film than most who got that genre this year.

Carparking through the Multiverse

Given I've just lost a parking dispute over a ticket with Wilson Parking (fuck you Wilson Parking) this film was one that I highly enjoyed as the multiverse as we know it was on the verge of implosion due to one of the versions of the protagonist having racked up so many fines. Pretty sure the team didn't lose their audio, with the whole thing ADRd and filled with foley to elevate a fairly plain situation into one that felt more like Italian grindhouse in tone. And well being that I'm a huge Bruno Mattei fan, trust me this isn't a bad thing.

A very potty mouthed film and then a really inventive centrepiece funhouse bit of setpiece cinema with fake carparks and guerilla Sam Raimi inspired camerawork.

Not all the dubbing did work, and I'd just implore you to get some of those lip synchs a bit tighter next time. But the sound design itself shone with car sounds and concrete impact even from boots stepping along all being pleasantly done.

Genuinely iffy about the final line to the film, to the point I'm gonna leave out commenting on it as I think I might have missed the point there.

Still a fun film to me, just even cleaner soon and a slightly more cohesive narrative and you would have really been onto a winner.

Story: 3/5
Technical: 3/5
Elements: 3/5
Overall: 3/5

Bags

Some of my favourite horror movies are of the haunted house variety (The Innocents, The Haunting) and the key things they do is build a sense of dread by letting the viewer make their own interpretations in a lot of instances. But believe you me, when it comes time to scare, they do not hold back. Unfortunately this short chose to use a voiceover from the ghost’s point of view and give him a flat out mean spirited attitude. What this did was lost any sense of dread right from the start, and the fact that the film was presented in such a serious manner meant that the option of making it an entertaining or funny film was also gone. I would actually be interested to know what tone the team was going for – was it supposed to be a dark comedy? The score was good but before anyone harps on about how great it looked (which it did), the camera positioning was another reason for the scares failing. This is because every shot that I can recall was wide angle and steady. Movements and zooms are a troupe of this genre that really can’t be ignored, because they unsettle the audience. Sorry for the novel guys, but I’m just clearly saying why it didn’t work for me. EDIT - I see Dawkward's reviews. I'm not saying that Couch Kumaras needed shaky cams and zooms; there are some amazing steady horror films out there as well. In this particular instance the voiceover just didn't work. The score was beautiful.

Stake & Chips

Bobby Young turns up late to a game of poker, which some people he knows have basically setup as a chance to get back at him. To be honest it seemed like he was still a bully, rather than a former one, but that's just me. The tables get turned due to Bobby (literally) holding an ace up his sleeve, and by destroying the others at poker tensions mount as he continues to torment those that brought him there through verbal insults. This wasn't too polished from a technical level I noted, with several shots being completely out of focus. Also a blunt simplistic ending which ruined it for me as I had my interest piqued when the stakes were raised to their highest.

Beard I be without you

Having stolen his pie, Bobby Young believes he has a legitimate reason to think his flatmate shaved off his beard...it's not like it could have run away on it's own, right? Well, guess again, and this led to some incredible footage of the beard on the move. Also nice and short for a change, I really liked this film.

Cards Do Tell

Played into the classic short film adage of 3 tarot cards giving us a clear 3 act structure as each draw from the deck raised the stacks.

The card reader did a good job and costuming was well done. Unfortunately the audio was out of synch at times during the film and could have done with some more original plot points to elevate it.

The Interview

An old hand, a sword obsessed younger man, and a woman whose definition of "disposal expert" differs just a tad compared to the norm all answer the call to a flyer with a number for a job.

Essentially a satire of the cutthroat job market, this was very stabby and murderous. To me it felt like portraying the guy with the sword and the woman as almost silent figures was a mistake, because it robbed them of any characterisation and motivation for their actions. Instead it seemed like the team was going for a 'the job market is killer' parody, and it just didn't really raise any laughs for me personally because the deaths had no impact.

I liked the screen presence of the boss doing the hiring. I honestly just wish the script had been developed more in order to make me feel more involved as a viewer.

p.s. where was the anti/reluctant/unlikely hero? The woman didn't qualify in my opinion as she was just murderous. Oh well.

Story: 1/5
Technical: 2.5/5
Elements: 1/5
Overall: 1.5/5

Fraternity Milk

The story of sperm on their voyage to the egg re-framed into a world of surreal chaos where all swimmers had articulate personalities and traits necessary to help with the 'heist'. All the genre tropes were covered with plans laid out and unexpected obstacles doing their utmost to prevent a pregnancy. The double step-back on FANTASTIC VOYAGE was pretty choice if you ask me. Diction/audio mix was not always great but I thought this was overall original and fresh.

A Funky Little Place in Time

Waking up in a strange place and wanting to go home, our lead was taken down a rabbit hole by a stranger through invisible doors.

Basically an amalgam of some very famous fantasy films (LABYRINTH, ALICE IN WONDERLAND and WIZARD OF OZ), taking miniscule but important cues from each one. I didn't get the ending to be honest but in a strange mystical setting that's ok.

Your 2 lead actresses had good screen presence, costumes were good and I liked that you got out on location. Sound was ok too and when you shot via close ups or medium close ups the film looked fantastic. I think when utilising wider scopes though the film needed something happening because of it being so dialogue driven, as it presented as people standing around talking for the most part.

When people are saying to tell the story clearer, they don't just mean to ask a dramatic question and then move to resolution. Because here our protagonist wanted to go home and that got subverted. What they're meaning is that we want to know why the plot is unfolding like it is, and what the stakes are, with beginning middle and end being key. Coming into a scene late and leaving early like you did is actually a great, advanced technique, but the bones of the script within needs to be a bit clearer when you only have 5 minutes to tell your tale.

Story: 1/5
Technical: 2.5/5
Elements: 3/5
Overall: 1.5/5

One Last Game

Definitely adventure more than action as a couple of siblings set out for treasure that they believe their grandfather will have left them after they scatter his ashes. This sparks the sister up as she has been given a 48 hour notice of foreclosure, and so the hunt for treasure represents a chance to save the farm. That description makes the plot far more convulated than it was. The main charm behind this film was its true blue kiwi dialogue and positive energy, which overcame any technical shortfalls it may have had.

Made Maid

Frustrated young brats try to manipulate their android babysitter to go from young kid levels of entertainment to adult (3.5 inch disks storing the ability to change, much to my amusement). The plot developed nicely and the android POV shots were quite well done, as was the excellent final shot. I think your young leads did a stellar job, and the choice to go with a darkly comic approach gave the story credence.

Altered

Wellington 2043 with not just one but 2 title cards to explain to the audience what was happening regarding a new drug on the street. Pretty cool dystopian cyberpunk thriller with the drone joke the absolute highlight. Makeup was nice too, reminded me a lot of tv show 'The Tribe'. I think the plot just needed a bit more clarity in terms of direction.

Reign

Frigging heck Blowfish make amazing films. Did not check my watch but this must have barely clocked in over 60 seconds. The only problem is that this creates an almost blink and you miss it approach, most definitely leaving me wanting more. Will the beautiful utopian/dystopian sci film covering vast cityscapes and barren wastelands but for arguably moments be seen the same way by the judges or is there enough here to progress further? Only time will tell.

Kids These Days

Oooh errr my this was nicely shot. Simple, easy to follow story that opened itself up for several jokes and developments, including an excellent final confrontation when the body hammering away in the boot has made one annoying bump too many. The story revolves around the idea of a couple of crooks; one new, the other a grizzled old-timer, and their need to cover up their tracks. Hence a car is driven out to the middle of nowhere whilst they hatch a plan as to what to do with the child witness they have shoved in the trunk. I'm not going to give anything away as this will probably be in the Wellington final. Solid performances, technically good (I could hear every single line of dialogue crystal clear, for one) and entertaining fare with a surprising amount of blood. Thanks.

Wild West Side Story

When a narrator recalls a story of an old duel, initiated by townies being served who shouldn't have been, events lead to a duel. This was a colourful lo-fi film with painted backdrops and easter eggs such as mannequins filling in for actors in a blink and you missed it nod, that did its best to cover the tropes of the western genre.

For mine I felt that there was some strong positive energy and confident performances, and a good understanding of genre. But I would have loved a bit more originality brought to the script. The wraparound nature did feel a little bit tacked on and would have loved it to have been presented with importance rather than a tickbox for the kiwi/pavlova elements.

Sound also a mixed bag, very up and down in the first half of the film but then quite good in the second half.

Story: 1.5/5
Technical: 2/5
Elements: 2/5
Overall: 2/5

Castle Cat-burglars

Cloaked druid types plan a heist to steal a well guarded crystal from an imposing castle, that will bring them wealth beyond their wildest dreams. Really well done invisibility and a nice little exploration of how greed can undo anyone.

The locations and costumes were well presented, utilising nice tight angles to provide a believable medieval setting. I think your actors played their parts well, and the knight guarding the treasure was a particular highlight.

Some memorable imagery was at play here, but there were a few instances where I felt that lighting didn't quite hit the mark, and the ending felt rushed. Still, a fast paced and fun short, just perhaps a bit light in terms of both motivation for the crystal, and consequence. You certainly entered the scene late and exited early, which is good film making advice to follow, but it came at the expense of a little bit more plot that I felt was needed.

Story: 2/5
Technical: 3.5/5
Elements: 4/5
Overall: 3/5

Sweets

Quite honestly I think this is Disqualified Tim's best ever 48 Hours film, an incredibly strange but visually spectacular film that uses a FANTASTIC PLANET otherworldly cinematic landscape to deliver an ultimately sweet film with body horror touches and odes to Yorgas Lanthimos.

The fact that the whole thing is done with the freshest A.I generation techniques in town is quite simply startling. Tim is humble about his work but for me this 100% raised the bar about what is possible over the weekend. If you didn't catch the team intro he's gone the opposite route of sets and costumes and meta commentary of previous years, and instead provided us with a wondrous singular vision.

It's all him. Literally all Tim Hamilton, as we are taken on dreamy voyage into the land of Tim, with plantlife and creatures alike all based on the body parts and mannerisms of our inimitable star and director through generative A.I.

From flying legs to LABYRINTH inspired eyeballs on unexpected body parts, this is visually seering into the brain almost immediately.

Yet the tone as advised is warm and lovely, putting a gleeful smile on the viewers face. The bubbly soundtrack is the perfect rhythmic bouncing melody to keep this a gentle film in spite of scrotums and fisting. It's eye opening, but never 'graphic' in the classic sense, merely a traveler on a quest for sweets and selling it completely.

I mean for goodness sake we even get some touching conversations about consent thrown in for good measure. There's never been anything like it in this comp.

Helped along the way like Dorothy and her pals by happy go lucky body parts, we are invested and want to see the threat unravel. We care about our loin clothed protagonist, we want to see what the sweets are and him to overcome the odds to get said sweets.

The payoff is rewarding. I'm envious of his outrageous talent and I want to see this win the whole damn competition.

The Voiceless

A killer with no voice and a love for hearing others sing chloroforms and kidnaps three victims, and takes them to his lair where horrible fates await unless they please his ears. Some really dark subject matter was tackled here not just with the serial killer, but the opening song being a suicide contemplation, whilst gore levels were high. I liked that you had clear diction on your songs, I think just a little bit more melody would have really nailed the genre. But given how insane everything was - I haven't even touched on the placards the killer used to tell them what he wanted due to not having a voice - I'm willing to let the flaws slide.

Monkey Business

Our busking lead needs to come up with two grand in a weekend or else he's toast. His only real option though is dancing in a monkey suit and only Wellington zoo will grant him a (expensive) license to perform. Doesn't really help when their previous primate with moves was the best they ever had. An enthusiastically acted but mean-spirited zoo director and female zookepper all too willing to help through a dance training montage [think F*Dance a few years back] kept this one kicking. Some really solid dancing on display, and a very cheeky sense of humour in general.

The Heart of Bwiindi

A postie/cyclist (sorry, wasn't clear which they were) tries to move on with his life after getting rejected by a receptionist. Of course, being given a map that should lead to The Heart of Bwindi treasure won't hurt if he manages to find it. Looked like you guys were having a good time making your film, and obviously went for the Indiana Jones route. Just all a bit low budget [eg, terrible sound] and cheesy [fight scenes were not good to be blunt], and it took me a long time to piece together the plotline that I have summarised here; trust me, it is not as clear as I have described.

The Lamphouse

Figure out our own plot you say? A moth is drawn to a lamphouse. A murderous crime is committed and moths are set aflutter. Whilst not butterflies, call it a butterfly effect if you will as the imbalance of nature makes the flying creatures realise their lighthouse keeper has passed. Extremely abstract, extremely beautiful, if I was to hazard a guess I would also say this was commentary on how we as humans are drawn to death and destruction due to its beauty (for some) much likes moths are victims of their own destruction when flying into a burning glowing light. The moon of course representing the lunacy of the circle of life.

But that might be a reach! Like you said team, make of it what you will.

To me this gets a very low personal grade on the elements due to feeling they were not really used story wise at all other than the reaction shot.

Story: 2.5(?)/5
Technical: 4/5
Elements: 1/5
Overall: 2.5/5

scienc

Fairly ridiculous music, but the whole film was fairly ridiculous. A scientist is annoyed that his friends don't like him when he is smart and charming, and so he sets out to show them with science by disintegrating all of them with a ray. The audience gave this a good response, and I liked the visual effects but me not being a fan of the music meant I thought it was average overall.

Perishables

I really liked the tone on this film. Forelorn and sardonic with a sense of acceptance regarding mass organised killing to appease a minister's call for societal reduction. Bleak and dark it reminded me of an incredibly low budget version of a book that Evelyn Waugh never wrote. Like there was really not much to the film, just a darkly comic acceptance of those accepted to die that they will, but sometimes the simplest ideas are the best. Work on the technical side of things a bit guys and I look forward to seeing what you come up with in future.

Bloody Mary

"Paramedicked myself out of there before the explosion" is quite possibly the best line I've heard so far in this year's comp. This effort was quite simply deranged, with jaw droppingly awful CG, cheesy gore and over the top performances from all involved. Plot? Who cares. Sometimes you get a reminder that this competition started as part of Incredibly Strange, and this was one of those occasions.

Lady Red and the Blue Goop

Placeholder review.

General Incivility

Strong electrotherapy to cure insomnia. Sound a bit dangerous, doesn't it? And it proves that way when we are advised that if Vic Meyer doesn't wake up in 14 hours, she will sleep/walk forever. There were a few good lines, and ideas regarding conscious/subconscious behaviour, but I felt that some more character motivation was needed for the actions that we saw on screen.

Job Security

A 10 year human security veteran tells his newly recruited robot replacement that he is going to teach him the ropes today. By that I mean he is going to use the day as a means for some excellent comedic quips and observations. Both actors were really solid here as they built a rapport in front of our eyes. A couple of nice special effects touches as well re: the robot.

Ruby Smith - A National Treasure

A former acting star who rode the coat tails of one catchphrase early in her career all the way to Hollywood returns to Raumati South for an interview to give back to her roots. The banana republic/fatigue/split joke was on point but a lot of the film was a sit-down interview that repeated information in different ways. I'm giving this one positive marks because of good camera work and your male interviewer was simply superb.

The Evolution of Karen

Energy. That is what this film had in absolute spades, energy and confidence in telling the story of how Karen came to be the person who asks for the manager when she gets the wrong milk in her coffee.

The songs were all genuinely vibrant, pulsating and enjoyable. I liked that you really ticked the box for 'musical' by including a multiitude of melodies that all pushed along the plot of the film. Flashbacks are a teeny bit derivative but in this instance they worked well as you were evolving a character over a decent period of time.

The time-specific segments were done well, from 1997 through to a mid 2000s yoga phase, whilst bringing it back all the way to 2015 did make me feel a bit old if that is what is viewed as a nostalgic time period these days. However the most recent time segment also had my favourite song of the short, I believe called "That just who we be" about the alcoholic white wine drinkers in the book club. Genius.

In terms of where I felt the film could have improved, I felt that some of the locations could have really been dressed up a bit more to really evoke the time periods. Yes it was clear and obvious where the segments were set, but just more could have been done I felt to really differentiate things. As it was, it did result in some fairly plain backgrounds although often offset at least by colourful costumes and wigs.

Sound outside of the songs also felt a bit raw in particular spoken dialogue. Field sound is great for keeping everything in synch, but if it sounds a bit echoey then some work in post can improve things a bit.

Lastly was the camerawork which was quite static, but again offset by the genuine energy throughout the film. I just felt it could have been elevated further to bring the film alive with a few camera techniques that created a little bit of movement to match.

At this point in the review process I kind of wished I had added a 'performers' grade because the actress who played Karen was fantastic. But too late now!

Story: 3/5
Technical: 2/5
Elements: 2.5/5
Overall: 3/5

THe DumB WiZaRD

Mad props for having your 6 year old be the director and writer on your short if that was indeed the case, but having a son of exactly the same age, the fantastical storytelling seemed eerily familiar as we were taken on a voyage that perhaps only a young mind could have thought of.

The animation was nicely done, colourful and smooth, very technically proficient and conveying the story of wizard vs snowman caused volcano very much like a storybook come to life.

Whilst the story was stream of consciousness and a tad rambling if given any great attention to detail, that's just how kids are at this age and it made it more personable. It was also seriously cute and fun with a great resolution.

Story: 4/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Climb

A lot better take on the genre than most of the adult efforts I have seen so far this year, again with a solid script, good pacing and performances and even a really nice twist that actually created the inspiration I was searching for. New workout routine sounds good to our lead actress, who trains rigorously to overcome a personal challenge of climbing a tree that may seem quite straight forward but we actually realise is quite impressive given the situation. Nice workout montage, good little story.

Super Self Me

After talking to a shrink, our lead decides to build up some self-esteem by wearing a costume and confronting people from his past under the alias 'Captain Confidence'. Their was some really good black comedy in this film, from tipping over wheelchairs to telling children they would be safe because their father was murdered.

Captured

I see this being noted as being an 'Immobilised' film but my notes are really lacking anything that highlighted how you explored that angle, and making sure your film is identifiable as its given genre should be one of the first things an audience is able to pick up on with 48 Hours. Friends tried their best to help out a depressed/immobilised Vic Meyer. A great POV shot from the basin, but really needed a stronger narrative arc.

Cutting Shapes

A girl lacks both friends and food in her fridge although I guess salsa, v and microwave food would have been the stable diet for a lot of teams on the 48 Hours weekend. They do not however lack for imagination with photoshopped images of them at landmarks dominating their facebook photos, and also acting as a plot device to get into the fantasy aspect of the genre. Had a bit of a low budget cardboard cutout Heavenly Creatures vibe. Didn't overstay its welcome as was very short. Could have used a bit more of a narrative, however.

Robert's Ring

You made my head hurt a bit which is both good and bad, because the best parts of this gave me chills which is bloody rare for a 48Hours film. I loved the disjointed evil fragmentation with a strong attempt at producing your own lore - some of those shots were textbook Obayashi by way of Mario Bava as I could see a sure strong hand was behind this film. However both my notes and memory are struggling to discern a clear plotline for the film but it seemed like the evil was wanting to shape its own reality? Had the plot been a bit clearer you could have had a contender.

Affinity

I saw you had some decent gear in your intro, so not quite sure what happened with your motion problems; possibly an issue outputting in 25 frames? There was some excellent comedic back and forthing between a brother and sister 'taken your pills?' - 'nup.' but other than that, this tale of a girl who would do anything to impress her first date (after being stood up the last couple of times) was ok. It needed more action, or more adventure, or ideally a combination of both. You hit some genre troupes such as the one liners and running from baddies but needed more.

Sleve McDichael's Guide to Success

Like LIMITLESS but with faeces instead of drugs, and the lead is a motivational speaker instead of a struggling writer. Grossed me out! Very strong performance by the lead actor who was fearless in the face of gobbling poop to be more like Tony Robbins. Script was good, and mostly well shot but some of the camerawork was a bit unsteady and the theaters theoretically being full of audience members unfortunately did have the vibe of empty school halls. I'm giving this a pretty good rating as the final act with the Himalayan vomit and man in goat suit was a sight to behold.

The Milkman

What are you going to do when you actors abandon ship in 48 Hours? Bring out the dolls and toys! I've done it myself in 2011 (see: Double Cowabunga, by Disco Vampire & Friends, or not...lol) but here Nitro made a super seedy and in my opinion hilarious Cabbage Patch Kids tale of double entendre as The Milkman always delivers the goods!

After gran has died our young protagonist gets educated by their father about how people go to Heaven. From here the curious lad notices how mum spends a lot of time with the local Anchor delivery man, often very late at night and always when dad is not in the picture leading to a fantastic payoff.

Look this is a 'had to be there' type film that more than any other made me wish we had cinema heat screenings this year but it is what it is. I was lucky enough to see it with about 40 other people in person and it absolutely brought the house down with laughter and 'oh my god' loud reactions. A couple of other people I've spoken to who did not see it with a crowd weren't such big fans, and that's ok!

I though the puppetry was really well done for the most part. A hand noticed here and there, sure, but movements were good. The framing was really good, edit smooth and voice work particularly strong to produce the array of characters. Whilst I liked the distinctive Cabbies, the one thing with these dolls that reduced their humanistic touch is they don't have moving mouths, but again I commend you big time for working with what you had. Especially given you also took on Ultra.

The best thing about this was for mine the comedy. It just kept going and going with the seedy milkman jokes to the point that nobody should ever think about using cream/milk analogy jokes in 48 Hours ever again. Not everyone's cup of milk, but I think this is the funniest short Nitro have ever made in the comp. Ratings are high as personal enjoyment was very high. Thanks Tim.

Story: 4.5/5
Technical: 3.5/5
Elements: 4/5
Overall: 4/5

Dead Comfy

Oh man, I really hope this team has seen DEATH BED: THE BED THAT EATS, because as a fan of that 70s shocker I absolutely loved this entry. A couple of friends find a free couch and take it home to their flat. However anyone that goes near the piece of furniture kind of runs into trouble. The script was very good, and the film felt fresh.

Good Girl

Traces Of Nut have knocked it out of the park yet again with a film as unique and original as you are likely to see in the comp on any given year. Can we give best performer to Winchester Hewiberts the First please? In all seriousness though, Emma Draper did a terrific job carrying the film and leading the 9 marvelous doggos around.

Highlighting the dangers of paying more attention to self-help podcasts than where you are walking, 'Good Girl' was a simply marvelous full circle type short that harkened back to ideas laid out as groundwork at the beginning of the film, and then explosively laid bare by the end, with an ultimate theme of putting others ahead of yourself through sacrifice.

Yes it was Splatter genre, and yes did they knock that out of the park in the most outrageous and inventive way possible. It could have been simple and gone for shock and comedy, but there was a resonating depth here that was sold by a great script.

Editing smooth as butter. I always love how Traces of Nut films are so well framed that you never notice the edit from one transiton to the next, with your attention as a viewer always directed to the optimal spot.

Camerawork fantastic. It cannot have been easy managing all those loveable canines (and how did you get so many? To behave so well together??). Good gear used yes, but I would implore everyone to see what a massive difference having every single shot properly lit, even with natural lighting, and in razor sharp focus can do to elevate your short.

Great job team!

Story: 5/5
Technical: 4.5/5
Elements: 5/5
Overall: 5/5

Bad Eggs

Egg-cellent animation here, as a band of hard boiled pirates sing shanties about how they live their swashbuckling lives aboard a pirate ship on the seven seas. There was some beautiful lighting, and the editing and moving faces of the egg pirates matched really well with the music, with each one given a visibly unique portrait, but for mine the story could have used a little bit more development.

We were gifted with brief snippets of treasure, monster, and plundering yolks of folks who these bucaneers didn't like, yet these golden moments were in passing. Yes it created a sense of world building, and the idea of the whole world being inhabited by humanoid eggs piqued my interest, but it was all over just a bit too quickly.

Story: 2/5
Technical: 4/5
Elements: 2.5/5
Overall: 3/5

The Horror

SIX MILLION MURDERED? What the hell is she watching on TV to start this film? But the fact that the lead actress immediately jokes about the content with her friend before we bang into dramatic music just sets the strange tone for the whole thing.

Only said dramatic music immediately works as a red herring for a news broadcast as our protagonist continues to be a slave to the tube even when a shadowy figure flashes past her window outside.

For me the idea of a possible intruder is pretty tense, and I got moments where it felt like we were watching the girl through the eyes of the potential attacker ala CACHE only for things to take a turn when she summizes that she thinks her house is haunted, via text. Comedic ending was a bit ho hum in my book.

Technically this had quite a bit of fuzz on the soundtrack, and whilst the team nailed the lighting at times, there were also instances of white balance being overblown, or angles not being lit enough leaving footage as grainy.

I did enjoy the naturalistic presentation and attempt at a message at the very end, though maybe some imagery or visual could have been included to really nail the point? We do allow stock footage in this comp, after all. Just an idea.

Story: 1.5/5
Technical: 1.5/5
Elements: 2.5/5
Overall: 1.5/5

Fix the Sync

It is never nice to be third wheel if a best friend develops a new relationship, and this was exactly the area that Gimble Gang explored through raging at one of the guys giving up 10 hours of daily esports training to spend time with his new girlfriend.

Of course, raging at someone over not going to the local gaming tournament is a pretty shitty thing to do, and so we get a bit of self-reflection leading towards the fixing of broken bonds.

Played fairly straightforward there was not as much meat on the bones to this story as I would have liked to have seen. It felt like a fairly quick realisation of error and move to cover a 'my bad'.

I did like the driven nature of the esports competitor so upset at losing his team mate, which was well portrayed by the actor.

Story: 1.5/5
Technical: 2/5
Elements: 1.5/5
Overall: 1.5/5

CHICKEN

First of all, congratulations on the win team, you are an exciting and talented group and to take out the grand final this year was a brilliant effort to catch the eye of the stacked panel of international judges.

And it was a surprise victory, as not a single 48 Hours veteran I spoke to had this film at #1...and yet we were quite clearly wrong in terms of how this competition is judged, as 6-7 people I caught up with (plus more in online comments) who were watching the grand final from a fresh point of view had you as their top pick and ultimately that's what everyone needs to sit back and realise. We (veterans, competitors and regional judges) are thinking too long and hard about the competition elements and requirements in our 'rankings'. The grand final judging is looking at one main thing and one main thing only.

And that is...Does the film stand up outside the confines of the competition? Because that will be your national winner each and every year. Like Chicken was for 2024.

So onto the bones of the film itself. Is the film a bit raw? Yes, no doubt to me about that, with a sound mix that for the first 90 seconds of the film was not clean, wind on the soundtrack and reverb from neighbours calling across to each other, and framing before the game to kill boredom gets serious not exactly drawing the viewer in, and camerawork whilst clean didn't really hold a candle to the top level grades I saw on show in this competition.

Is the film a bit silly? Also yes, ultimately developing into one long fight scene that bursts off the screen with camerawork and editing that calls to mind the best work of Sam Raimi. The energy of your performers is phenomenal and the match cut is of course a chef's kiss moment.

The final joke also superbly delivered, creating an overall well rounded short based on the sum of its parts.

So when I first watched the film I cracked up, thought it was amazing and others who watched it with me thought the same.

But for me if we're going to award a comedy-centred film as the national champion in this competition I personally want it to A. be technically bulletproof and B. be clearly overwhelmingly better than the rest of the field. This wasn't for mine, but represented the spirit of the competition so again congratulations!

Return

Beautifully animated film as a couple of Maori fought a taniwha, followed by a hangi with a cut to Sky City. It's pretty rare that I miss the message in 48Hours but I'm genuinely a bit baffled how it fit into sci-fi. Edit: right, it was post-apocalyptic. I missed that as thought time had passed before we panned to Sky City. My bad. I'm not going to bump any more stars up though. Needed more meat to the story.

Ride The Slide

Ultra colourful fun animation here as a youngster is desperate to go down a twisting, turning water slide of unimaginable fun, but isn't quite tall enough..

This moved like a rocket, and the colour palette running the gamut of orange, purple, pink and green with strong yellows really gave the whole event a tropical warm flavour to proceedings. Animation itself was charming as characters moved with energy whilst the slide itself was a highlight, taking the viewers and slidegoers alike on a thrilling ride.

I also particularly liked the shot of the person laying in the water at the end of the slide, was this an open-ended suggestion that the slide was a 'knockout' persay?

For mine I'm a stickler for genre in this comp, it's really huge and in my honest opinion there could have been a little bit more meat to the bones of overcoming the odds of the 1.2 metre height requirement, because it almost felt like defeating the gatekeeping was essentially the payoff rather than 'coming of age'? Fun film though.

Story: 2.5/5
Technical: 4/5
Elements: 3.5/5
Overall: 3.5/5

Climatic

Took a leaf out of Grand Cheval's book (nowhere near as good as Child Jumpers, though) by doing a mockumentary that wasn't quite in that genre; plenty of talking heads but more where the team trying to save climate change were simply followed around as they tried to save the earth with the impending change supposedly happening in a matter of days. Some nice comic touches such as the email from Al Gore drew a decent audience response, but it was a one joke film and I hate talking heads in 48 Hours. EDIT 12 JUNE 2013 AFTER WELLINGTON 48 HOURS FINAL. Boy watching this a 2nd time just made me absolutely cringe; your lead actor carries the film with an unrelenting loud in your face to the camera approach which obviously judges liked (but trust me, they all didn't love it by a long shot). The reason that downlowconcept and Grand Cheval mockos have worked in the past is by actually having character development with an emotional story arc. You had some really nice comic touches but this could have been pigeonholed to fit into any other genres.

The Gathering

Technically impressive for its genre given that it appeared to have steady framing, lighting and sound throughout as well as the actors giving reasonably strong performances. I do however get the feeling that most teams getting this genre (or choosing End of the World, as the case of 1 shot may be) took the example picture of Melancholia perhaps a bit too literally. Still, this had a decent idea with several different individuals gathering about a potential apocalypse; the skeptic reporter, the drunken scientist and the unemployed pregnant women amongst others. Probably good that it created more questions than answers in presenting the whole science vs other argument.

Mother's Day Out

Poor sound, poor video, poor acting, poor editing I can deal with. Tedious films however are a lot harder to look to get a positive perspective on. Especially if they decide to essentially shoot not in the English language but with some gobbidy gook infantile babbling sounds throughout, with said sounds emanating from the ashes urn of our mentally unstable lead. I think tripping out and imaging the other funeral goers were an angry mob was the highlight, and that happened about 10 seconds into the film. I honestly really don't mean to sound to harsh but a plot would be appreciated if I have to watch another of your films ever again - the visual gags almost had a point but no exposition as to why meant I was confused as fuck.

Captured

I see this being noted as being an 'Immobilised' film but my notes are really lacking anything that highlighted how you explored that angle, and making sure your film is identifiable as its given genre should be one of the first things an audience is able to pick up on with 48 Hours. Friends tried their best to help out a depressed/immobilised Vic Meyer. A great POV shot from the basin, but really needed a stronger narrative arc.

Never Alone

Whilst our leading man has trouble sleeping, more annoyingly his ghost friend is still present in his life, an apparation whose idea of haunting is to basically annoy the shit out of the guy at every conceivable turn.

With the sleep deprived gentleman only conscious of his own apparition, it allows a nice little sideplot of another ghost to come into the picture, and with a cheeky wave the pranks get elevated.

I applaud you for getting outside and making use of the good weather on the shoot weekend. The primary white colours of the ghosts was a nice touch from your DP to make them stand out, as was the decision to make all of their humour physical as opposed to the talking living people in the film.

Some of the pranks were very humorous such as the dog off the leash in the park. I bet they had a good run around!

Whilst lighthearted and fast paced clocking in at well under 3 and a half minutes, I just felt like there could have been a little bit more meat to the bones of the story here. My gut instinct is telling me that the stylistic choice to always have those who ended up together kept at a distance until the finale meant that we as an audience missed out on them building a truly emotional romantic connection. Hard to say though because it felt like a lighthearted romp was always the intention here and to be fair the tone of your film was consistent.

Story: 2/5
Technical: 2.5/5
Elements: 3/5
Overall: 2/5

Sweets

Thread* unravel not threat. whoops!

Skiddles' Run

The first POV animal adventure film of this year's 48 hours, and having come a little bit late to the party with my reviews for 2024, I can most definitely say it won't be anywhere near the last.

Having recently read through The Prisoner of Azkaban with my own children this made me thing of the sort of adventures Scabbers might get up to if let loose in a domestic house.

Cute dramatic impetus giving us an 'oh boy here we go' from a child actor who did well playing a cheeky bugger opening his guinea pig's cage to frame the story.

I feel that there were some creative ideas here in terms of clever angles and visual gags, but personally the handheld camera got a bit too shaky and several of the cuts were too abrupt for my liking giving some moments a visually jarring feel. Fun vibe, though.

Little Phrases

The thing with shows such as DEXTER or films such as MR. BROOKS, and why they work so effectively, is that the secret identity psycho killer aspect is done with moral justification. When secret identity psycho killer storylines turn up in 48 Hours well, because they have been done many many many times before, I personally think that there has to be some damn good reason for that plotline.
It's been done many times in a comedic fashion before so it being based on a misinterpration of therapy advice here kind of left me cold despite being a really technically impressive film with decent performances.

Is the moral message to cut bad people out of your life enough to carry the film? Not in my book. Maybe, just maybe it could have worked with the murder being a metaphor and playing on the advice with a subversive take. But instead I wasn't really sure what you were trying to say. The dramatic question of people causing him therapy and what's he going to do about it....being answered with murder? Hard pass from me sorry.

Now whilst technically strong overall, there were a handful of shots slightly out of focus which was frustrating because some of your wide shots were genuinely superb, among the best in Wellington especially when you utilised proper lighting. Though the shots lying in bed conversely were very grainy. Audio also had some very very minor hiss at times.

I'm not trying to rag on you too hard, like I said it was the script that was the issue here, and technically a lot to applaud, but this just wasn't my cup of tea.

Story: 1/5
Technical: 3/5
Elements: 1/5
Overall: 1/5

Afternoon Tea

Peruvian tea = the perfect remedy to settle the nerves when you're on the run from something crazy that gets hinted at more strongly as the film develops. This theatrical piece was particularly well acted by the man in the robe, espousing the wonders of his peppermint hot drinks from South America, whilst his 'friend' struggled to stay calm, understandable given he was carrying a gun and his arm was heavily bandaged. Just about the right level of dark comedy, well measured and from a technical point of view the edit itself was on point. Plus really good lighting and clean sound.The reason this probably just missed out on the Wellington shortlist would have been a couple of minor things. Firstly, the whole story was essentially a sit around and talk on the couch affair, with just the bust in and finale to break up proceedings. This would have definitely counted against the team given the real time genre. Secondly, whilst I personally loved the script, as it's genuinely rare to see a team let their film breathe like this and world build, it was actually a tad slow placed. Just minor quibbles, though.

youralreadyinjail.co.nz

A great way to start the heats as per normal from these veterans, who were unfortunately disqualified this year (apparently for being too long). We were introduced to several gangsta-types who included Bobby Youngsta, No Name and The Wasp. When I say introduced I mean their name flashed on the screen. What followed was an order of chair whipping, car driving, in your face mindfuck, with a side order of fish angle wide shots.

FRAGILE

Loneliess and envy of couples well conveyed here by a strong lead performance, who through a eureka moment sculpted his own destiny in more ways than one, played for slapstick laughs throughout. I enjoyed the positive atmosphere in this film and quirky ideas. Some dim lighting was a bit of a block, so to speak but the ice queen was some number 8 wire magnificent ingenuity.

Last Tindango

On the way to your wedding surely there is time to slip off for one last exotic dance, right? Especially if it is a passionate tango atop Wellington hills, or on the pier as waves crash nearby and metaphorically reflect your lust for dancing. The soundtrack here was utilized to aplomb with heavy string instruments playing perfectly as the 2 bodies swirled and stepped in rhythm. Really nice looking black and white with just a hint of colour, whoever was in control of tracking the movement had an incredibly steady hand and keen eye for tight v-formation framing. I respect going for the no-dialogue approach completely and artistically it was so strong that it worked. I think that this just required a dramatic story beat or 2 to elevate it further.

Power Play

Probably the best looking 'shot the screen' film I've ever seen, it also had fantastic music (original?) so a shame it was DQ'd and we didn't get the real final product. Our lead keeps receiving tapes/messages and being told to listen to them, which creates a wave of memories to come flooding back to them about something that happened a long time ago. The ending was a bit abrupt, but the down the rabbit hole vibe - it contained several references to Alice in Wonderland - was intriguing. Seriously done and well acted, I enjoyed it.

Judgement Day

I've decided I'm going to try and not be as harsh and mean spirited on mockumentaries this year team, and you're in luck to an extent given your clear and obvious love of THE OFFICE (no "A.F.M!"s this year)

Kind of an office set version of what to do when humans reach a certain age ala LOGAN'S RUN, but done very much like what the team thought Michael Scott et all would shoot this scenario like.

Whilst thinking of ways to kill those who get to the same age as Cobain and Hendrix, the team also presented parodies of social media and influencer culture whilst leaving no stone unturned by presenting Jesus Christ as a sex pest.

Technically pretty rough for mine, audio ok but at times the plain backgrounds really took away from the film, a few shots out of focus and blocking leaving huge amounts of negative space farily regularly. I felt the jokes dragged but the team committed to their style and humour is of course subjective.

With the stock standard mockumentary approach of talking heads then visual interpretations of what they had just described, I was left wishing the team had not made a mockumentary by the end of the film, because there were good performers and energy on screen, this was just not my cup of tea.

Story: 1.5/5
Technical: 2/5
Elements: 2.5/5
Overall: 1.5/5

Escape

A mesmerizing visual trip that gave 90s multimedia vibes. No idea what happened story wise but it sure was unique.

The Lifesaver

You have got to love a team who loves Edgar Wright smash cuts as much as I sometimes do, with a fragile package picked up by a delivery driver from a scientist in full hazmat suit, who then lets somebody know that he will be at the required location in 30 minutes. Of course as the clock keeps ticking the ultimate evil of Auckland traffic delays rears its ugly head. But what would a 48 Hours film be without desperation to deliver the package in a race against time whilst throwing in a super mullet bloke for comedic relief.

I really enjoyed the take the piss attitude of this team, and whilst I am no fan of WILD HOGS I do like how it was used for humour. The ramblings of the westie were highly entertaining, and I liked the team using such dramatic music throughout contrasting with such a lo-fi slice of life plot.

The performances were good and overall an entertaining film, I think perhaps to elevate it more a sense of understanding as to why the delivery within half an hour was so important would have been good to see. Only understanding this when we discover what the package is did work as a comedic payoff, I appreciate, but consequences of missing the deadline were the one main thing missing for me.

Story: 2.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Arthur's Adventure

First award controversy of 2021! Your 'Teacherer' should 100% in my book have been up for best performer in Taranaki. Fantastic screen presence, you brought a big grin to my face!

Onto the good stuff though, being a zany effort regarding card game loving Arthur and his battles with the evil Teacherer, who bans the popular game Snake Bandits due to too much fun taking away from character building. Our hero of course has an offhand power, that of imagination, and his villanous oponent may have some deep dark secrets hiding in the recesses of his mind.

The film was bold and confident, with larger than life characters throughout. I was genuinely impressed at the technical quality of the staged newscasts that peppered the film, but the camerawork throughout the majority of the rest of the film felt a little loose, and I felt that narration was relied on a little too heavily. Still, like I said, The Teacherer gave one of my favourite performances so far in this comp. Well done whoever you are!

Story: 2.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 3/5

Forgiveness

Starting with a shot of a dead dog near a car wheel, then immediately seeing just how cute the doggo was with a longing gaze at a beautiful photo of the lost loved one, it was easy to see how our lead felt hard to let go and face the truth.

Grief can be an exceptionally hard emotion to deal with, and your lead did a nice job of conveying his anguish. It can test relationships with your closest friends and loved ones as people look to blame and hold grudges rather than look at the bright side.

From a technical point of view I thought the subtle filter over the flashbacks was a nice touch of taking us back to the past without wasting time on exposition that we were not in the current timeline.

Whilst a reasonably straightforward story there was some wonderful visual flare on display with really strong editing being your teams forte. I also liked the animations in the forrest which offered a point of difference and elevated it above a generic tale of grief and forgiveness. Classy heartbeat, too.

Story: 3/5
Technical: 4/5
Elements: 3.5/5
Overall: 3/5

A Glimpse of Sin

So now we are really talking business here, as one of the heavy hitters of the comp makes a very welcome appearance in 2022 with a 48 Hours full circle film set on the West Coast that has more than one "if you know you know" moment.

The funny thing is that for me personally Hokitika is a town that I hold near and dear to me, a regular stopping spot for many a year on visits to see my Grandma in Okarito, and despite the gold rush stopping well over 100 years ago, it has always maintained that feeling of a classic western town, hold the tumbleweeds and mind the local bullies of course.

Holy moly the inimitable humour came thick and fast here. The 'mule', the cigarette lighter, the direct homage to FISTFUL OF DOLLARS...and the local lawman and the margarine. Mother of gawd that was good.

To have it all wrapped around the actual Squint Eastwood, who can't see shit to the point that cars and bullets present more of a danger to himself than those who cross him, this genuinely just felt like the perfect genre landed in Sam Harris's lap.

Otherworldy visuals, absolutely top of the line voice acting and a script that was pitch perfect, hard for me to fault. Early days but I'd expect to see this at the pointy end of the comp. Perhaps elements could have been even more integral to the film? But still bloody well utilised. Thanks Sam! Loved it!

Story: 5/5
Technical: 4.5/5
Elements: 4/5
Overall: 5/5

Lover's Got the Runs

I think it's fascinating that we've had 'Need to take a shit' films in the last 3 national finals with this film, Oh Crap and Shit Chat, whilst bathroom desperation films have also turned up in other grand final masterpieces such as Red River from 2019. And yet LOVERS GOT THE RUNS is probably my favourite of all of these toilet humour films so far in the competition.

I love the genre subversion here, going with a twofold approach of literal running, and then the double entendre for the result of an upset stomach from a smoothie. Combined with extremely confident on screen performances across the entire cast and an edit to die for, this film gets better for me almost every time I watch it.

It's the little details as well, such as the inspired seemingly out of place 80s synthpop that gets the jog underway, indicating a potential love for retro in conjunction with the deliberate choice of an off the grid countryside retreat, and yet most certainly presenting a strong rejection of conservative values at the slightest questioning of a completely normal lesbian relationship.

To state the obvious, THAT song gives you my sword forever in this competition Pixel Pixies. Composer William Philipson and singer Jthan Morgan take a bow because I've never seen a cinema clapping and singing along to an earworm made in this competition, and honestly that was one of my favourite moments in the history of the competition at the grand final.

It's also a beautifully shot and beautiful sounding film, and as an incredibly well rounded bookended story it was hard for me to find any fault. Knocked it out of the park <3

Naked Bug, Money

Contrasting stories between 2 crooks on the run and a scientific videographer/tv show naturist. The recent escapees built up some good rapport as buddies, but ended up being quite mean spirited. I guess that's acceptable given how strung out they would be in real life. The guy getting footage of worms had much better screen presence, although the same joke was used a few two many times. The convergence really felt abrupt which is what brought the rating down.

Jack & Joni

Placeholder review.

The Score

Now that was a long 30 second intro. A regular Casanova with magic hands manages to work his way his way into the hearts and tongues of quite a few young women across the course of the film. However treating them as things to be used is obviously not an acceptable way to act, and so a plot is set in place to look to stop those hands from working their magic any further. The ease with which he hooked up with anyone he wanted got some good responsive laughs, but it also meant that the plot was a bit thin.

Requiem for a scream

Placeholder review.

Ex Libris

Good original score about a sleep deprived man starting to see things without having got any decent REM cycles recently. I thought this was building ominously and actually wanted more, because ending where you did meant you got one good laugh/jolt and could have had a lot more.

The Animal

There were some nice things to this film; letting us get to know the characters, and getting out and about to give the film a sense of scope around Wellington. Line delivery was naturalistic and edit was really good.

But I felt that to elevate you could have worked on your grade a bit more in the cafe in particular where the image did come across a bit flat in my opinion (not to mention seeing camera crew in the glass reflection of the window), and the twist was one we've seen done in 48 countless times before.

The match cut was particularly nice I must say and using the neighbour as a reunion rather than shoehorned in worked well for driving the narrative about making us aware there was a serial killer on the loose in the capital.

Computer Crimes

Slightly slow burning (but still funny) start as an office worker suffered the consequences of not paying attention to shutting down his computer in the race to try out a new Turkish restaurant. Ramped up a gear once the story got to prison, which looked great and garnered a good audience response. Fast and punchy, would not have been too out of place in a Spike and Mike compilation.

Perceived.

Post-apocalyptic beach lifesaving film where the aftermath is that almost everyone has turned invisible other than our champion lifeguard patrolling the sandy shores.

I am not usually a fan of narration in this comp, but I can appreciate why the team felt they had to use it in order to explain the unique situation. It allowed some nicely done physical acting, and a darkly comic payoff when lust is the first emotion to come into play for our lonely lead when another visible person turns up.

I did find the story quite light, but I appreciated you taking the invisibilty element asked of you and absolutely going for it. I also liked that you got outside to the beach, and shooting in water is never easy so commend you for that. If I was to highlight where I think the film could have improved, I would probably say to try and provide some stronger story beats. For example, the ending was dark but by ending things with a smirk it made things feel a bit flat personally. Or even things like gasps of air for those needing saving from drowning to hammer home her role, because by not getting a reaction to her actions it came across more like she was miming than interacting with invisible people. And whilst the narration did kind of work overall, I felt that it covered up some of the edit with the story simply moving from one described passage to the next until a second person arrived.

Story: 1.5/5
Technical: 1.5/5
Elements: 3/5
Overall: 2/5

Light Reading

Yeah really good camerawork here involving a wide variety of shots that created tension and mood for the studying student struggling to focus but being stalked, unbeknownst to him. Really satisfying given how well the scholar was projected as a dickhead who didn't care much for library rules. Sound design was on point and editing was crisp. Short and sweet with a final shot that made me envious at your skills which is always a great sign. I noted a couple of camera shots early on that were slightly shaky but everything else was rock solid. Less is more in the best possible way.

Him & Her

An exceptional red curtain opening shot sets the stage for GREASE-inspired retellings of how a romance came to be, with the screen real estate being very cleverly choreographed at all times despite having only one performer on the team.

Clever quips and lyrics, along with quality melodies meant that the music here was entertaining. Due to the rapidfire nature of the lyrics I completely understood the team choosing to use subtitles to show what was being sung, though this created the issue of having to choose between reading lyrics or focusing on actions on screen, with something almost always going on.

The moments where the film truly shone for me were when the multiple performers looked like they were in unison reminiscent of Busby Berkely.

I could see you being up for a best performer award in Christchurch, and in terms of presentation this was a solid film, but it fell down for me in terms of plot development by being 90% set on stage and covered by wide shots. HAMILTON is cool and all, but when what the lyrics are singing about is the beginning of a new romance, I couldn't help but feel like I was watching a stage show and being talked/sung at. I needed more connection with the story for this to really work effectively as a film. The ending almost got there, but it felt like the resolution was going to be more of the same rather than an emotional release in my book.

Story: 1.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 2/5

The Wind in your Heart

Well this team certainly took the required wind element and ran with it, hard, with a very "Wellington" film. Huge audience laughs as a couple of omnipresent beings who controlled the weather worked to keep Wellington windy, much to the chagrin of metservice. Given it was a father and son duo creating the blusts this certainly met the coming of age challenge, as well as being one of the best nature run amok films in Wellington so far this year. Really low budget effects but the matte work to create the heads in the sky was at least super clean, and I loved that you got outside on the weekend and went hammer and tongs for it. The metservice jokes were the absolute gold part of the film, with the deadpan 2 days accurate record drawing some of the biggest laughs of the night. Would expect to see this on the shortlist. My main gripes would be that the comedy is probably not going to be everyone's cup of tea given just how silly it is, and the cinematography was servicable at best, although the hyper energy of the film made up for that.

A Bad time in real time

That flying finger was fantastic. Another fun animation out of Dunedin playing up Western tropes and duels over indignation.

Nightlight

I've been sitting and thinking about this film for months and months, umming and ahhing about the thoughts in my brain versus what comes out of my keyboard here. Because ultimately for me this does a number of things better than almost any film I've ever seen in the competition from a technical point of view, but the disjointed, conjoining stylised fairytale narrative genuinely had me scratching me head.

I'm not trying to make this a hot take but this might be the great trailer ever produced in 48 Hours.

The camerawork, direction, edit, grade, sound, music and performances are phenomenal. The coverage is out of this world and yet from a narrative point of view our central conceit is that twin flames will go any lengths for the other person?

Having said that yes it is delivered with nuanced tone and intensity to the point where we buy what you're selling as viewers. The onscreen journey is riveting, uptempo and engaging. There is also a heavy resolution of reality, more akin to BADLANDS than the structural nods to TRUE ROMANCE and NBK that one might expect here.

But honestly being technically so good I was frustrated by the lack of narrative depth to the plot, and felt that being so open ended in nature hurt the story because it made the tech wizardry overshadow the story. And story is king in 48.

The Capillum Affair

Set to a pulsing rhythm an expert thief plans his heist with meticulous detail when he learns that the royal jewels are going to be on display in a Wellington museum. Finely crafted with some top notch framing and precision, the intricate level of thought and detail put into the film were truly impressive. I really liked a lot of the ambiance in the film but yearned for more consistency of lighting as the shots that were heavily grainy took me out of the moment a little bit. The snapshots were also a bit low budget but played to good comedic effect. Also nice work on the end location! Lasers were gold.

Day None

Serious in tone and played with believable authenticity this established a sparse barely inhabited Wellington through quality drone camera work where I honestly don't remember any giveaways like lights being on as well as impressive costuming and set design. With the world set this was well acted mainly in a bunker as a couple of survivalists shared their tales of getting through, and opened up knowing it was unlikely they'd see another person ever again. The radio announcement that the world was coming to an end was a nice touch but could have been made a bit clearer because it was hard to make out all the details. I noted "captivating" on my pad I base these reviews on, and I'll stick to that. Lighting here was out of this world good. Cool vfx to conclude, I do however wish the team had added a bit more originality to their story.

Unforgettable Date

A guy sinks many double browns before we are drawn into a time travel pen pal world between him in 2019 and the woman he is flirting with in 1985, as they exchange notes and personal items through an urn that traverses time and space. The dropback to the 80s was particularly well done with lycra, neon, and synth music whilst his casual "send nudes" approach unfortunately resonated with the modern world of dating and apps. Interplay between our 2 leads was strong, which was particularly impressive given they were never on screen together so the reactions and conveyance of emotion was all through the performers' own doing. I think the payoff was a little bit predictable myself but still a highly enjoyable film.

How to Fix a Broken Heart

Oof. I really really loved your film LundPicturesInc., and it broke my heart to see it DQ, which is a little bit ironic because this film was all about mending broken hearts.

With a surreal tone but played very straight, a man lets his patient know that he has not heard a heart like her's in a long time and uses his expertise to make his way into her heart and break down her walls.

Really great performances, impressive set design and well shot/edited I liked how you pulled a reverse INSIDE OUT with the scenes inside the heart. Not 100% that the falling in love stuff worked, but loved the feeling this invoked.

Story: 3.5/5
Technical: 4.5/5
Elements: 4/5
Overall: 4/5

The Invisible Woman

Sometimes the best 48 Hours films are just a simple idea, executed to perfection and Fabled Motion Pictures delivered an instant classic here driven by an absolutely sensational performance by our lead actor. A hopeless romantic with an open heart and soul shows that love truly is blind with a pitch perfect date where the connection is based on what he feels rather than what he sees.

Upon arriving at the date and his tinder match not being quite what he thought she would be, her pictures being a little bit misleading, the fact it took him 40 minutes to get there and wears his heart on his sleeve means he decides to give love a chance. The tone is set and whilst he may not know much about science like Daisy does, they both love to dance and have a drink, and form an instant connection.

What a charming film. I never once was taken out of a suspension of disbelief of a frankly ridiculous concept, but one that nailed the invisibility element literally better than any other team so far this year.

Fantastic location, fantastic performance, which I keep saying, but the development from nerves to slipping in the tongue to plucking up the courage to say how he really felt only for THAT ending to be sold so well. Wow.

I loved that you were so assured in the direction of your film. This was not a film with great sweeping camera movements or fast cuts. It was leisurely paced and observational, putting us in a relatable position as viewers in comparsion to the protagonists. With a relatable universal subject matter being handled so well, it also brought the house down with the 40 or so people I watched this with at the heat screening. Brilliant.

Story: 4.5/5
Technical: 3.5/5
Elements: 5/5
Overall: 4.5/5

Love In Bloom

Hey Southern Belles, I'm not a judge but I was utterly perplexed by the press conference footage of Jacinda Ardern and Ashley Bloomfield that wasn't just incidental but in fact the key driver for the plot of the film, as our lead actress really got obsessed with our Director-General of Health.

Like to the point of checking out during the heat screening is the level of bewilderment I was at. I appreciate you crediting all sources, and I'm not trying to be a stickler for rules, I was just genuinely wide eyed and shocked that this footage supposedly got clearance for a commercial film competition.

Now after checking out in the heats I've watched this again now and that was a fantastic performance by Rhiannon McCall and well edited as her obsession grew and grew. Loved the cameo by Hamish Parkinson in the end too.

Topical films are always of course pretty common in 48 Hours so whilst you stood out from the pack, I wish wish wish it had been without all that pre-existing footage.

If I'm wrong here and that was all fair game for a commercial film comp then please accept my apologies for bringing so much attention to it.

Story: 2.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 2.5/5

Prick

Despite being stealthy in his break in, a burglar is forced to act quickly and luckily has duct tape to keep the inhabitants out of his way, but he didn't factor in gatekeeping Greg to appear on the scene and chastise his P.R.I.C.K tecnique, or lack thereof.

Really well put together edit and good use of WestOne Music, with a heavy throbbing central song giving the film a sense of urgency and a very dark tone given the subject matter. The black comedy though gave the film an edge as the bureaucrat reminded our lead the importance of risk assessment and health and safety for these kind of operations.

Excellent performances contrasting blue collar and white collar workers, fire and brimstone versus ticking boxes all whilst a bound and gagged couple desperately squirmed to get free.

Overall the script was great, sound design really solid and for the most part camerawork strong. A couple of shots weren't quite as bulletproof focused as others, and the light vs dark tone didn't come off 100% of the time, but most of the time it worked. Honestly don't care where Greg came from, and not knowing made the film better I feel!

Story: 4/5
Technical: 3.5/5
Elements: 4/5
Overall: 4/5

The Finale

A mockumentary of the coverage for gonzo sports broadcaster The Unusual Sports Network of a scavenger hunt in the forrest.

You got a hearty laugh from my 8 year old son when the rules of the game were described as "no cheating, no swearing, and no cheating" but he was also confused to the point of declaring "what even is this?"

That's obviously a bit mean of me, but I just felt like the story beats needed more weight. You had your setup; 'find 3 things' really offers the ability to make each hunt memorable and yet the documentary crew just following the competitors alone or making mean spirited tricks wasn't particularly engaging.

The sports journalist had good screen presence and your sound was pretty good, but too many talking heads and not enough action for my liking.

Story: 1.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2/5

Dead Market

A welfare beneficiary is going to have their benefit cut off and needs to come up with a plan in order to keep their cash flow going. The film shows the reason that their previous jobs have not worked up, and the plan they come up with to bring in the moolah moving forward is sick and twisted but also makes a lot of sense within this film's universe. Of course when the reasons for previous failure include death, extreme burning and woodchipper injuries (was that a nod to WOODCHIPPER MASSACRE?! fucking mad props if it was) you can always use your own bad luck to your advantage going forward, right? Well paced and sickly funny, although could have probably been extended just a little bit more.

The Lurhman Brothers

So I was so blown away by this film (my review book has this a 4.5/5 or 5/5) that I was genuinely curious how on earth you made the film. And then I saw the credits "Images, Datasets and Collages are sourced from Archival Imagery from Museum of New Zealand Te Papa Tongarewa" and holy fuck you guys must be rolling because I saw $600 per image for commercial use! With the public archive being explicitly for non commercial use. Kind of made me sad because I'd have loved to have made a film like this.

Or am I a dummy here? Did you manipulate and or generate all that archived imagery yourself in the space of a weekend?

If so this might be the greatest 48 hours film of all time.

Honestly as a film I absolutely loved this effort. It was unique, chilling, gripping, riveting and haunting. A proper story unraveled through photographs and narration. Pieced together so beautifully it sent shivers down my spine.

But really would genuinely love to pick your brains how you put this together from a technical or image use point of view.

Insomniacal

[DQ] To the sound of what very much sounded like an Eagles guitar line, our lead sings that he is prepared to try anything to get to sleep. This works as a framework for others to give him advise/tips such as working out or seeing a shrink. The Daft Punk style dance-off was definitely the highlight as unfortunately the team did not have any great singers; good choice going with who you did as he was the best of the bunch.

Covert Movements

Toilet jokes, a P.I and an investigation with perfomers playing multiple roles. I'm going to apologise to you right here Cactus, my review notes are scattered possibly from writing in the dark and being tired so I was not really sure what happened in the film from a plot point of view. I recall your lead actress played this very deadpan, and there was a replica tank, but it was just unclear what happened.

Story: ?/5
Technical: 2/5
Elements: 2/5
Overall: Not fair to give a grade sorry. Not sure if that's on me not paying enough attention or if it was genuinely that confusing.

Straight Outta Wellington

So many fish puns and a great comedic use of a puddle - I hope the guy who took the fall got some just reward! Basically an out of town tech-savvy cousin came and struggled to fit in with his athletic relations. Some tightening of the story and use of more dynamic camera angles (almost everything was wide to super wide) would have been of immense benefit however the tennis court ball barrage was gold. Also I saw in the credits a mention that the version of the Happy Days theme song you used was royalty/commercial free and I think you've missed the mark there.

Dubbed

I've been there in 48Hours with making a film across 2 countries, and it's tough to pull off but you really nailed it here. I genuinely love seeing other countries on screen in this competition, and Seoul was so cool to see as the garden of love for our hopeless romantic.

Your lead actor was really charming, selling himself as both a mother's boy and overzealous would be Romeo at the same time. The mother on the end of his phone had some great lines trying to snap him back to reality.

With great initial cringe comedy centered around hobbies or the lack of being ability to communicate them thereof, I loved the rabbit hole journey we were taken on through subways and alleyways, to get some black market help with a particularly great worms eye view in the context that it highlighted something central to the plot.

Cinematically there was so much I loved here. Great coverage, fantastic angles throughout and mixing light and dark imagery where appropriate to punctuate the tone of the story. Sound super good it must be noted and music whilst not a huge part of the film was effectively done where used.

Yeah that payoff was gold, and well earned with a perfectly paced story. Engaging from start to finish. Go into this one blind folks because we're in spoilers ruins the whole film sort of ground here.

Story: 4.5/5
Technical: 4/5
Elements: 4.5/5
Overall: 4.5/5

Sticks and Stones

Couch Kumaras :( Poor, poor Couch Kumaras :( Please get your film in on time next year! You would actually have been a genuine chance to defend your Wellington title (although a little birdy tells me it was the amazing effects in the final cut we saw which did cause you to be late...) had this been eligible. Also loved the big-headed NBA Jam stle intro, guys. Swords, capes, rangers, warriors, spells, swordfights, protection spells, family vengeance, magical objects. Yep I think you had the required tropes of the genre down pretty pat with this one. Also another majestical soundtrack. Really well acted too. Sigh...

The Way Of The Cube

Placeholder review.

Leafmageddon

A more serious effort here this team looks like it could have quite a bit of potential for future years if they decide to stick with the competition. A little talky but good ideas regarding the end of the world being potentially having been caused by someone but also giving them the potential chance to put it right. Ended on a cliffhanger race against time but yet again a good script, and being a short film it was probably good that we didn't get closure either way.

YOLO

What a bizarre coincidence...the second inspirational Wellingotn film of the night called 'Yolo', although this one didn't have to spell out the number of times you live in a life time like the high school team who chose the same name (hint: once). At a books store a couple of brothers have a discussion about how hard the outisde world is - its so dangerous for unlucky Nicky that he needs to wear a helmet at all times. Of course their daily routine is broken up by a female customer who queries their thoughts on friendship. Didn't put enough of a positive spin on things for me to really feel inspired. Tough genres but at least this one shot had a nice sense of claustrophobia inside the shop crammed to the rafters with books.

Quantum Couriers

Boredom is a killer but so is laziness, and I felt this was a thoroughly entertaining expose on generational corner cutting through a tale of time traveling courier siblings.

When a call comes in from the boss, it means that the time to stop playing face taping games has arrived, however the ghost of Halloween 2039 still haunts them when the matter of it being an urgent delivery is riased. What went wrong that previous spooky season is left up to our imagination, but it sets the scene for some number 8 wire ingenuity to get through time and space using tinfoil and suspension of disbelief.

The outlined plot setup was really just a springboard to montage the siblings working together to deliver their payload, and then go for an enjoyable comedic conclusion. It also allowed the closeness of the sibling bond to be further showcased by working together to prep their time traveling car, and the team to play to their strengths with highlighted neon lighting and fantastic, absolutely fantastic original synth based music that felt organic and hummed with impressive bass.

The sound in general was well done. I noticed that you dubbed and it was slightly out of sync at times, but absolutely forgiveable in my book given it made the dialogue clear and easy to follow, and avoided the echoey pitfall of shooting in an open space like a garage that I have seen all too often in this comp, so good move there.

The music was the definite highlight, and the lighting memorable though I did note a little bit of inconsistency with the light just before the time traveling happened.

My main issue would be the story being a little straightforward, and overall tone to proceedings. Moments of gold for sure but I think I would have just liked to have seen more weight given to the trauma of Halloween 2039, or more focus on comedy, or playing up the slightly low budget approach with the tinfoil. Because by not fully committing in tone one way or other it did make the film feel a little uneven. But that soundtrack, sign me up!

Story: 2.5/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3/5

The Algorithm

This was certainly different, as someone gets stuck in a scroll-hole on their phone and we the audience are taken along for the ride watching the person watching said tiktok and ig snippets.

Going for a PSA approach had merit and you're not wrong about the influence of meta and the like, and clearly this was visually unique...BUT, for me, it just didn't work in terms of a narrative. I applaud the inventiveness with your visual but utilising 10% of your screen real estate throughout was not a choice I would have gone with myself. I think given you went so hard on the unique visual meant you really really needed to go ultra hard on the audio, not just capturing what was on the phone but giving us a soundscape that elevated proceedings. Interesting concept but focus on story is key for this comp.

Not All Drug Dealers Wear Capes

Wearing their love for the New Beverly Cinema owner on their sleeve, this superhero film was told in chapters as the two women in the flat played sleuth and speculators regarding their male flatmate's strange behaviour.

A blackeye and a burner phone only add to their paranoia, and it is fun to see them have a eureka! moment by pinning everything on his being a drug dealer. Though at the same time not seeing the forrest from the trees as the guy takes mysterious phone calls and chases people down with the women oblivious.

For mine, the comedic highlight of the film was the line "it's one of 2 things, either drugs...or meth" as the flatmate leading the investigation played is straight on her cork board of findings.

One of the issues for me is that everything lead to a fairly predictable throwaway joke at the end, although I genuinely loved your little VFX fly away shot.

On a technical level I personally felt things just needed more punch, with a couple of audio clicks and fuzz on the soundtrack, whereas some folley or additional sound design could have done wonders.

More punch applies to where the script could have improved too. Whilst I appreciate the idea may have been to make the women as believable everyday people, the audio mix was very quiet to begin the film, with not much emotion or dramatic impact about what they were speculating on until well into the film when we got to the cork board. I'm not saying to have the characters yell but something that indicated the stakes had been raised would have helped the film a lot.

Story: 1.5/5
Technical: 2/5
Elements: 2.5/5
Overall: 2/5

A Tale of Two Bricks

Spandex suits with the 'superhero' eradicating crime but turning those he saves against him, because his moral guidelines are whack and hence the laws being broken may not be as such in terms of actual statutes. Only issue is, the hero in question is the father of the Nicky Brick who has aspirations to dance. This film didn't bother taking itself too seriously which lead to some nice dark humour; the actor who played the senior Brick Barry, was particularly memorable. A good level of colour on screen mixed it up well and whilst some of the jokes fell a bit flat I was engaged. Taking over the family business is never a smooth process if you don't believe in the product.

Tea Jerker

From the over-the-top start of this film I thought initially that there was an early contender for best worst film in Wellington. However, the film actually got a lot better soon after the initial hysterics and you realise what the plot boils down to. Basically the lead gets accused/grilled about wanking crimes by a couple of cops, but the film builds to better and better jizz jokes as it moves forwards. Great manic stuff and there was some superb grading on the cinematography.

Nicky Brick and the Funkys Licks

My favourite high school entry in many a year. Top stuff guys. Our lead has a his breath taken away by the girl of his dreams, but lacks the funk she's after to let him stick it in her (I shit you not, that was the first song and it had the audience in stitches). Not only that, but there are wayfearer/leather jacket rivals who hold a lot more coolness at the start of the film. Of course what's a good love story without having a progression to allow the chance to win a lady back/at least vye for her attentions again? And what's a good 48 hours film without a manic as fuck rainbow tight wearing funk guru? The costume designs were tremendous, montage superb, the camera angles sublime and the pacing was like a runaway train. I wanna go listen to Maggot Brain now. Oh and you had the best use of the prop in the whole competition so far. Badass film on the whole guys, would watch again.

The Gastronaut

I loved how much Southern charm you put into this one with cheese rolls and coffee the order of the day as a local grappled with a symbiotic invasion. For mine, I think it was all good lighthearted fun and several scenes were nicely framed I'd just try and tighten up the audio and lighting a little bit.

Petrified

Eddie Page Productions I'll tell you right now I rewound and replayed your living statues talking about a "steelpotato award" at least four or five times I was so dumbstruck! Simply sensational makeup yet again by this very talented Bay of Plenty team that felt like the wheelers from RETURN TO OZ.

My take on this was that we got a lot of the narrative meat and bones relayed to us via the overlaying House of the Rising Sun inspired song about stoney creatures, advising us all to beware as a monster threatened them nearby.

Nicely done song and the visuals were so striking, with on screen performances strong, with what appeared to be some visual allegories about being stuck in dead end commitments.

The finale did take me as a viewer to a different place and I'm trying to ponder exactly what the film was saying because I found just a little bit of disconnect between the monster element and the narrative presented on screen. Was it commentary on reflection/basilisk/medusa and the mirrored match cup presenting the human element? Perhaps a stretch but seemed like maybe? Highly unique, though.

Hacked Off

Not a mystery film, just had a twist by having Bobby Young dead under the table all along. Because Eclipse Entertainment are being cunts adding multiple reviews to films it's only fair they get half a star for not doing their genre properly.

Apollo 69

Man I don't have too many notes here because I put my pen down pretty quickly and just watched in awe as this beautiful film took over my retinas and brain cells. Easily the most amazing use of stock footage we've seen in the comp so far, and in conjunction with an incredibly pieced together space station given the time constraints, it genuinely felt like we were up there in outer space, running the gamut of emotions that our lead actor did due to loneliness, despite his AI friend DQ's best intentions. Imminent self destruction allowed for imminent self introspection and the most unlikely of connections. Fantastic subversion of genre. Gold use of split screen throughout, driving rather than hindering the story in any way, you finish watching immediately wondering when you can see it again. Answer = Wellington final no doubt, and probably national final too. For those wondering, yes Tim Hamilton dropped the meta 48Hour approach and yes he absolutely delivered the goods, helped in part by a terrific lead actor and one of the most beautiful music scores I've heard composed for the competition by Liam Reid. Literally note perfect. The required 4th wall break also put a huge grin on my face even if took me out of the moment for half a second. Honestly the sort of film that I live for in this comp. So good.

SUPER ANOROC

City finalist? Did I miss something? Pretty surprised you can self-mark as a finalist?! But for a school team this had some incredible moments throughout, with really impressive VFX and graphic work and some genuinely amazing cinematic moments achieved through camerawork, lighting and good sound design.

Like the lab stuff was out of this world. But it did also have a couple of moments not quite as pronounced such as the interview near the start. Did this give the film a handheld verite feel? A little bit, sure, but I would have personally loved to have seen the whole thing at the amazing level I saw at times. Keep that up in particular the difference making lighting and you'll be in finals very soon.

The plot was decent, and whilst going topical with covid was risky, I enjoyed that you subverted your superhero genre by using the antihero element ala BRIGHTBURN but this time to reduce the stress of superhero expectation rather than just being evil (in my book). Bit of a head spinner!

The big thing to work on for me would be a slightly tighter edit and script. Lots of your best moments kicked the ass of most adult teams, though. Great performance by your lead actress, too.

Story: 2.5/5
Technical: 3.5/5
Elements: 3/5
Overall: 3/5

Return to Sender

This film was a great encapsulation of the well known Wayne Gretzky quote, as our lead actress needed to pluck up the courage to take some shots at life and love, as she had very clearly had a 100% rate of missing all the shots she didn't take previously. A clever note here and a stroke of fortune there, this was a pleasing little film.

I think for me, whilst the box was ticked of hesitation turning into taking a chance, I would have just have liked to have seen a little bit more of the failure and a little bit more of the growth that taking a chance brought our lead. Well shot and performed I dug the positive vibe.

Story: 3/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

A Hearts Desire

When an isolated camper attracts the attention of a couple of seriously creepy looking magical creatures that have come up from the nearby camp lake, the dread factor kicks up a notch as they toy with her whilst baring their teeth.

Makeup here was absolutely fantastic. Honestly the atmosphere you created sent shivers down my spine, it was genuinely spooky and evocative, and I was pretty much on the edge of my seat when the 'be careful what you wish for' trope was laid bare. Performers sold the predator/prey so well, I thought to myself this is simply fantastic...best 48 Hours horror film I've seen in years. Placing in Christchurch for certain. Technically on point with an exceptional edit...

...And then that ending, for me, just undid the amazing previous 4 minutes or so of the film.

I mean look, I get it, you didn't want to make a generic horror film and there is every chance that come awards time you will be rewarded for your subversive choices here. It did still leave me with a feeling of mystery and wonder at the universe of the creatures you had created, but it just felt like I had got thrown off the rollercoaster a little bit early.

Story: 3.5/5
Technical: 4.5/5
Elements: 4/5
Overall: 3.5/5

House of 1000 Horses

[DQ] Piss horse is coming for you...mainly set at a frat house with exploding dicks, more exploding dicks, horse pissing, and a woman giving birth to a horse amongst visual atrocities committed to screen. As per usual this was more about the experience of the visual assault than the storyline, which was slightly weaker than previous years; I understand the revenge but given that a lot of the action had no direct connection to piss horse it made it all the more surreal.

The Hunted

Hammer down set pieces were the name of the game here, with small scale nods to the Crazy 88s from KILL BILL via way of RUNNING SCARED, as our lead inventively tried to get away from hitmen who will stop at nothing whether that be ram raiding or dropping down from stories above to take him out by force.

Really appreciated you coming in hard here straight into the action, setting the scene with tension by having an immediate need for the protagonist to be out of sight, and when a quick change resulted in blood shed it was all go.

The pace of the film was manic, almost falling into CRANK territory, with well delivered lines and the utlimate sendup clearly being a nod to the MOST DANGEROUS game, which is genre territory that is almost always a winner (hell, CONFESSIONS OF A PSYCHO CAT is genuinely one of my favourite films of all time).

So absolutely loved the energy, and things were thrilling when a guerilla style approach came in with a hockey stick, probably the NZ equivalent of a mob baseball bat other than a cricket back right?

I do think though that the choreography of the action got a little bit jumbled once the narrative made its way to the inside location, and whilst the frame rate being unusual was no big issue, the blurry shots did take me out of the moment on a fairly regular basis.

Story: 2.5/5
Technical: 2.5/5
Elements: 2/5
Overall: 2.5/5

Final Notice

Murder cover up that appeared to justify self-defence and was really well shot with strong contrast and evening shots in particular popping off the screen. Chemistry between the two friends looking to cover up the murder was palpable and the fake blood was visceral and believable. Went over some dark concepts such as stalking and locking yourself away from the world. I would have loved rather than liked the film if the conclusion had not been foregone and perhaps tried something different such as subversion of expectations.

Bushwhacked

I think this might have had the best sound design out of any film in the Wellington heats, which was absolutely crucial as the team went small scale in terms of a tramperr going through horrific injury after horrific injury, and benefitted massively from the soundscape amplifying what it needed to.

Also, big props for taking on Ultra because a whole lot of teams chickened out this year. The headlamp was a really nice touch to cover this requirement, but also made perfect sense from a plot point of view. Minimal lighting, minimal sense of direction = setting the scene. Despite shooting in the dark everything was clearly shot with tight framing providing a tension to proceedings that allowed the laughs to hit hard given it meant you had the audience's attention focused and in the palm of your hand.

Really well done physical performance by your lead actor as well. He sold the frustration and agony very effectively. The gore FX were low budget but believable also.

All in all this was really well done, and I can only imagine didn't quite make the shortlist due to not having quite enough weight in terms of plot or character development. We were just thrown into things a little bit and a touch of adding who he was as a person rather than arguably simply a body for the splatstick would have potentially elevated this further.

Story: 2.5/5
Technical: 3.5/5
Elements: 4/5
Overall: 3.5/5

Heat Vision Harry and The Barefoot Bandit

After catching a bathroom science experiment in the eyes, young Harry realises that the chemical reaction has given him heat vision! Forward to a year later with a clear refinement in his powers and he now has a folley to catch - The Barefoot Bandit!

This was an entertaining little film that laid out all the tropes you would expect from a superhero film with an origin, some vfx, and a supervillain to contend with. Done by a younger team they were inventive and had a transparent plot so definitely showed up a lot of the adults.

The actor playing Harry did a fine job, with an excellent reaction in particular when his eyes got invaded by chemicals. The PREDATOR-like vision immediately after was a lovely touch to show his powers developing.

The main things that would have helped improve the film further were to do with editing and framing. The ideas were there, they just needed to be streamlined a little bit more. For example the opening scene was long and had a jumpy edit whereas a snappier single take starting after the first cut with him looking up the experiment in the book would have had the audience immediately engaged in the action. Also a close up on the experiment book would have helped a great deal I think.

In terms of framing, I just noticed a shot or two were actors involved in action or running were obscured by a fence shot from a distance. Just for keeping things engaging for action shots, getting a little bit closer to your actors may have helped. Lastly lighting did have some inconsistencies indoors, though I really appreciated the neon bulb that jazzed things up in the opening scene.

But the thing is you did get outdoors! Made the effort for your costumes! Used the invisibility element really well! And after the slowish start really made a fun superhero action film where the inventiveness shone, such as a paper written "explosives room" sign. Well done and thanks for entertaining me.

Story: 2/5
Technical: 2/5
Elements: 3.5/5
Overall: 2/5

Seven 10 Cops

Starting as a high energy reality tv Corn Scene Investigation, Daniel Cook and co quickly got weird; a quick trip down the drain (incredible camera shot) and we're into WONDER SHOWZEN poo-puppets and children of the corn.

I absolutely love this team showing up practically every year in 48 Hours without fail. You absolutely epitomise the incredibly strange film festival origins of this whole competition and it is much better for having you in it.

A police investigation into stolen corn with the officer taking a shit to prove the thief had eaten the yellow vegatables was a bananas storyline, but the ghost poo? The worshipping children? That out of nowhere freeze frame ending?! So batty but wild and energetic.

Most of the comedy absolutely hit for me. Editing as confident as always with no fucking around on exposition, and of course framing and audio tight and clearcut respectively. Not the flashest camera for depth of focus, cinematography etc but definitely got the job done.

You are legit one of the only teams where I don't need or want to give advice to. You're wild and 48 is a weekend to let your originality run wild with not many teams able to hold a candle to you on that front. I know you started in the comp even before me so just hope you appreciate that I love seeing you enter every year. Sorry to see this was a DQ :(

Story: 4/5
Technical: 3/5
Elements: 3.5/5
Overall: 3.5/5

Mind The Gap

A trio of high school girls ponder their lives with exams and cellphones, and compare themselves to the older generation with their craft beer and artisan chocolate. We're also told through exposition that a lot of younger people have been 'crossing over' to the older side when they forget who they are as their younger selves. Bit of a creepy vibe as this isn't just metaphorical but results in completely disappearing from the young universe ala a Thanos snap when you forget your youthful self, or at least this was my take. I appreciated the attempt at subversion however it did have an air of standing around and talking for most of it. I think it would have been a much stronger film if the older generation had not just been talked about but instead properly integrated. I mean I get that the cross over was the integration, but the lack of explanation as to why the cross over was happening despite all the talking meant it was a hard sell in my book. The camera was also very static and for more dynamism I would have suggested not filming most of the film through long shots.

Ripped Off

HOMEWARD BOUND through the lens of a stick family car sticker boy and his beloved pet cat who fall off the back of the station wagon. I really loved the animation here and how it mixed with real life through water splashes, sewers and moving leaves. Clean sound, charming wholesome feel to the whole thing. I was personally impressed I'm just not sure if the story had enough legs to progress further given how many other's footprints it was following (MILO AND OTIS also) but we'll see.

The Calling Card Killer

Good team intro, good script and a good performance by the lead actress. Due to the fact that a serial killer had been giving calling cards to their victims before death, our lead follows each instruction she receives to the letter in a race against the clock (time limits are given on each card). My only real problem was the massive geographical errors in relation to Wellington which happened throughout the film; 10 minutes to run from Oriental Bay to the Botanical Rose Gardens??

Bullies, Nerds and a Weirdo

A group of nerds and a group of dickheads respectively go camping, accidentally in the same place. One group is prepared with tents and supplies, the other kind of wings it but when the leads go wandering in the woods we are treated with comedy when they bump into each other, all the while worrying about the rabbid dog on the loose that was pronounced over the 4 Square Radio. I enjoyed the energy this team brought to proceedings, with some unusual humour. I did notice a few continuity issues though, and lighting became an issue for your evening shots. Big laughs to finish but kind of silly and simplistic in terms of plot for mine.

Bufo

Yuss more puppets. And I'll tell you what, if you read the instructions given for Urban Legend on the 48hours website this was actually one that came closest to what the organisers were looking for in their description. The team took a well known urban legend (licking a frog will make you trip balls) only they told it almost entirely visually rather than relying on a Captain Exposition or 2 to establish their legend like most teams. Having tripped out our lead puppet/actor enjoys some scattered flashing leaves in his vision, is treated to some saxophone in the forest and finally gets transported to the human world. Ok so the setup was fantastic based on the genre requirements and the rest of the film was a little thin plotwise but it was still enjoyable.

Crunch Time

Charming film about biting off slightly more than you chew in order to keep up appearances for familial sake, driven by a fantastic performance by the lead actor whose trust in their pregnant BFF leads to some fantastic comedic moments before the crunch time of a brother's wedding looms.

I liked the authenticity of the script here, with the dynamic between our protagonist and his best friend very believable as being built over a number of years, which was particularly impressive when the two were never on screen in the same shot, building rapport over a series of phone conversations.

Some of the camera shots were out of this world good, such as the guinea pig POV worms eye view shot. Lighting was really on point at times as well, conveying character for prospective wedding partners nicely through mis en scene rather than relying on exposition.

For mine a couple of the shots didn't quite live up to the highlights of the film, editing felt like it could have been a little tighter and I personally found the musical choices whilst fitting with the tone of the film didn't really match the onscreen action, coming across a bit like The Gonk from Dawn of the Dead.

Character building was strong though, with the prospective wedding dates providing comedy gold and even the pressuring nagging 'mum' matching the expectations we had been set as a viewer. Self introspection and realisation of what somebody needs in their life over the course of a 48 hours film is impressive even if done in a very bizarre fashion so well done all around.

Story: 3.5/5
Technical: 3/5
Elements: 3/5
Overall: 3/5

An invitation to eternity

A technically really strong film, with excellent camerawork, editing, lighting and in particular incredibly strong sound design, that presented a slightly abstract tale of inviting oneself to save humanity. Very much verging into the sci fi realm over the assigned genre, but it is hard to take away from how beautiful the film ended up being.

Having been invited to his future new home and given an enternity key, a young boy then interacts with a HER-like interface in 'E.T.I' where he is given a series of timeline tasks to analyse and solve. But staying on track for his quests proves more difficult than expected for our protagonist.

I did really enjoy the meta moments and surreal weird tone of proceedings, but similar to Time Saver by Pie Face in Christchurch, the overall presentation of the film ultimately felt like style over substance, though I will grant you a strong ending did pull things together well, for mine. A stronger, clearer story and you would have been contending at the very least in Taranaki, if not higher up.

Story: 2/5
Technical: 4.5/5
Elements: 2.5/5
Overall: 3/5

R.A.W.W.

It's a genuine pleasure when watching this competition that a film comes along with such visual power that you can't help but sit up and take notice, and that is exactly the way I felt watching R.A.W.W. which just oozed confidence and pulsated with life throughout its runtime.

Technically this was insane. I don't care that the team admitted to not handing in their fully mastered film, every beat had severe impact as though watching a sumptuous high octane ballet. Most impressive to me was how you wrangled a crowd of that size to replicate the local hall semi-pro passionate fans that drive grassroots sports in this country. Editing was out of this world and I'm picking the team to pick up that gong at the nationals.

The story for mine was impressive. It's bloody hard to tell something coherent without dialogue, and arguably this might be a film that needs rewatches to fully understand the nuances of switched places, betrayals and the like because it did come across as blink and you miss it at times. But I felt it was clearcut revenge in reverse in the wrestling ring, and without giving anything away perfectly matched the drama of the soap opera that is professional wrestling.

The reason I'm giving the elements a perfect score on my grading system is that this film, for me, was a mic drop moment in relation to the utilisation of the antihero. This is subject matter that lives and dies on heels, faces and turns and it felt like Great Lake Film Society hit the nail on the head here.

Comparisons in reviewing are generally lazy. It would be easy for me to bring up G.L.O.W., or TENET, but this was its own beast. A barrel of fun with clearly defined characters, which was all the more impressive given this was achieved by body language and costuming which is no small feat. The one slight blip for mine was the fake tattoo sleeves which just seemed every so slightly out of place, but fit with the fun colourful tone of the film.

The other thing that I would be scratching my head about a little bit is just how well the film fit the Race Against Time genre. For me, this worked because of rounds in the ring having a timer, stopping being pinned against the count etc, and so I felt that it subveresely ticked the box, but I just wonder if perhaps that could have been slightly more central to the plot? By no means a criticism, I love subversion, just saying that I thought about it is all. Overall though, amazing.

Story: 4/5
Technical: 5/5
Elements: 5/5
Overall: 4.5/5

The Long Walk Home

Coming in strong on bloodied and bruised trampers on the run from an unseen force or monster, team Such and Such presented a film with urgency and lush cinematic framing to the proceedings. Seemingly inspired by both BIRDBOX and PREDATOR, a heartwrenching choice of whether to run on or go back for a loved one possibly killed by the predator gave it a humanistic touch, and it was a clever move to focus the running time on the conclusion of the hunt.

By quite literally entering the scene late and leaving early, this was textbook leave things to the viewer's imagination to put the pieces together and was the better for it. Believable stress and desperation are quite difficult emotions for actors to pull off, but they handled this well for the most part. I also particularly liked the use of the thermal camera to jazz things up.

For mine, I did feel that the story took inspiration a bit too liberally from the John McTiernan classic, and whilst really well shot and edited, I noticed that the shots inside the car were particularly grainy or compressed, which took me out of the moment a little bit. Sound was particularly impressive, however.

Story: 3/5
Technical: 3.5/5
Elements: 3.5/5
Overall: 3.5/5

The Stile

Technically slick harrowing examination of inner turmoil that had me feeling very uneasy through bloody well-used handheld camerawork and an aurally sinister soundtrack. The lead actress sold the material with immense value showing terrific emotion through her eyes regarding the relationship that she thought was the one most pursuing, with the film being incredibly subversive. Wide open in scope utilising the rolling hills of Canterbury yet intimate in subject matter with a mature hand for framing both the action on screen and development of this slice of life/death. I loved that the film came in late to proceedings and piqued my curiousity with a refusal to reveal the other party's identity, making the conclusion all the more satisfying. Depth of field was on point with literally only a couple of moments where the camera could have been improved. My only minor gripes with the film were that perhaps it was legitmately too subversive of the genre; it had a strong script and the star-crossing of the two was certainly a unique take but the 'lovers' point point could have been argued plus the audio peaked a couple of times. Overall very well done!

Strings Attached

This gave me flashbacks to a film called 'The Manipulator aka BJ Lang Presents'. This is not a good thing. After capturing and sewing up two guys and a girl as human puppets, it is time for us to sit back and watch the show put on by the lead actress who is in control of the actors and the cinema audience. The makeup she put on the captives was creepy at first, and the sewn mouth still is come to think of it, but it got tedious quickly.

Of Two Minds

As a surprise anniversary gift, a woman gives her partner the power to read minds like her when he opens up a small box she gives him. No explanation given, but that works for the better as this enthusiastic origin story works on a couple of levels with the idea of shared love through shared responsibility.

Performances were strong with the pair presented as a very believable loving couple, and the film amplified its story development as it progressed. This was definitely necessary as it was a little bit slow to start, but when the comedic notes of reading minds of the outside world came in things really kicked into gear.

Camerawork was tidy and clean with a lot of energy to how the film was edited. Personally I think the film probably just needed some dramatic momentum that had more weighting than the guy drowning his disappointment in the pub before quickly moving on. But overall nicely done charming film and I applaud you for getting outside and capturing some lovely scenery, as well as the good clean sound.

Story: 3/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Odd Socks

At Odd Socks Anonymous, half a dozen foot anthropomorphic sweaty foot coverings try to come to terms with having lost their other halves, only for a long-time inhabitant of the building to offer hope and chance at redemption in spite of his gruff exterior as the story developed into a heart of darkness quest.

I thought the voice acting of the janitor here was really top notch, presenting a withered old sock who had lived a really hard life and gave the film a neo noir edge with his dark humour in particular the joke about baked milk.

I also liked how you tried to give several of the socks some character with distinctive drawings and memorable histories such as the sock who was relentlessly used by their former owner.

On a further positive not, for mine I liked the animation. A bit more texture to both the socks and backgrounds would have been nice to make the film come alive, but the constant movement of something on screen allowed it to feel organic for the most part. Colour play was strong and whilst sound was a little raw with some peaks, as advised the voice work was really well done so that made up for it.

The slight issues I had with the film is that it felt like a 2 part film with a focused opening half and a focused second half, rather than an organic beginning, middle and end. We were drawn into the group meeting quite suddenly, and then went on the quest when the power went out. For me this was possibily because the speeches of the socks went on a little bit too long and it felt like we were being talked to rather than engaged with at times.

I also wasn't the biggest fan of some of the janitor sock's humour which sometimes felt a bit crude and throwaway, especially given some of his wise words really did hit the mark in other places. He definitely did end up being an antihero, but perhaps the balance of that character was not quite right, for lack of a better word.

But I appreciate you went for it with a detailed script that had some very unique dialogue and the message of not needing a perfect match was resounding. Looking forward to more from you in future for sure.

Story: 2.5/5
Technical: 3/5
Elements: 3.5/5
Overall: 3/5

Scattered

Placeholder review.

Laundry Time

Like a low budget romcom version of Christopher Smith's TRIANGLE, set in a laundromat. Well I guess the budget might have been a bit higher as this team is not marked as disqualified despite having the audacity to use Lana Del Ray's megahit Young and Beautiful to drive proceedings. Um...

Beware of the Dog

Drugs bring out the dog in our lead who absolutely trips balls in this metaphysical disco infused romp.

The self reflection matches with literal reflection was a particularly striking piece of camerawork I felt and loved the kinetic energy running throughout. If you're going to commit to something like this you can't go half assed and I like that Curb Side swung for the fences with their animal adventure.

Good lead performance, really good use of colour palette and pretty good edit. I felt the full circle narrative didn't quite hit its mark but came very close to being extremely satisfying personally.

When the time comes

At a dinner we view a relationship that is obviously not balanced with the alpha male ordering (the wrong) drinks for his clearly frustrated partner. However fate would happen to have it that a third party should come into the mix due to smart phone failures. What progresses is an engaging little film with strong performances and whilst verbally based, knowing the limitless boundaries of film, is also not beyond the realms of possibility. Science fiction setup vs realllly clever plan? Hard to say, either way there was good chemistry between the two playing a game of talk and respond with a nice open ending.

Vicarious

A prisoner liaises with her councillor/attendant that she has been writing to get over the inability to sleep. This was more about the relationship between the two, and lacked any sense of urgency that the genre required. Well shot, but the storyline was unclear.

LOVE.EXE

Genuinely jawdropping 3d animation the likes of which I have never seen before in 48Hours, this absolutely fucking amazing film plays like something you would showreel to Pixar and get hired for on the spot. However it was done I don't really care it instantly reached the absolute upper all time echelon of this competition, and did so without a word being spoken by the characters. Move aside Charlotte by the Linemen (2009 National Champion); there is a new best animated 48hours film for all to marvel over. Effectively inspired by WALL-E, WALKABOUT and the video game JOURNEY the film represents the quest for love that is in all of us; big or small, short or tall, robot or tumbleweed. It could have also fit into dystopian given the vast abandoned desert which may seem some instantly lumping it with Andrew Stanton's film. However the film-making rhythms and beats are so pitch perfect across the less than 4 minute run time that you realise this really is about the search for embrace rather than just for friendship. Beautiful, quirky, charming, melancholic and touching with a spine tingling score that seems to go from Clint Mansell sonics to Thomas Newman delicacy in the blink of an eye. Nevermind the incredible sound design! This might be a huge call but this is possibly the best 48Hours film I have ever seen.

The Imaginary Crime

Who stole the cookie from the cookie jar? Well, a good question and one that takes us 7 minutes to examine. My main concern here was that almost every segment of the film was gathered around telling simplistic jokes. The big letdown was the fact that you introduced the characters and gave them backstories, and then threw these personality traits out the window. Would have actually been fun to see them behave the way you described. Your camera op has a good eye, but the script really needed work.

Gutted

What the hell guys? How are the rest of us genuinely supposed to compete with you when you put together a superteam in 2024 with Conor Cameron and Rosie Howells coming in and firing on all cylinders for these competition legends. Bloody brilliant, outrageous and absolutely a mic drop for gore in the competition.

But better than that, you let your outrageous stomach churning splatter actually drive the perfectly rounded story. You've proven you can do it all from beautiful films, clever and weird and everything in between. I applaud you for just going so incredibly hard at the genre and at basically telling every other team "come at me bro!" and delivering quite probably a knockout punch here. Wow.

The film tells a very funny tale of a Saturday night gathering for Rosie Howell's character's birthday. Her partner sees it as the perfect night to celebrate and strengthen their love and so prepares himself to pop the question.

Only the diamond ends up being swallowed and there's no way this is getting shitted out any time quickly, so out comes the razorblade to dish out the sign of his commitment and affection whilst mutual friends talk about hunting and Southland.

The gore here is absolutely out of this world; I'm talking believable intenstines, livers, blood and kidneys all pouring out of our poor lead who is so lovestruck that the concept of bleeding out doesn't cross his mind let alone his stomach like his razor sharp tool in hand does.

It's all beautifully mixed and contrasted with the oblivious party goers in extremely well shot night time footage that gives the film such fantastic balance. Really great edit and use of folley there. The use of a white shirtt for Conor Cameron was a really nice touch to make everything visually pop as well as squelch in the bathroom. He puts on an absolutely stellar performance.

My only very minor nitpicks are probably the anatomy in certain segments, but when you match cut a sliced sausage with body organs coming out...well, this genuinely will be hard to beat.

For me the ending was the icing on the cake. Both the resolution for the couple and then the cleanup of the gore were just too good. Amazing stuff Couch Kumara.

Dehydra: A Nightmare Musical

A girl who badly needs a friend in her life meets a monster, and from there examined the friendship through a pop ballad, hip hop number and jazz sax number. Unfortunately all the songs in the film had issues for mine and the tone was not enough to distract. The pop ballad whilst seemingly well sung was inaudible due to crackling, the hip hop song was hard to discern because whilst delivered with good flow it lacked diction, and then the jazz number seemed like the team were simply ensuring that they hit their predetermined goal of 3 distinctly different songs. Please don't hate me there was some nice style to the film; the hip hop section in particular was colourful, fun and fast-paced. However technically this film was on the backfoot from the getgo with the opening 30 seconds or so being particularly blurry, grainy or not well lit where it probably needed to be to establish the mood.

Don't Clique

A campaign to stop bulllying that misfires in the worst possible way produced a pretty remarkable tale of pathos via Sergei Eisenstein and A CLOCKWORK ORANGE. Questions of how to stop persecution based on difference were raised but the reality of society and the system was brought to the forefront in a shuddering jolt. A towering showing by the lead actress I noted this taking a bit too long to get going and the sound being a bit flat, although it was clean. Kind of hate the rating system sometimes as genuinely can't decide between a 5 and a 6 out of 7. Consider my rating unofficially a 5.5

Trapped in the Act

Nice take on the genre; I'm guessing you saw the Martin Freeman starring world 48 Hours winner from a couple of years back? A mime in Civic Square felt that they were trapped in a concrete cubile, much to their friends' amusement and his frustration. I thought the switch between scenes of reality and the mind entrapment were exceptional, but the ending came a bit abruptly.

KUNG-FOODOO

Hyper-kinetic warriors must deal with the repercussions of a new companion making their 2 a 3, who grows very attached after their life is saved in the woods. I did not want to peel my eyes away from the screen for a second as the film moved with the pace of a bullet train. Like a comic book come to life, we were greeted with bold colours and daring camera work. I was reminded of many films; Shogun Assassin, Princess Bride and the 36th Chamber of Shaolin immediately coming to mind but this was an original beast all of its own with that incomparable Moffilaide touch. With some fantastic special effects the quest to return to the warrior's sensei many miles away may just be the best film these boys have made. Fantastic.

Crossroads

Shot in black and white, from what I gather to give the impression that everything we do is 50/50 in terms of our choices? Seemed to have an alien sent down to present doors to dimensions that showed everything we do is just a big gamble and linked to the cinematography being a metaphorical allegory of this. I might have it all wrong but the rest of my team was also confused by the whole short.

One For All

Communication is the key to any healthy relationship, but sadly a lot of relationships implode due to shifty behaviours and actions, and the writing is on the wall when our horndog lead jumps on the phone to his mistress the second that his partner leaves for the day.

A forgotten key and we're into the impossible situation of having to hide a naughty secret only for things to really escalate when not all is at it seems in the bedroom.

This film was a weird one for me to watch as I think a cheating guy as the central plot device is fairly dated in 2022. And yet, you had a massive opportunity to explore healthy open relationships but went with the blue balls punchline.

But that wasn't the tone the film was going for, it was a lighthearted romp and well delivered particularly in terms of the editing. Good performances just wished it had gone down a slightly different route, personally.

Story: 2.5/5
Technical: 3/5
Elements: 3/5
Overall: 2.5/5

Nicky and Lucy

Interesting take on the one-shot genre, with an actual attempt at character development as an outcast is followed by her schoolmate from History at school who has never talked to her but sees now as the perfect opportunity. Everything seems to be going swimmingly with smokes offered and stories told to look to get each other onside as friends, but it seems like Mrs Gilbert at the high school has stirred up a few things and this leads to a daring conclusion. The film developed nicely and the young leads conveyed emotion well without dialogue. I just felt the camera work was not quite at the level it probably should have been for this to go from good to very good.

We built and destroyed a full sized cardboard u-boat specifically and only for this competition. also known as “DAS BANANA-BOOT”

Beneath the surface of the water, a sleeping submarine crew is arisen by a call to lunch, whereupon all hell breaks lose thanks to a cabin crew boy hungry for his banana and a superstitious female officer who thinks the ship will be doomed if he eats the ripe yellow fruit.

Holy hell guys the production on this film was literally insane. I've heard potentially weeks of prep went into the skeleton of the set and thanks to a combination of stellar camerawork and impeccable sound design, for the most part I felt like I was right there underwater with whales swimming beside me. Me saying 'for the most part' is probably going to be my most critical part of the review, as it was only a miniscule amount of the film where I did feel like I was watching a set rather than a submarine. Only other minor negative was the invisibility element being throwaway for mine, though funny.

Can I first of all take a minute to gush about the gushing water? Like what. the. actual. FUCK? Just next level! Firstly it felt like an actually believable re-enactment of the stressful moments of TITANIC but then those underwater shots blew my mind.

And the hydraulics. The Hydraulics! Whwoarrr!!! The sparks flying! The fire! It was very much 'how did they do that?!' at several moments throughout the film.

Also that edit was dynamically sublime with silky smooth transitions for example above water to below with superb triangular framed focus and energy so that the film always felt kinetic and alive.

Music was knocked out of the park by Liam Reid with another sublime piece, this time calling to mind Ennio Morricione which gave the whole film a unique spin, yet a perfect spin as the duelists for the banana reflected western duelists in many ways.

But in spite of the insane technical achievement, what I really liked this in this film was the focused storytelling. It all focused on the yellow skinned delicacy and the lengths our 2 rivals would go. This was a film where gears shifted both metaphorically and literally and was all the better for it, with moments of comedic gold whether slapstick or gross working as the beats the audience needed to go from engaged to captivated. Also the heartbeat being the ship itself? Yeah that's good, real good.

Story: 4.5/5
Technical: 5/5
Elements: 4/5
Overall: 4.5/5

talk.

Covering an Average Superhoeroes support group, Boogie did their best with 'Talk' to showcase as many uninspiring heroes as possible within their allocated 5 minute runtime. This included a teleporting hero, one with the power to turn things invsible and yet another who was granted a gift following the bedding of a superwoman.

I have no issue with crude humour and it was the order of the day here, with sexual innuendo, and jokes about anal attacks being the origin story at times. What was a bit jarring however was the sound, which peaked up and down for me quite a bit. I'm always loathe to criticise sound though based on my home theatre playback as it may just be me, but there was a point in the film where perhaps 5 characters were arguing at once that I would struggle to describe as anything other than a cacophony. It was probably done with humour in mind, but it did make me grit my teeth sorry.

I also get that locations are hard to find in 48 Hours, but the group meeting hall did come across as plain, especially when matched with the theoretical dynamism of the superheroes. But that was probably the point given they were 'Average' Superheroes. However, going with a support group for the most part also meant that most of the film was just sitting around and talking.

Apologies for the negativity. As I mentioned earlier I liked your crude humour and there was some decent scriptwork in here not to mention a couple of minor but effective pieces of vfx work.

I personally thought the concluding gag was a miss, but appreciate it will be a funny finale for others depending on your sense of humour.

Story: 2/5
Technical: 2/5
Elements: 3/5
Overall: 2/5

S I S

Oh gawd I forgot the animated lips! Took it to the next level for strangeness in a good way!

a nipple in time

Time travel through nipple twisting, a much better way to spend a Saturday night than having a pizza party with your flatmate right? This was wild. At times wearing its influences directly on its sleeve in relation to a certain Dan Harmon animated show (and DAYS OF FUTURE PAST), but the fact this was an accidental case of breaking the space-time continuum allowed the team to go hard with covering a heck of a lot of different periods in history, both past and future. It also had a bizarrely close parallel in plot structure with last year's Wellington finalist 'A Wine in Time' by Team! but whether the team saw that or not I don't know and a little bit irrelevant, much like their self-declared use of iphone which I honestly wouldn't have noticed if they hadn't hammed it up in the team intro given the high grade cinematography in general. As I alluded to earlier, things got bonkers and fairly promptly, as rip focus basically crammed as many things as they could think of into the maximum allotted running time allowed. I don't think this was the best idea in terms of providing us with a clear storyline, as whilst the jokes came thick and fast from cavemen to talking through instruments via headtrip insanity and colonialists, that's just it, they were jokes and the weighting of any time travel didn't really have any impact on the characters or let the film breathe/the viewer enage. The almost break of the continuum ala Marty McFly was probably the highlight of the film as it actually felt like the inane silliness could have some repercussions. Although I did chortle at the Maccas discussion.

Broken

Bro puns galore like I have never come close to seeing before. The first few minutes of the screening did come across a little awkward with the audience not buying the humour but I did note some good laughs towards the end so well done on sticking to your guns and running with the idea like nobody ever has. Essentially a tale of a lonely obsessive who has had his vernacular developed to the point of only being able to speak in said puns and how he deals with rejection. The story itself was stock standard and from a technical pov quite flat but memorable for 5 minutes of non stop inclusion of the word bro into every word/sentence imaginable. The Leo joke was pretty good.

Mixing Spirits

After getting very tipsy at a party, a woman crashes her car and tragically kills someone, only to be freed 9 days later and get on with her life. Well, she would, if only the aggrieved brother of the victim does not give her grief and then become a constant in her life at AA meetups...

Yeah, that's going to be a pass from me guys. The age inappropriate casting was one thing, but the bigger issues I had with this film were the incredulous storyline and story beats that should have been gutwrenching yet felt wildly inappropriate.

I'm totally cool with suspension of disbelief, but, getting away with manslaughter when blind drunk? C'mon...and then the DUI killer connecting with his victim's brother? Whose 'wife' was out of town? It was honestly the least believable plotline I've seen in many a year. I just wish there had been some genuine exploring of the serious issues like the alcoholism, or the death of the girl, or the trauma for her brother, or growing to overcome these issues.

Your lead actress had good screen presence and serious 48 Hour films can be fantastic. I just think for serious subject matter you need to show impact, growth of characters or ideally both.

Technically OK. Some good camera framing at times, sound was mostly clean and editing fine. So you've clearly got the talent, I would just try a different approach next time.

Story: 1/5
Technical: 2.5/5
Elements: 1/5
Overall: 1/5

Wunderbailout

After hearing that Greece might be sold to a shady businessman to become Southern Germany, a patriot goes an an action packed recovery mission to stop the deal from going down. Before doing this I might let you know that they happened to come out of the harbour dripping wet in some tight togs, which set the tone for the film's style of humour throughout. Not realistic that he will go it alone, he gets a sexy French sidekick in on the act with her being proficient at using baguettes as weapons amongst other talents. Chock full of one liner puns the plot was formulaic but delivered with aplomb.